The Museum Experience

The Museum Experience
Author: John H Falk
Publisher: Routledge
Total Pages: 225
Release: 2016-06-16
Genre: Social Science
ISBN: 131541788X

In the first book to take a "visitor's eye view" of the museum visit, Falk and Dierking present research findings to demonstrate people's motivations for visiting museums and how museum professionals can enhance their visitors' experiences.

Museum Experience Revisited

Museum Experience Revisited
Author: John H Falk
Publisher: Left Coast Press
Total Pages: 418
Release: 2013
Genre: Art
ISBN: 1611320453

The first book to take a "visitor's eye view" of the museum visit, updated to incorporate advances in research, theory, and practice in the museum field over the last twenty years.

The Museum as Experience

The Museum as Experience
Author: Dario Gamboni
Publisher:
Total Pages: 0
Release: 2020-01-16
Genre: Museum techniques
ISBN: 9782503583518

It argues that artists' and collectors' museums are best understood as 'author museums' and make it possible to enjoy and study display as a mode of expression and communication, an art of assemblage and installation avant la lettre, and a challenge for interpretation. Dario Gamboni is a professor of art history at the University of Geneva and has been a guest teacher and researcher at many institutions in Europe, the Americas and Asia. He has curated several exhibitions and is the author of numerous books including The Destruction of Art: Iconoclasm and Vandalism since the French Revolution (London/New Haven, 1997) and Potential Images: Ambiguity and Indeterminacy in Modern Art (London, 2002).

Identity and the Museum Visitor Experience

Identity and the Museum Visitor Experience
Author: John H Falk
Publisher: Routledge
Total Pages: 302
Release: 2016-06-16
Genre: Art
ISBN: 1315427044

Drawing upon a career in studying museum visitors, renowned researcher John Falk attempts to create a predictive model of visitor experience, one that can help museum professionals better meet those visitors’ needs.

Designing for the Museum Visitor Experience

Designing for the Museum Visitor Experience
Author: Tiina Roppola
Publisher: Routledge
Total Pages: 338
Release: 2013-03-05
Genre: Art
ISBN: 1135090599

Exhibition environments are enticingly complex spaces: as facilitators of experience; as free-choice learning contexts; as theaters of drama; as encyclopedic warehouses of cultural and natural heritage; as two-, three- and four-dimensional storytellers; as sites for self-actualizing leisure activity. But how much do we really know about the moment-by-moment transactions that comprise the intricate experiences of visitors? To strengthen the disciplinary knowledge base supporting exhibition design, we must understand more about what ‘goes on’ as people engage with the multifaceted communication environments that are contemporary exhibition spaces. The in-depth, visitor-centered research underlying this book offers nuanced understandings of the interface between visitors and exhibition environments. Analysis of visitors’ meaning-making accounts shows that the visitor experience is contingent upon four processes: framing, resonating, channeling, and broadening. These processes are distinct, yet mutually influencing. Together they offer an evidence-based conceptual framework for understanding visitors in exhibition spaces. Museum educators, designers, interpreters, curators, researchers, and evaluators will find this framework of value in both daily practice and future planning. Designing for the Museum Visitor Experience provides museum professionals and academics with a fresh vocabulary for understanding what goes on as visitors wander around exhibitions.

The Destruction of Art

The Destruction of Art
Author: Dario Gamboni
Publisher: Reaktion Books
Total Pages: 529
Release: 2007-05-15
Genre: Art
ISBN: 1861893167

"This is the first comprehensive examination of modern iconoclasm. Dario Gamboni looks at deliberate attacks carried out - by institutions as well as individuals - on paintings, buildings, sculptures and other works of art in the nineteenth and twentieth centuries. Truly international in scope, "The Destruction of Art" examines incidents, some comic and others disquieting, in the USA, France, the former Soviet Union and other eastern bloc states, Britain, Switzerland, Germany and elsewhere. Motivated in the first instance by the recent destruction of many monuments in Europe's former Communist states, which challenged the assumption that iconoclasm was truly a thing of the past, the author has discovered just how widespread the destruction of art is today, manifested in explicable and inexplicable vandalism, political protest and censorship of all sorts. Dario Gamboni examines the relationship between contemporary destructions of art, older forms of iconoclasm and the development of modern art. His analysis is illustrated by case studies from Europe and the United States, from Suffragette protests in London's National Gallery to the controversy surrounding the removal of Richard Serra's Tilted Arc in New York and the resultant debate on artists' moral rights. "The Destruction of Art" asks what iconoclasm can teach us about the place of works of art and material culture in society. The history of iconoclasm is shown to reflect, and to contribute to, the changing and conflicting definitions of art itself." -- BOOK JACKET.

