The Mulatto In The United States
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| Author | : A. B. Wilkinson |
| Publisher | : UNC Press Books |
| Total Pages | : 337 |
| Release | : 2020-08-06 |
| Genre | : Social Science |
| ISBN | : 146965900X |
The history of race in North America is still often conceived of in black and white terms. In this book, A. B. Wilkinson complicates that history by investigating how people of mixed African, European, and Native American heritage—commonly referred to as "Mulattoes," "Mustees," and "mixed bloods"—were integral to the construction of colonial racial ideologies. Thousands of mixed-heritage people appear in the records of English colonies, largely in the Chesapeake, Carolinas, and Caribbean, and this book provides a clear and compelling picture of their lives before the advent of the so-called one-drop rule. Wilkinson explores the ways mixed-heritage people viewed themselves and explains how they—along with their African and Indigenous American forebears—resisted the formation of a rigid racial order and fought for freedom in seventeenth- and eighteenth-century societies shaped by colonial labor and legal systems. As contemporary U.S. society continues to grapple with institutional racism rooted in a settler colonial past, this book illuminates the earliest ideas of racial mixture in British America well before the founding of the United States.
| Author | : Joel Williamson |
| Publisher | : LSU Press |
| Total Pages | : 0 |
| Release | : 1995-10-01 |
| Genre | : History |
| ISBN | : 0807120359 |
New People is an insightful historical analysis of the miscegenation of American whites and blacks from colonial times to the present, of the “new people” produced by these interracial relationships, and of the myriad ways in which miscegenation has affected our national culture. Because the majority of American blacks are in fact of mixed ancestry, and because mulattoes and pure blacks ultimately combined their cultural heritages, what begins in the colonial period as mulatto history and culture ends in the twentieth century as black history and culture. Thus, understanding the history of the mulatto becomes one way of understanding something of the experience of the African American. Williamson traces the fragile lines of color and caste that have separated mulattoes, blacks, and whites throughout history and speculates on the effect that the increasing ambiguity of those lines will have on the future of American society.
| Author | : April J. Mayes |
| Publisher | : University Press of Florida |
| Total Pages | : 195 |
| Release | : 2022-04-19 |
| Genre | : History |
| ISBN | : 0813072581 |
“Impels the reader to not lean solely on the crutch of Dominican anti-Haitianism in order to understand Dominican identity and state formation. Mayes proves that there was a multitude of factors that sharpen our knowledge of the development of race and nation in the Dominican Republic.”—Millery Polyné, author of From Douglass to Duvalier “A fascinating book. Mayes discusses the roots of anti-Haitianism, the Dominican elite, and the ways in which race and nation have been intertwined in the history of the Dominican Republic. What emerges is a very interesting and engaging social history.”—Kimberly Eison Simmons, author of Reconstructing Racial Identity and the African Past in the Dominican Republic The Dominican Republic was once celebrated as a mulatto racial paradise. Now the island nation is idealized as a white, Hispanic nation, having abandoned its many Haitian and black influences. The possible causes of this shift in ideologies between popular expressions of Dominican identity and official nationalism has long been debated by historians, political scientists, and journalists. In The Mulatto Republic, April Mayes looks at the many ways Dominicans define themselves through race, skin color, and culture. She explores significant historical factors and events that have led the nation, for much of the twentieth century, to favor privileged European ancestry and Hispanic cultural norms such as the Spanish language and Catholicism. Mayes seeks to discern whether contemporary Dominican identity is a product of the Trujillo regime—and, therefore, only a legacy of authoritarian rule—or is representative of a nationalism unique to an island divided into two countries long engaged with each other in ways that are sometimes cooperative and at other times conflicted. Her answers enrich and enliven an ongoing debate. Publication of this digital edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
| Author | : Donald Bogle |
| Publisher | : Burns & Oates |
| Total Pages | : 454 |
| Release | : 2003 |
| Genre | : Performing Arts |
| ISBN | : 9780826415189 |
This study of black images in American motion pictures, is re-issued for its 30th anniverary in its 4th edition. It includes the entire 20th century through black images in film, from the silent era to the unequalled rise of the new African American cinema and stars of today. From The Birth of a Nation, Gone with the Wind, and Carmen Jones to Shaft, Do the Right Thing, Waiting to Exhale, The Hurricane, and Bamboozled, Donald Bogle reveals the way the image of blacks in American cinema has changed - and also the shocking way in which it has often remained the same.
