The Most Famous Traditional African Songs
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| Author | : Victor Kofi Agawu |
| Publisher | : Oxford University Press |
| Total Pages | : 389 |
| Release | : 2016 |
| Genre | : History |
| ISBN | : 0190263202 |
The world of Sub-Saharan African music is immensely rich and diverse, containing a plethora of repertoires and traditions. In The African Imagination in Music, renowned music scholar Kofi Agawu offers an introduction to the major dimensions of this music and the values upon which it rests. Agawu leads his readers through an exploration of the traditions, structural elements, instruments, and performative techniques that characterize the music. In sections that focus upon rhythm, melody, form, and harmony, the essential parts of African music come into relief. While traditional music, the backbone of Africa's musical thinking, receives the most attention, Agawu also supplies insights into popular and art music in order to demonstrate the breadth of the African musical imagination. Close readings of a variety of songs, including an Ewe dirge, an Aka children's song, and Fela's 'Suffering and Smiling' supplement the broader discussion. The African Imagination in Music foregrounds a hitherto under-reported legacy of recordings and insists on the necessity of experiencing music as sound in order to appreciate and understand it fully. Accordingly, a Companion Website features important examples of the music discussed in detail in the book. Accessibly and engagingly written for a general audience, The African Imagination in Music is poised to renew interest in Black African music and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists.
| Author | : Eric Charry |
| Publisher | : Indiana University Press |
| Total Pages | : 405 |
| Release | : 2012-10-23 |
| Genre | : Music |
| ISBN | : 0253005825 |
Hip Hop Africa explores a new generation of Africans who are not only consumers of global musical currents, but also active and creative participants. Eric Charry and an international group of contributors look carefully at youth culture and the explosion of hip hop in Africa, the embrace of other contemporary genres, including reggae, ragga, and gospel music, and the continued vitality of drumming. Covering Senegal, Mali, Côte d'Ivoire, Ghana, Nigeria, Kenya, Tanzania, Malawi, and South Africa, this volume offers unique perspectives on the presence and development of hip hop and other music in Africa and their place in global music culture.
| Author | : Helen Winter |
| Publisher | : Helen Winter |
| Total Pages | : 34 |
| Release | : |
| Genre | : Juvenile Nonfiction |
| ISBN | : |
This book was written with beginners in mind. All songs were written with circles in the musical staff, and there are no stems or flags - only notes on the line - to keep it simple. If you are a beginner, playing by note can be difficult. It is easier to follow color-coded circles with note letters. Just by following the color circles, you will sound like an experienced musician. Music bells create an amazing sound and there is no need to worry about being in tune or finger position. The unique advantage of bell sets is the fact that each note is created by an individual bell, so the notes that are not used in a particular song can be removed and the student has a greater chance for success. A handbell orchestra acts as one instrument, with each musician responsible for their particular notes, sounding their assigned bells whenever those notes appear in the music. Give each participant one or two bells and ask them to join in a simple melody. Independently, whether the player has musical knowledge or not, the band will sound harmoniously with just a little bit of training. The color of the bells or resonator blocks must be the same as the color of the bells below. Our color chromatic scale corresponds to the chakra system. C low - red, D - orange, E - yellow, F - green, G - light blue, A - blue, B - violet, and C high - white. Each chakra is said to vibrate at a different frequency and is associated with a particular color and particular music note. There are two parts of our songbook. We present the traditional African songs in the first part and the African-American spirituals in the second. Part 1. Folk Songs Banuwa Bebe Moke Che Che Koolay Do Do Ki Do Kanzenzenze Obwisana Plouf Tizen Tizen Sansa Kroma Selinguenia Shosholoza Stick Passing Song Zimbole Part 2. Spirituals Babylon's Falling Elijah Rock Every Time I Feel the Spirit Go, Tell It on the Mountain Great Big Stars Great Day Jesus Walked This Lonesome Valley Kumbaya, My Lord Nobody Knows the Trouble I've Seen Sinner Man Somebody's Knocking at Your Door Swing Low, Sweet Chariot This Little Light of Mine There's a Meeting Here Tonight We Are Climbing Jacob's Ladder We Are Marching (Siyahamba) Who Built the Ark?