Teaching in the Art Museum

Teaching in the Art Museum
Author: Rika Burnham
Publisher: Getty Publications
Total Pages: 182
Release: 2011
Genre: Art
ISBN: 1606060589

Teaching in the Art Museum investigates the mission, history, theory, practice, and future prospects of museum education. In this book Rika Burnham and Elliott Kai-Kee define and articulate a new approach to gallery teaching, one that offers groups of visitors deep and meaningful experiences of interpreting art works through a process of intense, sustained looking and thoughtfully facilitated dialogue.--[book cover].

Digital Technologies and the Museum Experience

Digital Technologies and the Museum Experience
Author: Loïc Tallon
Publisher: Rowman Altamira
Total Pages: 264
Release: 2008-08-28
Genre: Business & Economics
ISBN: 0759112371

The biggest trend in museum exhibit design today is the creative incorporation of technology. Digital Technologies and the Museum Experience: Handheld Guides and Other Media explores the potential of mobile technologies (cell phones, digital cameras, MP3 players, PDAs) for visitor interaction and learning in museums, drawing on established practice to identify guidelines for future implementations.

Designing Museum Experiences

Designing Museum Experiences
Author: Mark Walhimer
Publisher: Rowman & Littlefield
Total Pages: 203
Release: 2021-12-19
Genre: Business & Economics
ISBN: 1538150484

Designing Museum Experiences is a “how-to” book for creating visitor-centered museums that emotionally and intellectually connect with museum visitors, stakeholders, and donors. Museums are changing from static, monolithic, and encyclopedic institutions to institutions that are visitor-centric, with shared authority that allows museum and visitors to become co-creators in content creation. Museum content is also changing, from static content to dynamic, evolving content that is multi-cultural and transparent regarding the evolution of facts and histories, allowing multi-person interpretations of events. Designing Museum Experiences leads readers through the methods and tools of the three stages of a museum visit (Pre-visit, In-Person Visit, and Post-visit), with a goal of motivating visitors to return and revisit the museum in the future. This museum visitation loop creates meaningful intellectual, emotional, and experiential value for the visitor. Using the business-world-proven methodologies of user centered design, Museum Visitor Experience leads the reader through the process of creating value for the visitor. Providing consistent messaging at all touchpoints (website, social media, museum staff visitor services, museum signage, etc.) creates a trusted bond between visitor and museum. The tools used to increase understanding of and encourage empathy for the museum visitor, and understand visitor motivations include: Empathy Mapping, Personas, Audience segmentation, Visitor Journey Mapping, Service Design Blueprints, System Mapping, Content Mapping, Museum Context Mapping, Stakeholder Mapping, and the Visitor Value Proposition. In the end, the reason for using the tools is to empower visitors and meet their emotional and intellectual needs, with the goal of creating a lifelong bond between museum and visitor. This is especially important as museums face a new post COVID-19 reality; only the most nimble, visitor-centered museums are likely to survive. The companion website to Designing Museum Experiences features: Links to additional visitor-centered museum information Downloadable sample documents and templates Bibliography of sources for further reading Online glossary of museum visitor experience terms Daily checklists of “how-to” provide and receive visitor-centered experiences More than 50 associated Designing Museum Experiences documents

The Participatory Museum

The Participatory Museum
Author: Nina Simon
Publisher: Museum 2.0
Total Pages: 391
Release: 2010
Genre: Art
ISBN: 0615346502

Visitor participation is a hot topic in the contemporary world of museums, art galleries, science centers, libraries and cultural organizations. How can your institution do it and do it well? The Participatory Museum is a practical guide to working with community members and visitors to make cultural institutions more dynamic, relevant, essential places. Museum consultant and exhibit designer Nina Simon weaves together innovative design techniques and case studies to make a powerful case for participatory practice. "Nina Simon's new book is essential for museum directors interested in experimenting with audience participation on the one hand and cautious about upending the tradition museum model on the other. In concentrating on the practical, this book makes implementation possible in most museums. More importantly, in describing the philosophy and rationale behind participatory activity, it makes clear that action does not always require new technology or machinery. Museums need to change, are changing, and will change further in the future. This book is a helpful and thoughtful road map for speeding such transformation." -Elaine Heumann Gurian, international museum consultant and author of Civilizing the Museum "This book is an extraordinary resource. Nina has assembled the collective wisdom of the field, and has given it her own brilliant spin. She shows us all how to walk the talk. Her book will make you want to go right out and start experimenting with participatory projects." -Kathleen McLean, participatory museum designer and author of Planning for People in Museum Exhibitions "I predict that in the future this book will be a classic work of museology." --Elizabeth Merritt, founding director of the Center for the Future of Museums