The Making Of British Bourgeois Tragedy
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Author | : Alex Eric Hernandez |
Publisher | : Oxford University Press, USA |
Total Pages | : 275 |
Release | : 2019-10-03 |
Genre | : Literary Criticism |
ISBN | : 0198846576 |
The 'rise of the middle class' in the eighteenth century has long been taken to usher in a prosaic age synonymous with the death of tragedy, an age in which the sheer ordinariness of bourgeois life was both antithetical and inured to the tragic. But the period's literature tells a very different story. Re-assembling a body of print and performance concerned with the misfortunes of the middling sort, The Making of British Bourgeois Tragedy argues that these works imagined a particularly modern sort of affliction, an 'ordinary suffering' proper to ordinary life, divested of the sorts of meanings, rhetorics, and affective resonances once deployed to understand it. Whereas neoclassical aesthetics aligned tragedy with the heroic and the admirable, this 'bourgeois and domestic tragedy' treated the pain of common people with dignity and seriousness, meditating upon a suffering that was homely, familiar, entangled in the nascent values of capitalism, yet no less haunted by God. Hence, where many have seen aesthetic stagnation, misfiring emotion, and the absence of an idealized tragicness in the genre, this volume sees instead a sustained engagement in the emotional processes and representational techniques through which the middle rank feels its way into modernity. By attending closely to this long neglected subject, The Making of British Bourgeois Tragedy turns the critical account of eighteenth-century tragedy on its head. It reads the genre's emergence in the period as a vigorous cultural conversation on whose life--and whose way of life--is grievable, as well as how mourning might be performed
Author | : Alex Eric Hernandez |
Publisher | : |
Total Pages | : |
Release | : 2019 |
Genre | : English drama |
ISBN | : 9780191881657 |
A study of eighteenth-century dramatic and narrative tragedies that explores the relation between personal misfortune and the emerging values that would define the everyday experience of the middle class. The volume discusses the work of George Lillo, Samuel Richardson, Aaron Hill, and Sarah Fielding, among others.
Author | : Alex Eric Hernandez |
Publisher | : Oxford University Press |
Total Pages | : 288 |
Release | : 2019-10-03 |
Genre | : Literary Criticism |
ISBN | : 0192585762 |
The 'rise of the middle class' in the eighteenth century has long been taken to usher in a prosaic age synonymous with the death of tragedy, an age in which the sheer ordinariness of bourgeois life was both antithetical and inured to the tragic. But the period's literature tells a very different story. Re-assembling a body of print and performance concerned with the misfortunes of the middling sort, The Making of British Bourgeois Tragedy argues that these works imagined a particularly modern sort of affliction, an 'ordinary suffering' proper to ordinary life, divested of the sorts of meanings, rhetorics, and affective resonances once deployed to understand it. Whereas neoclassical aesthetics aligned tragedy with the heroic and the admirable, this 'bourgeois and domestic tragedy' treated the pain of common people with dignity and seriousness, meditating upon a suffering that was homely, familiar, entangled in the nascent values of capitalism, yet no less haunted by God. Hence, where many have seen aesthetic stagnation, misfiring emotion, and the absence of an idealized tragicness in the genre, this volume sees instead a sustained engagement in the emotional processes and representational techniques through which the middle rank feels its way into modernity. By attending closely to this long neglected subject, The Making of British Bourgeois Tragedy turns the critical account of eighteenth-century tragedy on its head. It reads the genre's emergence in the period as a vigorous cultural conversation on whose life—and whose way of life—is grievable, as well as how mourning might be performed
Author | : Vivian Honora Bresnehen |
Publisher | : |
Total Pages | : 354 |
Release | : 1915 |
Genre | : Domestic drama, English |
ISBN | : |
What is English bourgeois tragedy? What forces produced it, and what is its significance in the first great period of English drama? It is the purpose of this dissertation to answer these questions by a detailed study of bourgeois tragedy as it existed in England between 1576 and 1642, the dates of the building of the first London play-house and of the closing of the theaters by the puritans. This investigation includes the following points: a historical study of the influence of social, political, and religious conditions upon bourgeois tragedy in its rise, its flourishing, and its decline; an analysis of the basic conceptions which differentiate bourgeois tragedy from the main body of contemporary tragedy, constituting it a special and significant type; a study of its relations, through secondary and stylistic qualities, to antecedent English drama, to the contemporary English drama, and to other literary types.
