The Medievalist
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| Author | : Kisha G. Tracy |
| Publisher | : punctum books |
| Total Pages | : 390 |
| Release | : 2018 |
| Genre | : Biography & Autobiography |
| ISBN | : 1947447548 |
Working medievalists are often the only scholar of the Middle Ages in a department, a university, or a hundred-mile radius. While working to build a body of focused scholarly work, the lone medievalist is expected to be a generalist in the classroom and a contributing member of a campus community that rarely offers disciplinary community in return. As a result, overtasked and single medievalists often find it challenging to advocate for their work and field. As other responsibilities and expectations crowd in, we come to feel disconnected from the projects and subjects that sustain our intellectual passion. An insidious isolation even from one another creeps in, and soon, even attending a conference of fellow medievalists can become a lonely experience. Surrounded by scholars with greater institutional support, lower teaching loads, or more robust research agendas, we may feel alienated from our work - the work to which we've dedicated our careers. The Lone Medievalist (the collaborative community and the book) is intended as an antidote to the problem of professional isolation. It is offered in the spirit of common weal that marks the ideals (if not always the realities) of so many of the communities we study - agricultural, professional, national, notional, and of course, monastic. The Ballad of the Lone Medievalist isn't only about scholarship, or teaching, or institutional life, or the pursuit of new learning - it's about all of them. The essays in this volume address all aspects of the professional and intellectual life of medievalists. Though many of us acknowledge and address the challenges in being Lone Medievalists, these essays are not intended as voces clamantium; they are offered to provide strategies, camaraderie, and an occasional bit of inspiration. They are a call to action, a sharing of hard-won wisdom, and a helping hand - and, above all, a reminder that we are not alone.
| Author | : Anne-Marie Lacy |
| Publisher | : City Owl Press |
| Total Pages | : 351 |
| Release | : 2017-11-21 |
| Genre | : Fiction |
| ISBN | : 1944728449 |
A modern woman in the court of King Richard III is torn between saving the man she loves and stopping a historic wrong in this time-travel romance. English historian Jayne Lyons has pinned her career hopes on proving that her ancestor, King Richard III, was not the nefarious villain of Shakespeare’s tragedy. In fact, she believes he is innocent of the infamous murder of the Princes in the Tower. But while volunteering with the search for his missing grave, Jayne gets a much closer look at Richard than she expected. Cast back into the brutal 15th century, she suddenly finds herself in the middle of Richard’s army camp. Realizing that she may not be able to return home, Jayne begins to adjust to her new life. And the more she gets to know the true Richard, the more she is drawn to him. She even starts entertaining the hope of saving him. But the Princes are missing, and all evidence points to Richard. When he asks her to spy for him against his enemy, Henry Tudor, she must decide whether to help the man she loves, even though he may be one of history’s greatest villains. THE 2018 RONE AWARD WINNER FOR BEST IN TIME TRAVEL
| Author | : Jane Chance |
| Publisher | : Routledge |
| Total Pages | : 346 |
| Release | : 2003-08-27 |
| Genre | : History |
| ISBN | : 1134439709 |
Interdisciplinary in approach, Tolkien the Medievalist provides a fresh perspective on J. R. R. Tolkien's Medievalism. In fifteen essays, eminent scholars and new voices explore how Professor Tolkien responded to a modern age of crisis - historical, academic and personal - by adapting his scholarship on medieval literature to his own personal voice. The four sections reveal the author influenced by his profession, religious faith and important issues of the time; by his relationships with other medievalists; by the medieval sources that he read and taught, and by his own medieval mythologizing.
| Author | : Kim Ileen Moreland |
| Publisher | : University of Virginia Press |
| Total Pages | : 288 |
| Release | : 1996 |
| Genre | : Literary Criticism |
| ISBN | : 9780813916583 |
What does the existence of this impulse, in its various idiosyncratic manifestations, reveal about these writers and American culture?
| Author | : David Matthews |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 231 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 1843843927 |
An accessibly-written survey of the origins and growth of the discipline of medievalism studies. The field known as "medievalism studies" concerns the life of the Middle Ages after the Middle Ages. Originating some thirty years ago, it examines reinventions and reworkings of the medieval from the Reformation to postmodernity, from Bale and Leland to HBO's Game of Thrones. But what exactly is it? An offshoot of medieval studies? A version of reception studies? Or a new form of cultural studies? Can such a diverse field claim coherence? Should it be housed in departments of English, or History, or should it always be interdisciplinary? In responding to such questions, the author traces the history of medievalism from its earliest appearances in the sixteenth century to the present day, across a range of examples drawn from the spheres of literature, art, architecture, music and more. He identifies two major modes, the grotesque and the romantic, and focuses on key phases of the development of medievalism in Europe: the Reformation, the late eighteenth century, and above all the period between 1815 and 1850, which, he argues, represents the zenith of medievalist cultural production. He also contends that the 1840s were medievalism's one moment of canonicity in several European cultures at once. After that, medievalism became a minority form, rarely marked with cultural prestige, though always pervasive and influential. Medievalism: a Critical History scrutinises several key categories - space, time, and selfhood - and traces the impact of medievalism on each. It will be the essential guide to a complex and still evolving field of inquiry. David Matthews is Professor of Medieval and Medievalism Studies at the University of Manchester.
| Author | : Jane Chance |
| Publisher | : Routledge |
| Total Pages | : 305 |
| Release | : 2003-08-27 |
| Genre | : Education |
| ISBN | : 1134439717 |
Interdisciplinary in approach, this book provides a fresh perspective on J. R. R. Tolkien's medievalism. Fifteen essays explore how professor Tolkien responded to a modern age of crisis - historical, academic and personal.
