The Life And Novels Of Thomas Love Peacock
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Nightmare Abbey:
Author | : Thomas Love Peacock |
Publisher | : |
Total Pages | : 238 |
Release | : 1818 |
Genre | : |
ISBN | : |
A satire on Byronism and pessimism in general. A gathering of eccentric characters in a country house, including Mr Glowry, his son Scythrop and Mr Toobad, leads to a series of absurd incidents.
Crotchet Castle
Author | : Thomas Love Peacock |
Publisher | : BoD – Books on Demand |
Total Pages | : 166 |
Release | : 2023-08-31 |
Genre | : Fiction |
ISBN | : 3387017413 |
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Headlong Hall
Author | : Thomas Love Peacock |
Publisher | : IndyPublish.com |
Total Pages | : 188 |
Release | : 1891 |
Genre | : Fiction |
ISBN | : |
Peacock's first novel is situated within its literary and historical contexts via a substantial introduction, generous notes, and annotated appendices.
The True History of the First Mrs. Meredith and Other Lesser Lives
Author | : Diane Johnson |
Publisher | : New York Review of Books |
Total Pages | : 273 |
Release | : 2020-06-23 |
Genre | : Biography & Autobiography |
ISBN | : 1681374463 |
A classic of alternative biography and feminist writing, this empathetic and witty book gives due to a "lesser" figure of history, Mary Ellen Peacock Meredith, who was brilliant, unconventional, and at odds with the constraints of Victorian life. “Many people have described the Famous Writer presiding at his dinner table. . . . He is famous; everybody remembers his remarks. . . . We forget that there were other family members at the table—a quiet person, now muffled by time, shadowy, whose heart pounded with love, perhaps, or rage.” So begins The True History of the First Mrs. Meredith and Other Lesser Lives, an uncommon biography devoted to one of those “lesser lives.” As the author points out, “A lesser life does not seem lesser to the person who leads one.” Such sympathy and curiosity compelled Diane Johnson to research Mary Ellen Peacock Meredith (1821–1861), the daughter of the famous artist Thomas Love Peacock (1785–1866) and first wife of the equally famous poet George Meredith (1828–1909). Her life, treated perfunctorily and prudishly in biographies of Peacock or Meredith, is here exquisitely and unhurriedly given its due. What emerges is the portrait of a brilliant, well-educated woman, raised unconventionally by her father only to feel more forcefully the constraints of the Victorian era. First published in 1972, Lesser Lives has been a key text for feminists and biographers alike, a book that reimagined what biography might be, both in terms of subject and style. Biographies of other “lesser” lives have since followed in its footsteps, but few have the wit, elegance, and empathy of Johnson’s seminal work.
The Three Doctors - A Musical Farce in Two Acts
Author | : Thomas Love Peacock |
Publisher | : Read Books Ltd |
Total Pages | : 37 |
Release | : 2018-11-22 |
Genre | : Drama |
ISBN | : 1528785487 |
“The Three Doctors” is a musical play in two acts by English writer Thomas Love Peacock, first published in 1903. A musical farce, it aims at entertaining the audience through a highly exaggerated, extravagant, and thus improbable situation. This play concerns doctors and their contemporary role in English society, presented in a satirical and highly amusing musical form. Imbued with Peacock's cutting wit and famous social commentary, it is highly recommended for lovers of the stage and entertaining societal critique. Thomas Love Peacock (18 October 1785 – 23 January 1866) was an English poet, novelist, and important figure in the East India Company. A good friend of Percy Bysshe Shelley, they both had a significant influence on each other's work. Peacock was most famous for writing satirical novels, which usually involved characters sat around a table discussing contemporary philosophical ideas. Other notable works by this author include: “Headlong Hall” (1815), “Gryll Grange” (1861), and “Melincourt” (1817). Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with intoductory essays by Sir Walter Raleigh and Virginia Woolf.
Ojibwe Waasa Inaabidaa
Author | : Thomas D. Peacock |
Publisher | : Minnesota Historical Society |
Total Pages | : 164 |
Release | : 2002 |
Genre | : History |
ISBN | : 9780873517850 |
A uniquely personal history of the Ojibwe culture.
The Novels of Thomas Love Peacock
Author | : Bryan Burns |
Publisher | : Rowman & Littlefield |
Total Pages | : 268 |
Release | : 1985 |
Genre | : Literary Criticism |
ISBN | : 9780389205326 |
This is the first book to offer a literary analysis of Peacock's novels, including the two ironic medieval romances Maid Marian and The Misfortunes of Elphin. Other works included are Headlong Hall, Melincourt, Nightmare Abbey, Crotchet Castle, The Romances and Gryll Grange.
The Novel
Author | : Michael Schmidt |
Publisher | : Harvard University Press |
Total Pages | : 1299 |
Release | : 2014-05-12 |
Genre | : Literary Criticism |
ISBN | : 0674369068 |
The 700-year history of the novel in English defies straightforward telling. Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, Michael Schmidt does full justice to its complexity. Like his hero Ford Madox Ford in The March of Literature, Schmidt chooses as his traveling companions not critics or theorists but “artist practitioners,” men and women who feel “hot love” for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English. Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliché—some irreducible quality that keeps readers coming back to its pages.