Arbus, Friedlander, Winogrand

Arbus, Friedlander, Winogrand
Author: Sarah Hermanson Meister
Publisher: Museum of Modern Art, New York
Total Pages: 168
Release: 2017
Genre: Photography
ISBN: 9780870709555

Catalog of an exhibition held at the Museum of Modern Art, New York.

From the Mixed-Up Files of Mrs. Basil E. Frankweiler

From the Mixed-Up Files of Mrs. Basil E. Frankweiler
Author: E.L. Konigsburg
Publisher: Simon and Schuster
Total Pages: 176
Release: 2010-12-21
Genre: Juvenile Fiction
ISBN: 1442431261

Now available in a deluxe keepsake edition! A Time Best YA Book of All Time (2021) Run away to the Metropolitan Museum of Art with E. L. Konigsburg’s beloved classic and Newbery Medal­–winning novel From the Mixed-Up Files of Mrs. Basil E. Frankweiler. When Claudia decided to run away, she planned very carefully. She would be gone just long enough to teach her parents a lesson in Claudia appreciation. And she would go in comfort-she would live at the Metropolitan Museum of Art. She saved her money, and she invited her brother Jamie to go, mostly because be was a miser and would have money. Claudia was a good organizer and Jamie bad some ideas, too; so the two took up residence at the museum right on schedule. But once the fun of settling in was over, Claudia had two unexpected problems: She felt just the same, and she wanted to feel different; and she found a statue at the Museum so beautiful she could not go home until she bad discovered its maker, a question that baffled the experts, too. The former owner of the statue was Mrs. Basil E. Frankweiler. Without her—well, without her, Claudia might never have found a way to go home.

1967, the Last Good Year

1967, the Last Good Year
Author: Pierre Berton
Publisher:
Total Pages: 426
Release: 1997
Genre: Fiction
ISBN:

Few Canadians over the age of forty can forget the feeling of joy and celebration that washed over the country during Canada's centennial year. We were, Pierre Berton reminds us, a nation in love with itself, basking in the warm glow of international applause brought on by the unexpected success of Expo 67 and pumped up by the year-long birthday party that had us all warbling "Ca-na-da, as Bobby Gimby and his gaggle of small children pranced down the byways of the nation. It was a turning-point year, a watershed year--a year of beginnings as well as endings. One royal commission finally came to a close with a warning about the need for a new approach to Quebec. Another was launched to investigate, for the first time, the status of Canadian women. New attitudes to divorce and homosexuality were enshrined in law. A charismatic figure, Pierre Elliott Trudeau, made clear that the state had no place in the bedrooms of the nation. The seeds of Women's Lib, Gay Pride, and even Red Power, were sown in the centennial year. (Of all the pavilions on the Expo site, Berton singles out the Indian pavilion as having the greatest impact.) The country was in a ferment that year. Canadians worried about the Americanization of every institution from the political convention to "Hockey Night in Canada. People talked about the Generation Gap as thousands of flower children held love-ins in city parks. The government tried to respond by launching the Company of Young Canadians, a project that was less than successful. The most significant event of 1967 was Charles de Gaulle's notorious "Vive le Quebec libre!" speech in Montreal. It gave the burgeoning separatist movement a new legitimacy, enhanced by Rene Levesque's departure from the Liberal party later that year. Throughout the book, the author gives us insightful profiles of some of the significant figures of 1967: the centennial activists Judy LaMarsh and John Fisher; the Expo entrepreneurs, Philippe de Gaspe Beaubien and Edward Churchill; Walter Gordon, the fervent nationalist, and his rival, Mitchell Sharp; Lester Pearson and his "bete noire, John Diefenbaker; the three "men of the world" who helped make Canada internationally famous: Marshall McLuhan, Glenn Gould, and Roy Thomson; hippie leaders like David dePoe, American draft dodgers like Mark Satin, women's activists like Doris Anderson and Laura Sabia, youth workers like Barbara Hall, radicals like Pierre Vallieres (author of "White Niggers of America) and such dedicated nationalists as Madame Chaput Rolland and Andre Laurendeau. In spite of the feeling of exultation that marked the centennial year, an opposite sentiment runs through the book like dark thread: the growing fear that the country was facing its gravest crisis. Berton points out that we are far better off today than we were in 1967. "Then why all the hand wringing?" he asks. Because of "the very real fear that the country we celebrated so joyously thirty years ago is in the process of falling apart. "In that sense, 1967 was the last good year before all Canadians began to be concerned about the future of our country."

The Museum

The Museum
Author: Michael S. Sharpiro
Publisher: Bloomsbury Publishing USA
Total Pages: 400
Release: 1990-07-24
Genre: Art
ISBN: 0313387885

This critical bibliography of museum studies comprises an organized collection of essays on the various types of museums--art, natural history, history, science and technology, and folk--and on general aspects--collections, education, exhibitions, etc.--that cut across the media. Most of the essays are cogent, substantial if not comprehensive, and clear. The editor has taken care to see that they follow a similar format of historical essay followed by a full bibliography of items discussed. Library Journal As the number of museums in the United States has grown to more than 6500 in this century, the museum profession has experienced similar growth. In addition to academic training and accreditation programs in the field, an expanding body of literature on museum history, philosophy, and functions has evolved, little of which has received the critical attention it deserves. This reference volume serves as an up-to-date guide to this wealth of literature, identifying and evaluating works that introduce the general reader, the museum studies student, and the beginning professional to the history, philosophy, and functions of museums. The volume presents a series of informative, historical outlines and critical bibliographic essays on all aspects of museum history, philosophy, and functions. Contributors treat such subjects as art museums, natural history museums, science and technology museums, history museums, collections, exhibition, education and interpretation, and the public and museums. Each chapter consists of an introductory historical narrative, a survey of sources, and a bibliographic checklist that contains cited and additional sources. A set of appendices include a geographically organized bibliography of museum directories, a guide to archives and special collections, and a selective list of museum-related periodicals. The book concludes with a comprehensive general subject index. This work will be an important reference tool for museum professionals and cultural historians, as well as for courses in museum studies. It will also be a valuable addition to both academic and public libraries.