German Romantic Literature

German Romantic Literature
Author: Ralph Tymms
Publisher: Routledge
Total Pages: 366
Release: 2020-01-30
Genre: Literary Collections
ISBN: 1000760154

Originally published in 1955, this book discusses Romantic principles and their interpretation in literary practice, supported by the documentation (with translations) of numerous quotations from the writings of the romantic authors themselves. The emphasis lies on the evolution of Romantic ideas and practices in Germany, in the establishment and formulation of romantic theory by its first exponents.

Heinrich Von Kleist: Writing After Kant (Studies in German Literature, Linguistics, and Culture)

Heinrich Von Kleist: Writing After Kant (Studies in German Literature, Linguistics, and Culture)
Author: Timothy J. Mehigan
Publisher: Camden House
Total Pages: 246
Release: 2011
Genre: Literary Criticism
ISBN: 1571135189

Kleist viewed anew as a major contributor to the tradition of post-Kantian thought. The question of Heinrich von Kleist's reading and reception of Kant's philosophy has never been satisfactorily answered. The present study aims to reassess this question, particularly in the light of Kant's rising importance for the humanities today. It argues not only that Kleist was influenced by Kant, but also that he may be understood as a Kantian, albeit an unorthodox one. The volume integrates material previously published by the author, now updated, with new chapters to form a greater whole. What results is a coherent set of approaches that illuminates the question of Kleist's Kantianism from different points of view. Kleist is thereby understood not only as a writer but also as a thinker - one whose seriousness of purpose and clarity of design compares with that of other early expositors of Kant's thought such as Reinhold and Fichte. Through the locutions and idioms of fiction and the essay, Kleist becomes visible for the first time as an original contributor to the tradition of post-Kantian ideas. Tim Mehigan is Professorial Chair of German in the Department of Languages and Cultures at the University of Otago, New Zealand, and Honorary Professor in the School of Languages and Comparative Cultural Studies at the University of Queensland, Australia.

The Duel

The Duel
Author: Heinrich von Kleist
Publisher: Melville House
Total Pages: 66
Release: 2011-08-16
Genre: Fiction
ISBN: 161219074X

About This Book "No amount of wisdom could possibly make sense of the mysterious verdict which God intended through this duel." A new translation of a key work by one of European literature’s most important early writers. One of the few novellas written by the master German playwright, The Duel was considered by Thomas Mann and others to be one of the great works of German literature. The story of a virtuous woman slandered by a nobleman, it is a precise study of a subject that fascinated von Kleist: That people are sometimes seemingly punished for their very innocence. This Is An Enhanced eBook This eBook contains Illuminations—additional curated material that expand the world of Kleist’s novella through text and illustrations—at no additional charge. "Illuminations" contains writings by Paul the Deacon - J.G. Millingen - Sir Walter Scott - Johann Ludwig Uhland - Miguel de Cervantes - Andrew Lang - John Carl Blankenagel - Louis and Regis Senac - Alfred Hutton - Fiore de Liberi and a collection of the twelve laws of chivalry. Illustrations include: Gerhard von Kugelgen - Johannes Gehrts - Jörg Breu Jüngere and Pauls Hector Mair - Achilles Emperaire - George Muhlberg and others. Also included is The Duelist’s Supplement – “The Art of Dueling: How To Shoot and Slash Your Way To Satisfaction” which includes an entire facsimile scan of Fior de Liberi's Flower of Battle.

The Poetics of Death

The Poetics of Death
Author: Beatrice Martina Guenther
Publisher: State University of New York Press
Total Pages: 230
Release: 1996-07-12
Genre: Biography & Autobiography
ISBN: 1438405200

Traditionally, the act of writing constitutes a challenge to the finality of death. Yet "writing" as a subject for literary texts has its own tradition of imagery whose rhetoric is associated with loss rather than immortality. The limit of death seems to force a more explicit analysis of the process of writing. Writers consider the impact of their work on their readers, or re-articulate the link between the written text and the subject it is meant to represent. Each writer constructs a "subversive" text. The conjunction of writing and death—besides highlighting or demystifying the creative act—leads in each case to a decidedly critical stance. Guenther examines how Kleist's and Balzac's representations of death bring with them a critical awareness that calls attention to the historical context in which the texts are produced.