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| Author | : Amit Pasricha |
| Publisher | : |
| Total Pages | : 223 |
| Release | : 2008 |
| Genre | : India |
| ISBN | : 9781845298821 |
"This volume of photography by Amit Pasricha documents North India's architectural heritage on a scale never seen before. Here are panoramic views of the region's famous monuments and palaces as well as little-known architectural gems. There is also remarkable access to their interiors."--BOOK JACKET.
| Author | : Amin Nath |
| Publisher | : Vendome Press |
| Total Pages | : 0 |
| Release | : 2008-09-01 |
| Genre | : Photography |
| ISBN | : 9780865651975 |
Monumental India presents breathtaking panoramic views of North India's famed monuments and sites as well as little-known architectural gems. Produced in a landscape format and including stunning multipage gatefolds, it covers many fascinating varieties of styles and periods and features sprawling Hindu and Jain temple complexes, imposing Islamic tombs and mosques, serene Buddhist monasteries and stupas, colonial and royal palaces, and majestic forts. The camera enters magnificent darbar halls where maharajas once held formal audience, and the opulent interiors of their private apartments, with mirrored decorations, chandeliers, and luxurious brocades. Beginning high in the Zanskar Mountains, Amit Pasricha photographs the 13th-century Thiksey Monastery that clings to a hillside in Ladakh. In Chandigarh, he captures Le Corbusier's revolutionary design that altered the course of modern Indian architecture, and in Agra and Delhi, the iconic Taj Mahal and the colonial North and South Blocks. He travels across the deserts of Rajasthan to the massive 15th-century Rajput fort of Kumbalgarh, and crosses the plains to Madhya Pradesh for the sparkling Jai Vilas Palace and the 2nd-century BCE Sanchi stupa, ending this incredible journey at the prehistoric Bhimbetka Caves Amit Pasricha enlists the elements - sun, snow, mist, and cloud - to give the photographs cosmic drama, and his mastery of the panoramic format underscores the majesty of nature and the glory of manmade structures. His images capture the broad sweep of an edifice along with its finest, most intricate details. Aman Nath's insightful text completes this beautiful collection of photographs, making Monumental India a limited edition to be preserved and treasured.
| Author | : Santhi Kavuri-Bauer |
| Publisher | : Duke University Press Books |
| Total Pages | : 0 |
| Release | : 2011-09-19 |
| Genre | : History |
| ISBN | : 9780822349228 |
Built in the sixteenth and seventeenth centuries, India’s Mughal monuments—including majestic forts, mosques, palaces, and tombs, such as the Taj Mahal—are world renowned for their grandeur and association with the Mughals, the powerful Islamic empire that once ruled most of the subcontinent. In Monumental Matters, Santhi Kavuri-Bauer focuses on the prominent role of Mughal architecture in the construction and contestation of the Indian national landscape. She examines the representation and eventual preservation of the monuments, from their disrepair in the colonial past to their present status as protected heritage sites. Drawing on theories of power, subjectivity, and space, Kavuri-Bauer’s interdisciplinary analysis encompasses Urdu poetry, British landscape painting, imperial archaeological surveys, Indian Muslim identity, and British tourism, as well as postcolonial nation building, World Heritage designations, and conservation mandates. Since Independence, the state has attempted to construct a narrative of Mughal monuments as symbols of a unified, secular nation. Yet modern-day sectarian violence at these sites continues to suggest that India’s Mughal monuments remain the transformative spaces—of social ordering, identity formation, and national reinvention—that they have been for centuries.
