Latin American & Caribbean Art
Author | : Museum of Modern Art (New York, N.Y.) |
Publisher | : |
Total Pages | : 188 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
Katalog til udstilling på El Museo del Barrio, New York. March 4-July 25, 2004
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Author | : Museum of Modern Art (New York, N.Y.) |
Publisher | : |
Total Pages | : 188 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
Katalog til udstilling på El Museo del Barrio, New York. March 4-July 25, 2004
Author | : Elia Alba |
Publisher | : Rm |
Total Pages | : 336 |
Release | : 2021-06-29 |
Genre | : |
ISBN | : 9788417975692 |
Documenting the Barrio's first national survey of Latinx art, featuring more than 40 artists from the US and Puerto Rico This publication features the work of the 42 participating artists and collectives included in the highly anticipated titular exhibition organized by El Museo del Barrio in New York. The result of two years of research, this project is the museum's first nationwide exhibition and publication exploring the diverse landscape of contemporary Latinx artists working in the United States and Puerto Rico. The volume includes an essay by the curators, a conversation between some of the artists conducted by artist Elia Alba as part of her Supper Club series and illustrated, individual short interviews with the participants. A closing anthology brings together poems and excerpts of essays by Lourdes Alberto, Ariana Brown, Karla Cornejo Villavicencio, Deborah Cullen, Carolina Ponce de León, Esteban Jefferson, Ed Morales, Alan Pelaez Lopez, Dixa Ramírez d'Oleo, Rose Salseda and Adriana Zavala.
Author | : Arlene Dávila |
Publisher | : Duke University Press |
Total Pages | : 165 |
Release | : 2020-07-24 |
Genre | : Art |
ISBN | : 1478008857 |
In Latinx Art Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world.
Author | : Boston, Mass. Isabella Stewart Gardner Museum |
Publisher | : Yale University Press |
Total Pages | : 170 |
Release | : 1995-01-01 |
Genre | : Art |
ISBN | : 9780300063417 |
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
Author | : Linda Beech |
Publisher | : Scholastic Inc. |
Total Pages | : 32 |
Release | : 1995 |
Genre | : Juvenile Nonfiction |
ISBN | : 9780590484121 |
A book about sound.
Author | : Lauren Rosati |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2012-09-14 |
Genre | : Art |
ISBN | : 0262017962 |
A groundbreaking history of pioneering alternative art venues in New York where artists experimented, exhibited, and performed outside the white cube and the commercial mainstream. This groundbreaking book—part exhibition catalogue, part cultural history—chronicles alternative art spaces in New York City since the 1960s. Developed from an exhibition of the same name at Exit Art, Alternative Histories documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites—including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others—that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated. Through interviews, photographs, essays, and archival material, Alternative Histories tells the story of such famous sites and organizations as Judson Memorial Church, Anthology Film Archives, A.I.R. Gallery, El Museo del Barrio, Franklin Furnace, and Eyebeam, as well as many less well-known sites and organizations. Essays by the exhibition curators and scholars, and excerpts of interviews with alternative space founders and staff, provide cultural and historical context. Contributors Jacki Apple, Papo Colo, Jeanette Ingberman, Melissa Rachleff, Lauren Rosati, Mary Anne Staniszewski, Herb Tam Interviewees Steve Cannon, Rhys Chatham, Peter Cramer and Jack Waters, Carol Goodden, Alanna Heiss, Bob Lee, Joe Lewis, Inverna Lockpez, Ann Philbin, Anne Sherwood Pundyk and Karen Yama, Irving Sandler, Adam Simon, Martha Wilson
Author | : Deborah Cullen |
Publisher | : Yale University Press |
Total Pages | : 292 |
Release | : 2009 |
Genre | : Art |
ISBN | : |
An examination of the pioneering Caribbean and Latin American artists who resided in New York prior to WWII and shaped the American avant-garde Between 1900 and 1942, New York City was the site of extraordinary creative exchange where artists could share ideas in a global context. The swiftly changing urban landscape before and between the World Wars inspired the erosion of artistic boundaries and fostered a new climate of modernist experimentation. Nexus New Yorkfocuses on key artists from the Caribbean and Latin America who entered into dynamic cultural and social dialogues with the American-based avant-garde and participated in the development of a new modern discourse. Featuring both celebrated and little-known figures of this period, including Carlos Enríquez, Alice Neel, Marius de Zayas, Francis Picabia, Joaquín Torres-Garcia, José Clemente Orozco, Matta, and Robert Motherwell, contributing authors also discuss the specific environments in which they flourished, including the Art Students League, the Siqueiros Experimental Workshop, and the New School for Social Research. A fascinating look at 20th-century modernism, this book provides the first view of the important encounters between artists of the Americas. Published in association with El Museo del Barrio, New York Exhibition Schedule: El Museo del Barrio, New York (10/17/09 - 2/28/10)
Author | : Marina Pacini |
Publisher | : Yale University Press |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Art |
ISBN | : 9780300203790 |
A highly-anticipated volume that elucidates Marisol's artistic evolution and reestablishes her as a major figure in postwar American art The Paris-born, Venezuelan artist Marisol (b. 1930) burst onto the 1960s New York art scene with large figural sculptures in a wild amalgam of mixed media. Often satirical, Marisol's art is inspired by sources as diverse as Pre-Columbian art, folk art, Cubism, and Surrealism. For the past several decades, however, Marisol has shunned the spotlight and her artwork has been overlooked as a result. Accompanying the first retrospective of Marisol's work in more than a decade, this long-awaited and beautifully illustrated volume offers a much-needed corrective, reestablishing her role as a major figure in postwar American art. Essays by leading scholars of Latin American and 20th-century art explore all facets of her work including her influences, the theme of family, American politics and pop culture, Native American rights and poverty, her role as a female artist, and her relationship to Latin America and Latin American art. Published in association with the Memphis Brooks Museum of Art Exhibition Schedule: Memphis Brooks Museum of Art (06/14/14-09/07/14) El Museo del Barrio (10/09/14-01/10/15)
Author | : David Breslin |
Publisher | : Whitney Museum of American Art |
Total Pages | : 264 |
Release | : 2022-04-26 |
Genre | : |
ISBN | : 9780300263893 |
Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.