Author | : Richard Halpern |
Publisher | : University of Chicago Press |
Total Pages | : 322 |
Release | : 2017-03-13 |
Genre | : Literary Criticism |
ISBN | : 022643379X |
According to traditional accounts, the history of tragedy is itself tragic: following a miraculous birth in fifth-century Athens and a brilliant resurgence in the early modern period, tragic drama then falls into a marked decline. While disputing the notion that tragedy has died, this wide-ranging study argues that it faces an unprecedented challenge in modern times from an unexpected quarter: political economy. Since Aristotle, tragedy has been seen as uniquely exhibiting the importance of action for human happiness. Beginning with Adam Smith, however, political economy has claimed that the source of happiness is primarily production. Eclipse of Action examines the tense relations between action and production, doing and making, in playwrights from Aeschylus, Marlowe, Shakespeare, and Milton to Beckett, Arthur Miller, and Sarah Kane. Richard Halpern places these figures in conversation with works by Aristotle, Smith, Hegel, Marx, Hannah Arendt, Georges Bataille, and others in order to trace the long history of the ways in which economic thought and tragic drama interact.
Author | : Catherine Richardson |
Publisher | : Manchester University Press |
Total Pages | : 454 |
Release | : 2013-07-19 |
Genre | : Performing Arts |
ISBN | : 1847795781 |
In a theatre which self-consciously cultivated its audiences’ imagination, how and what did playgoers ‘see’ on the stage? This book reconstructs one aspect of that imaginative process. It considers a range of printed and documentary evidence - the majority previously unpublished - for the way ordinary individuals thought about their houses and households. It then explores how writers of domestic tragedies engaged those attitudes to shape their representations of domesticity. It therefore offers a new method for understanding theatrical representations, based around a truly interdisciplinary study of the interaction between literary and historical methods. The plays she cites include Arden of Faversham, Two Lamentable Tragedies, A Woman Killed With Kindness, and A Yorkshire Tragedy.
Author | : Raymond Williams |
Publisher | : New Left Books |
Total Pages | : 236 |
Release | : 1979 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Ernest Bernbaum |
Publisher | : |
Total Pages | : 314 |
Release | : 1915 |
Genre | : Domestic tragedies (Drama), English |
ISBN | : |
Author | : Gustave Flaubert |
Publisher | : Bantam Classics |
Total Pages | : 514 |
Release | : 1982-06-01 |
Genre | : Fiction |
ISBN | : 0553213415 |
This exquisite novel tells the story of one of the most compelling heroines in modern literature--Emma Bovary. "Madame Bovary has a perfection that not only stamps it, but that makes it stand almost alone; it holds itself with such a supreme unapproachable assurance as both excites and defies judgement." - Henry James Unhappily married to a devoted, clumsy provincial doctor, Emma revolts against the ordinariness of her life by pursuing voluptuous dreams of ecstasy and love. But her sensuous and sentimental desires lead her only to suffering corruption and downfall. A brilliant psychological portrait, Madame Bovary searingly depicts the human mind in search of transcendence. Who is Madame Bovary? Flaubert's answer to this question was superb: "Madame Bovary, c'est moi." Acclaimed as a masterpiece upon its publication in 1857, the work catapulted Flaubert to the ranks of the world's greatest novelists. This volume, with its fine translation by Lowell Bair, a perceptive introduction by Leo Bersani, and a complete supplement of essays and critical comments, is the indispensable Madame Bovary.
Author | : Marshall Berman |
Publisher | : Verso |
Total Pages | : 388 |
Release | : 1983 |
Genre | : History |
ISBN | : 9780860917854 |
The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.