| Author | : Carlton Dubois Mcclain |
| Publisher | : Createspace Independent Pub |
| Total Pages | : 130 |
| Release | : 2014-03-24 |
| Genre | : History |
| ISBN | : 9781497443310 |
This original historiographical book, “Mulattoes in the Postbellum South and Beyond: The Invisible Legacy of an Afro-European People, Custom, and Class in America's Binary and Three-Tier Societies,” puts Carlton Dubois McClain's ancestral pedigree into perspective within the context of the historical circumstances relevant to those various unions that occurred between Africans, Europeans, and Native Americans in his lineage. In using his own ancestral family as both a case in point and a solidifier of his argument, Carlton Dubois McClain strives to build a historical framework as to the condition of historically mixed-race people in the Postbellum South (or the Southern United States after the American Civil War). In doing so, it is his aspiration that this book brings light to the occurrences pertinent to the historical multi-ethnicity within the United States of America.
| Author | : Warren Eugene Milteer Jr. |
| Publisher | : LSU Press |
| Total Pages | : 312 |
| Release | : 2020-07-01 |
| Genre | : History |
| ISBN | : 0807173770 |
In North Carolina’s Free People of Color, 1715–1885, Warren Eugene Milteer Jr. examines the lives of free persons categorized by their communities as “negroes,” “mulattoes,” “mustees,” “Indians,” “mixed-bloods,” or simply “free people of color.” From the colonial period through Reconstruction, lawmakers passed legislation that curbed the rights and privileges of these non-enslaved residents, from prohibiting their testimony against whites to barring them from the ballot box. While such laws suggest that most white North Carolinians desired to limit the freedoms and civil liberties enjoyed by free people of color, Milteer reveals that the two groups often interacted—praying together, working the same land, and occasionally sharing households and starting families. Some free people of color also rose to prominence in their communities, becoming successful businesspeople and winning the respect of their white neighbors. Milteer’s innovative study moves beyond depictions of the American South as a region controlled by a strict racial hierarchy. He contends that although North Carolinians frequently sorted themselves into races imbued with legal and social entitlements—with whites placing themselves above persons of color—those efforts regularly clashed with their concurrent recognition of class, gender, kinship, and occupational distinctions. Whites often determined the position of free nonwhites by designating them as either valuable or expendable members of society. In early North Carolina, free people of color of certain statuses enjoyed access to institutions unavailable even to some whites. Prior to 1835, for instance, some free men of color possessed the right to vote while the law disenfranchised all women, white and nonwhite included. North Carolina’s Free People of Color, 1715–1885 demonstrates that conceptions of race were complex and fluid, defying easy characterization. Despite the reductive labels often assigned to them by whites, free people of color in the state emerged from an array of backgrounds, lived widely varied lives, and created distinct cultures—all of which, Milteer suggests, allowed them to adjust to and counter ever-evolving forms of racial discrimination.
| Author | : Judith Rae Berzon |
| Publisher | : |
| Total Pages | : 416 |
| Release | : 1973 |
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| Publisher | : Ardent Media |
| Total Pages | : 416 |
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| Author | : Allyson Hobbs |
| Publisher | : Harvard University Press |
| Total Pages | : 395 |
| Release | : 2014-10-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 067436810X |
Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.
| Author | : Franklin Franco |
| Publisher | : Routledge |
| Total Pages | : 131 |
| Release | : 2015-04-24 |
| Genre | : History |
| ISBN | : 1317665295 |
Blacks, Mulattos, and the Dominican Nation is the first English translation of the classic text Los negros, los mulatos y la nación dominicana by esteemed Dominican scholar Franklin J. Franco. Published in 1969, this book was the first systematic work on the role of Afro-descendants in Dominican society, the first society of the modern Americas where a Black-Mulatto population majority developed during the 16th century. Franco’s work, a foundational text for Dominican ethnic studies, constituted a paradigm shift, breaking with the distortions of traditional histories that focused on the colonial elite to place Afro-descendants, slavery, and race relations at the center of Dominican history. This translation includes a new introduction by Silvio Torres-Saillant (Syracuse University) which contextualizes Franco's work, explaining the milieu in which he was writing, and bringing the historiography of race, slavery, and the Dominican Republic up to the present. Making this pioneering work accessible to an English-speaking audience for the first time, this is a must-have for anyone interested in the lasting effects of African slavery on the Dominican population and Caribbean societies.
