The life and correspondence of sir Thomas Lawrence, kt
Author | : D E. Williams |
Publisher | : London, Colburn |
Total Pages | : 718 |
Release | : 1831 |
Genre | : Portrait painting, English |
ISBN | : |
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Author | : D E. Williams |
Publisher | : London, Colburn |
Total Pages | : 718 |
Release | : 1831 |
Genre | : Portrait painting, English |
ISBN | : |
Author | : D E Williams |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : |
ISBN | : 9781020763038 |
This comprehensive biography tells the story of Sir Thomas Lawrence, one of the leading portrait painters of the late 18th and early 19th centuries. Lawrence's clients included royalty, politicians, and artists, and his work is still admired for its beauty and sensitivity. Drawing on Lawrence's letters and diaries, as well as contemporary accounts, this book offers an intimate look at the life and art of a great painter. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : D. E. Williams |
Publisher | : Palala Press |
Total Pages | : 604 |
Release | : 2015-09-01 |
Genre | : |
ISBN | : 9781341134265 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : D. E. Williams |
Publisher | : |
Total Pages | : 510 |
Release | : 1831 |
Genre | : |
ISBN | : |
This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
Author | : D E Williams |
Publisher | : Theclassics.Us |
Total Pages | : 120 |
Release | : 2013-09 |
Genre | : |
ISBN | : 9781230431574 |
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1831 edition. Excerpt: ... CHAPTER II. Reflections upon Biography.--The character of Sir Thomas Lawrence.--His habits.--His private sketch of his own nature.--Reflections upon keeping accounts.--Dr. Johnson's opinion on the subject.--Sir Thomas Lawrence's observations upon it.--The portrait of Mrs. Wolff.--A beautiful sketch.--The poetry of painting.--Extracts from private letters.--Mrs. Wolff's family.--Her residence in (he country.--Mrs. Angerstein's sentiments.--Lawrence's reflections upon his brother artists.--His views upon criticism.--Portrait of the Persian ambassador.--Sir Gore Ousley's statement of the effects of the portrait in Persia.--Lawrence's feelings at the intelligence.--His literary criticism.--His designs of a great historical painting.--The building of the Parthenon.--Pericles and Aspasia.--Lord Byron's Cain.--Sir Thomas Lawrence's observations upon the poem, and upon Lord Byron's countenance and character.--Lord Byron's notes compared to Lady Morgan's.--Sir Thomas Lawrence's visit to Claremont.--His letters descriptive of the endearing manners and unsophisticated habits of the Princess Charlotte and Prince Leopold.--Their pastimes and daily avocations.--An evening whisttable.--Music.--Reflections on George III. and the Prince Regent.--Lord Liverpool's account of Napoleon's receiving his sentence of banishment.--Sir Thomas's affliction at the death of Mrs. Wolff.--A party at Lady Crewe's.--Lovemaking to Sir Thomas Lawrence.--Jesuitical distinctions.--A lady of genius.--Rights of women.--An afflicting love-story.--A private letter.--An attachment.--" The Cold Coquette." Unless the mirror reflect the mind and heart of a great man in his private life, and in the de. laissement of his domestic habits and social intercourse, his biography...
Author | : D. E. Williams |
Publisher | : |
Total Pages | : 510 |
Release | : 1831 |
Genre | : Portrait painters |
ISBN | : |
Author | : Michael Levey |
Publisher | : Yale University Press |
Total Pages | : 372 |
Release | : 2005-01-01 |
Genre | : Art |
ISBN | : 0300109989 |
"Sir Thomas Lawrence (1769-1830) was the most gifted and successful British portrait painter in the generation following Gainsborough and Reynolds, and his pre-eminence was publicly confirmed when he was elected President of the Royal Academy of Arts in 1820 ... This book is the first sustained study of the work of Lawrence to be published for many years ..."--Inside front cover jacket.
Author | : Franny Moyle |
Publisher | : Penguin |
Total Pages | : 592 |
Release | : 2016-10-25 |
Genre | : Biography & Autobiography |
ISBN | : 073522093X |
The life of one of Western art's most admired and misunderstood painters J.M.W. Turner is one of the most important figures in Western art, and his visionary work paved the way for a revolution in landscape painting. Over the course of his lifetime, Turner strove to liberate painting from an antiquated system of patronage. Bringing a new level of expression and color to his canvases, he paved the way for the modern artist. Turner was very much a man of his changing era. In his lifetime, he saw Britain ravaged by Napoleonic wars, revived by the Industrial Revolution, and embarked upon a new moment of Imperial glory with the ascendancy of Queen Victoria. His own life embodied astonishing transformation. Born the son of a barber in Covent Garden, he was buried amid pomp and ceremony in St. Paul's Cathedral. Turner was accepted into the prestigious Royal Academy at the height of the French Revolution when a climate of fear dominated Britain. Unable to travel abroad he explored at home, reimagining the landscape to create some of the most iconic scenes of his country. But his work always had a profound human element. When a moment of peace allowed travel into Europe, Turner was one of the first artists to capture the beauty of the Alps, to revive Venice as a subject, and to follow in Byron’s footsteps through the Rhine country. While he was commercially successful for most of his career, Turner's personal life remained fraught. His mother suffered from mental illness and was committed to Bedlam. Turner never married but had several long-term mistresses and illegitimate daughters. His erotic drawings were numerous but were covered up by prurient Victorians after his death. Turner's late, impressionistic work was held up by his Victorian detractors as example of a creeping madness. Affection for the artist’s work soured. John Ruskin, the greatest of all 19th century art critics, did what he could to rescue Turner’s reputation, but Turner’s very last works confounded even his greatest defender. TURNER humanizes this surprising genius while placing him in his fascinating historical context. Franny Moyle brilliantly tells the story of the man to give us an astonishing portrait of the artist and a vivid evocation of Britain and Europe in flux.