| Author | : John Collins |
| Publisher | : Temple University Press |
| Total Pages | : 368 |
| Release | : 2010-05-27 |
| Genre | : Music |
| ISBN | : 1439904979 |
The nearest thing we have in the twentieth century to a global folk music.
| Author | : Kofi Agawu |
| Publisher | : Routledge |
| Total Pages | : 289 |
| Release | : 2014-04-23 |
| Genre | : Music |
| ISBN | : 1317794060 |
The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumptions and prejudices influence the presentation of ethnographic data? Even the term "African music" suggests there is an agreed-upon meaning, but African music signifies differently to different people. This book also poses the question then, "What is African music?" Agawu offers a new and provocative look at the history of African music scholarship that will resonate with students of ethnomusicology and post-colonial studies. He offers an alternative "Afro-centric" means of understanding African music, and in doing so, illuminates a different mode of creativity beyond the usual provenance of Western criticism. This book will undoubtedly inspire heated debate--and new thinking--among musicologists, cultural theorists, and post-colonial thinkers. Also includes 15 musical examples.
| Author | : Helen Winter |
| Publisher | : Helen Winter |
| Total Pages | : 47 |
| Release | : 2021-01-09 |
| Genre | : Music |
| ISBN | : |
The steel tongue drum (aka tong drum, tank drum, gluck-o-phone, hapi, or steeldrum) and the handpan (aka hank drum, UFO drum, zen drum, meditation, healing, or chakra drum) are percussion musical instruments designed to help you focus on your feelings, sensations, and body. You don't need classical music training or knowledge of music theory to play them. The main purpose is relaxation, meditation, and traveling through your inner world. This book is aimed at those who want to add popular melodies to their experimentation.
The Famous African Songs were adapted here for Tongue Drum and Handpan. We believe that African songs, due to their clear rhythmic patterns, are ideal for tongue and hang drums.
These songs are possible to play on most drum models.
We write the note numbers above the notes because our sheet music is aimed at absolute beginners.Just follow numbers and enjoy.
Also, we add a QR code to most songs. Follow the link and find this song on YouTube, so that you can listen to the rhythm before beginning to play.
For which tongue drum are these songs suitable?
Each tongue drum is very different and it is impossible to accommodate songs for all kinds of tongue drums in one book.
The songs which have been collected in this book can be played on most drum models. If you have less than 1 octave of keys on your drum, you may need to skip some songs. However, if your drum has many sharp notes, you will need a book that contains chromatic songs.
Here, we have collected only simplified diatonic melodies.
Contents
- Achta ta ta ta ta. Song from Morocco
- A Ram Sam Sam. Song from Morocco
- Askari Eee. Song from Tanzania
- Atadwe. Song from Ghana
- Banaha. Song from Congo
- Banuwa. Song from Liberia
- Bebe Moke. Song from Congo
- Before Dinner. Song from Congo
- Che Che Koolay. Song from Ghana
- Coco Laye-Laye. Song from Congo
- Do Do Ki Do. Song from Cameroon
- Eh Soom Boo Kawaya. Song from Nigeria
- Famba Naye. Song from Zimbabwe
- Funga Alafia. Song from Ghana
- Iro Ye. Song from Benin
- Kanzenzenze. Song from Congo
- Kotiko. Song from Congo
- L'abe igi orombo. Song from Nigeria
- Manamolela. Song from South Africa
- Mayo Nafwa. Song from Zambia
- Obwisana. Song from Ghana
- Plouf Tizen Tizen. Song from Algeria
- Sansa Kroma. Song from Ghana
- Sélinguenia. Song from Kenya
- Shosholoza. Song from South Africa
- Si Ma Ma Ka. Song from Ghana
- Sindi. Song from Burkina Faso
- Siyahamba. Song from South Africa
- Siyanibingelela. Song from South Africa
- Stick Passing Song. Song from Uganda
- Umele. Song from South Africa
- Wa Wa Wa. Song from Congo
- Welcome Song. Song from Uganda
- Zimbole. Song from South Africa
- Zomina. Song from Togo
| Author | : J. H. Kwabena Nketia |
| Publisher | : |
| Total Pages | : 292 |
| Release | : 1974 |
| Genre | : Music |
| ISBN | : |
The study of African music is a study at once of unity and diversity. The range of indigenous musical resources and practices found on this vast continent is as wide and varies as its topography. In this informative and highly readable book, Professor Nketia provides an overview of the musical traditions of Africa with respect to their historical, cultural, and social background, their organization and practice, and delineates the most significant aspects of musical style.
