The Mirror of Literature, Amusement, and Instruction. Volume 10, No. 263, Supplementary Number (1827)
Author | : Various |
Publisher | : Litres |
Total Pages | : 66 |
Release | : 2021-01-18 |
Genre | : Education |
ISBN | : 5041579350 |
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Author | : Various |
Publisher | : Litres |
Total Pages | : 66 |
Release | : 2021-01-18 |
Genre | : Education |
ISBN | : 5041579350 |
Author | : |
Publisher | : |
Total Pages | : 34 |
Release | : 2018 |
Genre | : |
ISBN | : 9781986454896 |
The Mirror of Literature, Amusement, and InstructionVolume 10, No. 263, Supplementary Number (1827) by Various is a rare manuscript, the original residing in some of the great libraries of the world. This book is a reproduction of that original, typed out and formatted to perfection, allowing new generations to enjoy the work. Publishers of the Valley's mission is to bring long out of print manuscripts back to life.
Author | : Dave Eggers |
Publisher | : Vintage |
Total Pages | : 404 |
Release | : 2013-10-08 |
Genre | : Fiction |
ISBN | : 0385351402 |
INTERNATIONAL BESTSELLER • A bestselling dystopian novel that tackles surveillance, privacy and the frightening intrusions of technology in our lives—a “compulsively readable parable for the 21st century” (Vanity Fair). When Mae Holland is hired to work for the Circle, the world’s most powerful internet company, she feels she’s been given the opportunity of a lifetime. The Circle, run out of a sprawling California campus, links users’ personal emails, social media, banking, and purchasing with their universal operating system, resulting in one online identity and a new age of civility and transparency. As Mae tours the open-plan office spaces, the towering glass dining facilities, the cozy dorms for those who spend nights at work, she is thrilled with the company’s modernity and activity. There are parties that last through the night, there are famous musicians playing on the lawn, there are athletic activities and clubs and brunches, and even an aquarium of rare fish retrieved from the Marianas Trench by the CEO. Mae can’t believe her luck, her great fortune to work for the most influential company in the world—even as life beyond the campus grows distant, even as a strange encounter with a colleague leaves her shaken, even as her role at the Circle becomes increasingly public. What begins as the captivating story of one woman’s ambition and idealism soon becomes a heart-racing novel of suspense, raising questions about memory, history, privacy, democracy, and the limits of human knowledge.
Author | : Lyman Horace Weeks |
Publisher | : |
Total Pages | : 64 |
Release | : 1898 |
Genre | : New York (N.Y.) |
ISBN | : |
Author | : William Younger Fletcher |
Publisher | : |
Total Pages | : 544 |
Release | : 1902 |
Genre | : Book collectors |
ISBN | : |
Author | : Harriet Martineau |
Publisher | : |
Total Pages | : 462 |
Release | : 1877 |
Genre | : Authors, English |
ISBN | : |
Author | : James L. Machor |
Publisher | : JHU Press |
Total Pages | : 419 |
Release | : 2011-04-01 |
Genre | : Literary Criticism |
ISBN | : 0801899338 |
James L. Machor offers a sweeping exploration of how American fiction was received in both public and private spheres in the United States before the Civil War. Machor takes four antebellum authors—Edgar Allan Poe, Herman Melville, Catharine Sedgwick, and Caroline Chesebro'—and analyzes how their works were published, received, and interpreted. Drawing on discussions found in book reviews and in private letters and diaries, Machor examines how middle-class readers of the time engaged with contemporary fiction and how fiction reading evolved as an interpretative practice in nineteenth-century America. Through careful analysis, Machor illuminates how the reading practices of nineteenth-century Americans shaped not only the experiences of these writers at the time but also the way the writers were received in the twentieth century. What Machor reveals is that these authors were received in ways strikingly different from how they are currently read, thereby shedding significant light on their present status in the literary canon in comparison to their critical and popular positions in their own time. Machor deftly combines response and reception criticism and theory with work in the history of reading to engage with groundbreaking scholarship in historical hermeneutics. In so doing, Machor takes us ever closer to understanding the particular and varying reading strategies of historical audiences and how they impacted authors’ conceptions of their own readership.