| Author | : Amit Pasricha |
| Publisher | : Constable |
| Total Pages | : 224 |
| Release | : 2011-10 |
| Genre | : India |
| ISBN | : 9781780331249 |
Spirituality is the shining thread that runs through every motif of the rich and complex tapestry that is India. It is not only worship in temple, mosque or church, in gurudwara or agiary, that defines the faith of Indians - it is their ordinary, everyday kind of spirituality that serves as an axis, balancing the temporal with the eternal. The Sacred India Book seizes and distils this ephemeral quality often described as 'the Spirit of India'. Amit Pasricha seeks out meditative moments and momentous ones, exalted moments and exultant ones - the eternal quality of a weathered cross overlooking a windswept beach, the ecstatically outstretched hands of Holi celebrants at Vrindavan, the quiet faith of a women as she ties a piece of coloured thread on the latticed screen of a shrine. His photographs lay before the viewer the colourful, intricate mosaic of Indian religion, spirituality, ritual and tradition: images of religious art such as the living, writhing energy of unfinished idols in a potter's shed in Kolkata; the making of religious music a Buddhists chant from atop icy mountains; the richness of religious traditions in the pristine precision of a Parsi ritual. Amit Pasricha's masterful use of the panoramic format - in unintentional but fitting consonance with the wide, encompassing nature of the sacred in India - and Bharati Motwani's insightful text make The Sacred India Book a limited edition to be preserved and treasured.
| Author | : Lisa C. Breglia |
| Publisher | : University of Texas Press |
| Total Pages | : 257 |
| Release | : 2009-12-03 |
| Genre | : Social Science |
| ISBN | : 0292783280 |
From ancient Maya cities in Mexico and Central America to the Taj Mahal in India, cultural heritage sites around the world are being drawn into the wave of privatization that has already swept through such economic sectors as telecommunications, transportation, and utilities. As nation-states decide they can no longer afford to maintain cultural properties—or find it economically advantageous not to do so in the globalizing economy—private actors are stepping in to excavate, conserve, interpret, and represent archaeological and historical sites. But what are the ramifications when a multinational corporation, or even an indigenous village, owns a piece of national patrimony which holds cultural and perhaps sacred meaning for all the country's people, as well as for visitors from the rest of the world? In this ambitious book, Lisa Breglia investigates "heritage" as an arena in which a variety of private and public actors compete for the right to benefit, economically and otherwise, from controlling cultural patrimony. She presents ethnographic case studies of two archaeological sites in the Yucatán Peninsula—Chichén Itzá and Chunchucmil and their surrounding modern communities—to demonstrate how indigenous landholders, foreign archaeologists, and the Mexican state use heritage properties to position themselves as legitimate "heirs" and beneficiaries of Mexican national patrimony. Breglia's research masterfully describes the "monumental ambivalence" that results when local residents, excavation laborers, site managers, and state agencies all enact their claims to cultural patrimony. Her findings make it clear that informal and partial privatizations—which go on quietly and continually—are as real a threat to a nation's heritage as the prospect of fast-food restaurants and shopping centers in the ruins of a sacred site.
| Author | : Aman Nath |
| Publisher | : |
| Total Pages | : 142 |
| Release | : 2002 |
| Genre | : Architecture |
| ISBN | : |
About the Book : - Rashtrapati Bhavan, formerly Government or Viceroy's House, is today the official residence of the President of India. In Dome Over India, Aman Nath provides a fresh interpretation of the legacy of its controversial architect, Edwin Landseer Lutyens. With a mix of history, anecdote, and architectural analysis, he takes the reader on a tour of a palace larger than Versailles, revealing the imposing structure as never before. Richly illustrated, this book will be an exhilarating experience for anyone interested in history, architecture, and interiors. About the Author : - Aman Nath has a Masters degree in history. Engaged in the restoration of historical properties now run as the heritage chain of Neemrana non-hotel Hotels, Nath has also been actively involved with Indias contemporary art since the 1970s. He is the author of several books including Jaipur: The Last Destination, Horizons: The Tata-India Century and Jodhpurs Umaid Bhawan.
| Author | : Ladina Bezzola Lambert |
| Publisher | : transcript Verlag |
| Total Pages | : 229 |
| Release | : 2015-07-31 |
| Genre | : Social Science |
| ISBN | : 3839409624 |
Why do certain works of art make it into the canon while others just enjoy a brief moment of recognition, if at all? How do moments produce monuments, and why are monuments erased from our cultural memory in only a moment? - Taking into account these cultural processes of creating, storing, remembering and forgetting that are omnipresent and have an immense influence on how we perceive artefacts and cultural events, the articles in this collection analyze the phenomenon of cultural production, transmission and reception from various angles, drawing on approaches from both literary and cultural studies. With its transdisciplinary approach, this book uniquely responds to an everyday cultural phenomenon that so far has not received such wide-ranging attention.