| Author | : Gerhard Kubik |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 268 |
| Release | : 1999 |
| Genre | : Music |
| ISBN | : 9781578061464 |
In 1969 Gerhard Kubik chanced to encounter a Mozambican labor migrant, a miner in Transvaal, South Africa, tapping a cipendani, a mouth-resonated musical bow. A comparable instrument was seen in the hands of a white Appalachian musician who claimed it as part of his own cultural heritage. Through connections like these Kubik realized that the link between these two far-flung musicians is African-American music, the sound that became the blues. Such discoveries reveal a narrative of music evolution for Kubik, a cultural anthropologist and ethnomusicologist. Traveling in Africa, Brazil, Venezuela, and the United States, he spent forty years in the field gathering the material for Africa and the Blues. In this book, Kubik relentlessly traces the remote genealogies of African cultural music through eighteen African nations, especially in the Western and Central Sudanic Belt. Included is a comprehensive map of this cradle of the blues, along with 31 photographs gathered in his fieldwork. The author also adds clear musical notations and descriptions of both African and African American traditions and practices and calls into question the many assumptions about which elements of the blues were "European" in origin and about which came from Africa. Unique to this book is Kubik's insight into the ways present-day African musicians have adopted and enlivened the blues with their own traditions. With scholarly care but with an ease for the general reader, Kubik proposes an entirely new theory on blue notes and their origins. Tracing what musical traits came from Africa and what mutations and mergers occurred in the Americas, he shows that the African American tradition we call the blues is truly a musical phenomenon belonging to the African cultural world [Publisher description].
| Author | : Christopher Alan Waterman |
| Publisher | : University of Chicago Press |
| Total Pages | : 308 |
| Release | : 1990-06-15 |
| Genre | : Music |
| ISBN | : 9780226874654 |
Now known internationally through the recordings of King Sunny Ade and others, juju music originated more than fifty years ago among the Yoruba of Nigeria. This history and ethnography of juju is the first detailed account of the evolution and social significance of a West African popular music. Enhanced with maps, color photographs of musicians and dance parties, musical transcriptions, interviews with musicians, and a glossary of Yoruba terms, Juju is an invaluable contribution to scholarship and a boon to fans who want to discover the roots of this vibrant music.
| Author | : Tom Butler |
| Publisher | : |
| Total Pages | : 492 |
| Release | : 2019-10-06 |
| Genre | : |
| ISBN | : 9781697918564 |
We Can Know the Nature of RealityOur understanding of the nature of reality is undergoing an important shift from mostly supposition and belief to actionable facts based on important developments in parapsychology and transcommunication. This means the emergence of new tools which are helping us better understand our nature and the nature of the world we live in.To be sure this shift involves theory and research, but it ultimately comes down to who we are and what we can become. The best way to describe this future paradigm is in terms of mindfulness and the middle way of mindful living. This is not the mindfulness of living in the moment based on the belief that we are our body. It is the mindfulness of experiencing life from the perspective of your immortal self.This book is written to show you the evidence of survival and the implications of that evidence as an important model for future research. While your personal progression depends a lot on understanding the evidence, the community sharing your journey is equally important. To help you learn where to look for help, a comprehensive survey of our paranormalist community is included.Mindfulness can lead to important growth in your ability to work with nature, to sense the subtle fields influencing your life and more confidently commune with your loved ones on the other side. But it is important to understand how this paradigm shift is changing our understanding of the phenomena of transcommunication and interconnectedness in our community. The last part of this book includes a comprehensive discussion of the phenomena, including EVP-ITC, healing intention and mediumship transcommunication phenomena.
