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| Author | : Michael Siebler |
| Publisher | : |
| Total Pages | : 102 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : |
The 18th century's Neoclassicist movement - with its white marble sculptures - has helped Greek art to remain vivid in our memories even today. But, as author Michael Siebler points out, the reality of ancient Greek art is entirely different. This book throws light on some of the most important artists of the period.
| Author | : Harry Huntington Powers |
| Publisher | : |
| Total Pages | : 368 |
| Release | : 1913 |
| Genre | : Art, Greek |
| ISBN | : |
| Author | : Harry Huntington Powers |
| Publisher | : |
| Total Pages | : 366 |
| Release | : 1913 |
| Genre | : Art, Greek |
| ISBN | : |
| Author | : Peter Schertz |
| Publisher | : |
| Total Pages | : 145 |
| Release | : 2017 |
| Genre | : Art, Greek |
| ISBN | : 9780996890533 |
Horses were revered in ancient Greece as symbols of wealth, power, and status. On stunning black- and red-figure vases, in sculpture, and in other media, Greek artists depicted the daily care of horses, chariot and horseback races, scenes of combat, and mythological horse-hybrids such as satyrs and the winged Pegasus. This richly illustrated and handsomely designed volume includes over 80 objects showing scenes of ancient equestrian life. Essays by notable scholars of ancient Greek art and archaeology explore the indelible presence and significance horses occupied in numerous facets of ancient Greek culture, including myth, war, sport, and competition, shedding new light on horsemanship from the 8th through the 4th century BCE.
| Author | : Roger D. Woodard |
| Publisher | : Cambridge University Press |
| Total Pages | : 516 |
| Release | : 2007-11-12 |
| Genre | : History |
| ISBN | : 1107495113 |
Professor Roger Woodard brings together a group of the world's most authoritative scholars of classical myth to present a thorough treatment of all aspects of Greek mythology. Sixteen original articles guide the reader through all aspects of the ancient mythic tradition and its influence around the world and in later years. The articles examine the forms and uses of myth in Greek oral and written literature, from the epic poetry of 8th century BC to the mythographic catalogues of the early centuries AD. They examine the relationship between myth, art, religion and politics among the ancient Greeks and its reception and influence on later society from the Middle Ages to present day literature, feminism and cinema. This Companion volume's comprehensive coverage makes it ideal reading for students of Greek mythology and for anyone interested in the myths of the ancient Greeks and their impact on western tradition.
| Author | : Jeffrey M. Hurwit |
| Publisher | : Cornell University Press |
| Total Pages | : 372 |
| Release | : 1985 |
| Genre | : Art |
| ISBN | : 9780801494017 |
This handsomely illustrated book offers a broad synthesis of Archaic Greek culture. Unlike other books dealing with the art and architecture of the Archaic period, it places these subjects in their historical, social, literary, and intellectual contexts. Origins and originality constitute a central theme, for during this period representational and narrative art, monumental sculpture and architecture, epic, lyric, and dramatic poetry, the city-state (polis), tyranny and early democracy, and natural philosophy were all born.
| Author | : Mark D. Stansbury-O'Donnell |
| Publisher | : John Wiley & Sons |
| Total Pages | : 434 |
| Release | : 2015-01-27 |
| Genre | : Art |
| ISBN | : 1444350153 |
Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through the Hellenistic period, with chapters containing discussions of important contextual themes across all of the periods Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, and cross-cultural contact, influenced the development of art Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles Offers a variety of engaging and informative pedagogical features to help students navigate the subject, such as timelines, theme-based textboxes, key terms defined in margins, and further readings. Information is presented clearly and contextualized so that it is accessible to students regardless of their prior level of knowledge A book companion website is available at www.wiley.gom/go/greekart with the following resources: PowerPoint slides, glossary, and timeline
| Author | : Michael Byron Norris |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 257 |
| Release | : 2000 |
| Genre | : Art, Classical |
| ISBN | : 0870999729 |
Designed as a tool for educators who wish to teach students about the art of Ancient Greece. The text contains readings on Greek culture, history and art and is looseleaf bound for easy photocopying. Accompanying material includes 20 slides showing various works of Greek art and a card game designed to teach students about some of the myths commonly depicted in Greek art. The accompanying CD-ROM contains the full text of the book in printable Adobe Acrobat format as well as JPEG files of the images depicted on the slides.
| Author | : Sarah P. Morris |
| Publisher | : Princeton University Press |
| Total Pages | : 500 |
| Release | : 1995-04-09 |
| Genre | : Art |
| ISBN | : 9780691001609 |
This book uses the myths surrounding Daidalos as an example to describe the profound influence of the Near East on ancient Greece's artistic and literary origins.
| Author | : Anthony Snodgrass |
| Publisher | : Cambridge University Press |
| Total Pages | : 204 |
| Release | : 1998-10-22 |
| Genre | : Art |
| ISBN | : 9780521629812 |
This is a book about Homer, myth and art. The Iliad and Odyssey so dominate our view of ancient Greece that our natural reaction on viewing certain works of early Greek art is to identify them as 'scenes from Homer'. However, Anthony Snodgrass argues that, so far from 'illustrating' the Homeric poems, these works very rarely show signs of acquaintance with the Iliad or Odyssey, seldom even choosing their subject-matter from them. When the subjects do overlap, the artists occasionally give positive signs of preferring a non-Homeric version of the episode. He then attempts to explain why this should be so: despite Homer's unique standing in antiquity, the artists inhabited an independent world, where their own inspirations and concerns dominated their production. It is only the traditional dominance of the literary study of antiquity which has hidden this from us.