| Author | : George Michell |
| Publisher | : Acc Art Books |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Architecture |
| ISBN | : 9781851496709 |
The buildings of Mughal India constitute one of the world's greatest architectural traditions. Whether it is the Taj Mahal in Agra, the Red Fort in Delhi or the palaces of Fatehpur Sikri, these and other similarly well-preserved monuments of the 16th and 17th centuries testify to the refined taste and unlimited resources of a line of powerful patrons, notably the emperors Akbar, Jahangir and Shah Jahan. Mughal architecture is a remarkable hybrid that fuses building forms, techniques and decorative schemes imported from Iran and Central Asia with long-established Indian materials and techniques. The results are both structurally innovative and aesthetically spectacular, a testament to the genius of Indian masons and craftsmen. The first comprehensive survey of the subject in more than 20 years, this lavish volume documents nearly 100 Mughal sites and monuments in India, Pakistan and Bangladesh. Mughal Architecture and Gardens is enhanced by over 250 stunning colour photographs by Amit Pasricha, one of the most talented architectural photographers working today. His photographs are accompanied by over 80 specially commissioned building plans and site layouts. Sumptuously illustrated with a text by renowned architectural historian George Michell, this book is of interest to students and scholars as well as travellers and general readers. AUTHOR: George Michell is an architectural historian, specialising in ancient Indian architecture. He obtained his PhD from the School of Oriental African Studies, University of London, has directed courses on Asian architecture at the Architectural Association, London, and was co-editor of the journal Art and Archaeology Research Papers from 1972 to 1982. Since the 1980s, he has co-directed an international team of scholars and students at Vijayanagara, the medieval Hindu site in Karnataka. George Mitchell has also lectured at universities and museums throughout the USA, Europe, India and Australia. Among his many publications are The Royal Palaces of India, Islamic Heritage of the Deccan, Architecture of the Islamic World: Its History and Social Meaning and Palaces of Rajasthan. Amit Pasricha lives in New Delhi and comes from a family of photographers. A well-known architectural and social documentary photographer, his work has been exhibited in India, London and New York. His photographs have also been published in several books, including Dome over India: Rashtrapati Bhavan, Horizons: The Tata-India Century and India: Then and Now. Pasricha's most recent publication is the panoramic collector's edition, The Monumental India Book, winner of the Indian Tourism Award, 2008. SELLING POINTS: The first comprehensive survey of the subject in more than 20 years, this lavish volume documents nearly 100 Mughal sites and monuments in India, Pakistan and Bangladesh ILLUSTRATIONS: 270 colour
| Author | : Mrinalini Sinha |
| Publisher | : Duke University Press |
| Total Pages | : 387 |
| Release | : 2006-07-12 |
| Genre | : History |
| ISBN | : 0822387972 |
Specters of Mother India tells the complex story of one episode that became the tipping point for an important historical transformation. The event at the center of the book is the massive international controversy that followed the 1927 publication of Mother India, an exposé written by the American journalist Katherine Mayo. Mother India provided graphic details of a variety of social ills in India, especially those related to the status of women and to the particular plight of the country’s child wives. According to Mayo, the roots of the social problems she chronicled lay in an irredeemable Hindu culture that rendered India unfit for political self-government. Mother India was reprinted many times in the United States, Great Britain, and India; it was translated into more than a dozen languages; and it was reviewed in virtually every major publication on five continents. Sinha provides a rich historical narrative of the controversy surrounding Mother India, from the book’s publication through the passage in India of the Child Marriage Restraint Act in the closing months of 1929. She traces the unexpected trajectory of the controversy as critics acknowledged many of the book’s facts only to overturn its central premise. Where Mayo located blame for India’s social backwardness within the beliefs and practices of Hinduism, the critics laid it at the feet of the colonial state, which they charged with impeding necessary social reforms. As Sinha shows, the controversy became a catalyst for some far-reaching changes, including a reconfiguration of the relationship between the political and social spheres in colonial India and the coalescence of a collective identity for women.
