The Lure And The Truth Of Painting
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Author | : Yves Bonnefoy |
Publisher | : University of Chicago Press |
Total Pages | : 270 |
Release | : 1995-11 |
Genre | : Art |
ISBN | : 9780226064444 |
Always fascinated in his poetry by the nature of color and light and the power of the image, Bonnefoy continues to pursue these themes in his discussion of the lure and truth of representation. He sees the painter as a poet whose language is visual, and he seeks to find out what visual artists can teach those who work with words.
Author | : Yves Bonnefoy |
Publisher | : |
Total Pages | : 252 |
Release | : 1995 |
Genre | : |
ISBN | : |
Author | : Jacques Derrida |
Publisher | : University of Chicago Press |
Total Pages | : 403 |
Release | : 2020-10-28 |
Genre | : Philosophy |
ISBN | : 022680769X |
"The four essays in this volume constitute Derrida's most explicit and sustained reflection on the art work as pictorial artifact, a reflection partly by way of philosophical aesthetics (Kant, Heidegger), partly by way of a commentary on art works and art scholarship (Van Gogh, Adami, Titus-Carmel). The illustrations are excellent, and the translators, who clearly see their work as both a rendering and a transformation, add yet another dimension to this richly layered composition. Indispensable to collections emphasizing art criticism and aesthetics."—Alexander Gelley, Library Journal
Author | : Lawrence Watt-Evans |
Publisher | : Wildside Press LLC |
Total Pages | : 268 |
Release | : 2015-02-25 |
Genre | : Fiction |
ISBN | : 1434439798 |
The overman named Garth sought immortal fame. The oracle told him to serve the Forgotten King to get that fame. But this King sent Garth after a basilisk whose gaze could turn men to stone. What sane use could anyone have for a monster like that?
Author | : Henry Miller |
Publisher | : |
Total Pages | : 72 |
Release | : 1960 |
Genre | : Aesthetics |
ISBN | : |
Author | : Hanneke Grootenboer |
Publisher | : University of Chicago Press |
Total Pages | : 222 |
Release | : 2006-12-31 |
Genre | : Art |
ISBN | : 0226309703 |
Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception. “An elegant and honourable synthesis.”—Keith Miller, Times Literary Supplement
Author | : Charles A. Riley |
Publisher | : UPNE |
Total Pages | : 380 |
Release | : 1998 |
Genre | : Arts, Modern |
ISBN | : 9780874517651 |
Asceticism seen as a powerful force in the art and thought of our time.
Author | : Eric Holzman |
Publisher | : Lulu.com |
Total Pages | : 72 |
Release | : 2011-06-20 |
Genre | : Art |
ISBN | : 1257784412 |
exhibition catalogue with color reproductions
Author | : Kamil Kuskowski |
Publisher | : |
Total Pages | : 128 |
Release | : 200? |
Genre | : |
ISBN | : |
Author | : Robert W. Greene |
Publisher | : Rodopi |
Total Pages | : 208 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : 9789042017924 |
Yves Bonnefoy's writings have won him praise not only from readers and critics of French poetry, but also, thanks to translations into many other languages, from readers and critics of poetry far beyond the francophone world. Indeed, Bonnefoy may be the most admired poet to have emerged in France since World War II. Yet his art criticism, dazzling in its scope, possibly as original as his poetry, is yet to receive the attention it deserves. Searching for Presence: Yves Bonnefoy's Writings on Art undertakes to fill that lacuna. Elusive, skirting the ineffable, the notion of presence has haunted Bonnefoy for decades. Central to the notion for the poet is the fleeting experience of mutuality between self and other, of lightning transaction in a transient world, of a shared mortal destiny, hence a plenitude within finitude. In an age when so many of his contemporaries seem to view any form of art as wallpaper spanning a void, Bonnefoy's faith in presence is all the more welcome. Focusing on his art criticism, the aspect of the poet's oeuvre in which the notion of presence is the most salient, this study tries to do justice to that fidelity.