| Author | : Daniele Cybulskie |
| Publisher | : |
| Total Pages | : 100 |
| Release | : 2016-04-20 |
| Genre | : |
| ISBN | : 9780995151017 |
Funny, informative, and down-to-earth, this ebook features thirteen of the most popular articles from Medievalist.net's Five-Minute Medievalist, Daniele Cybulskie. Readers will learn about everything from the Templars, to popular movie myths, to love and lust advice from a 12th-century priest. Exclusive content includes two never-before-published articles on quirky medieval words we still use every day, and the surprising sexual secrets of the Middle Ages. Unlock the mysteries of the medieval world, five minutes at a time."
| Author | : Jesse Keskiaho |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 300 |
| Release | : 2020-11-09 |
| Genre | : History |
| ISBN | : 1527561801 |
The field of medieval studies has shifted towards a growing degree of inter- and multidisciplinarity during the recent decades. The concept of medieval studies covers in fact a multitude of disciplines, some of them being loyal to their long-established traditions, whereas others are very new and borrow methods from other branches of the humanities or even from modern natural or social sciences. Since this means not only new possibilities but also new challenges, sources and methodology should obviously concern anyone engaged in the history and culture of the Middle Ages. Regardless of what aspects of the medieval world a scholar is dealing with, his or her study has much to gain from a source-pluralistic approach: in order to be able to understand and even combine different types of sources, a scholar must be aware of what methods are relevant and available and how they can be adapted and applied. This collection of essays presents a comprehensive overview of current and fresh approaches to the history of medieval Europe. The topics include, among other things, the complex relationship between the spoken and the written word, explorations in social and geographic space, layers and mental images perceivable in medieval texts, source edition techniques, relics as visual and tangible items, not to mention the possibilities offered by prosopography, zooarchaelogy and the natural sciences. Also the question and significance of ethics, an ever more important issue in present-day academic circles, is discussed. The contributors to this volume themselves form a very inter- and multidisciplinary team: although they can all be labeled as medievalists, they in fact they work within different disciplines and in several different research units in different countries. Geographically, several parts of Europe are covered in the essays – not only the westernmost part of the continent but also the poorly known eastern and northern parts as well. This diversity makes the collection worthwhile reading for students and scholars alike.
| Author | : Shiloh Carroll |
| Publisher | : Boydell & Brewer |
| Total Pages | : 216 |
| Release | : 2018 |
| Genre | : Literary Criticism |
| ISBN | : 1843844842 |
One of the biggest attractions of George R.R. Martin's high fantasy series A Song of Ice and Fire, and by extension its HBO television adaptation, Game of Thrones, is its claim to historical realism. The author, thedirectors and producers of the adaptation, and indeed the fans of the books and show, all lay claim to Westeros, its setting, as representative of an authentic medieval world. But how true are these claims? Is it possible to faithfully represent a time so far removed from our own in time and culture? And what does an authentic medieval fantasy world look like? This book explores Martin's and HBO's approaches to and beliefs about the Middle Ages and how those beliefs fall into traditional medievalist and fantastic literary patterns. Examining both books and programme from a range of critical approaches - medievalism theory, gender theory, queer theory, postcolonial theory, andrace theory - Dr Carroll analyzes how the drive for historical realism affects the books' and show's treatment of men, women, people of colour, sexuality, and imperialism, as well as how the author and showrunners discuss these effects outside the texts themselves. SHILOH CARROLL teaches in the writing center at Tennessee State University.
| Author | : A. W. Strouse |
| Publisher | : punctum books |
| Total Pages | : 87 |
| Release | : 2015-05-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 0615830005 |
In the world of My Gay Middle Ages, Chaucer and Boethius are the secret-sharers of A.W. Strouse's "gay lifestyle." Where many scholars of the Middle Ages would "get in from behind" on cultural history, Strouse instead does a "reach around." He eschews academic "queer theory" as yet another tedious, normative framework, and writes in the long, fruity tradition of irresponsible, homo-medievalism (a lineage that includes luminaries like Oscar Wilde, who was sustained by his amateur readings of Dante and Abelard during the darks days of his incarceration for crimes of "gross indecency"). Strouse experiences medieval literature and philosophy as a part of his everyday life, and in these prose poems he makes the case for regarding the Middle Ages as a kind of technology of self-preservation, a posture through which to spiritualize the petty indignities of modern urban life. With a Warholian flair for insouciant name-dropping and a Steinian appetite for syntactic perversion, Strouse monumentalizes the medieval within the contemporary and the contemporary within the medieval. "Today, almost nobody reads Boethius, which if you ask me is a crying shame. Because Boethius is so gay. First of all, the heroine of the Consolation is this great big fierce diva, whose name is Lady Philosophy. She's a Lady, and she doesn't stand for anybody's crap. At the beginning of the book, Boethius is crying, all alone in prison, depressed that he's lonely and loveless and is going to be killed. Lady Philosophy descends from the heavens, a la Glinda the Good Witch in The Wizard of Oz. The first thing Boethius notices about her is that she's wearing an amazing dress with Greek letters embroidered on it-they stand for practical and theoretical philosophy. Her dress has been torn to shreds by the hands of uncouth philosophers. They didn't know how to treat a lady." (from "My Boethius") TABLE OF CONTENTS // The Most Famous Medievalist in the World - My Boethius - Memory Houses - The President of the Medieval Academy Made Me Cry - My Medieval Romance - The Formation of a Persecuting Society - The Medieval Heart is Like a Penis - Jilted Again - My Orpheus - Medieval Literacy - My Cloud of Unknowing - The Post-Medieval Unconscious - Coda: The Dedication"
