The Life And Adventures Of Capt John Avery The Successful Pyrate
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The Pirate King
Author | : Sean Kingsley |
Publisher | : Simon and Schuster |
Total Pages | : 223 |
Release | : 2024-04-02 |
Genre | : History |
ISBN | : 1639365966 |
The incredible story of the “Robin Hood of the Seas,” who absconded with millions during the Golden Age of Piracy and who harbored an even greater secret. Henry Avery of Devon pillaged a fortune from a Mughal ship off the coast of India and then vanished into thin air—and into legend. More ballads, plays, biographies and books were written about Avery’s adventures than any other pirate. His contemporaries crowned him "the pirate king" for pulling off the richest heist in pirate history and escaping with his head intact (unlike Blackbeard and his infamous Flying Gang). Avery was now the most wanted criminal on earth. To the authorities, Avery was the enemy of all mankind. To the people he was a hero. Rumors swirled about his disappearance. The only certainty is that Henry Avery became a ghost. What happened to the notorious Avery has been pirate history’s most baffling cold case for centuries. Now, in a remote archive, a coded letter written by "Avery the Pirate" himself, years after he disappeared, reveals a stunning truth. He was a pirate that came in from the cold . . . In The Pirate King, Sean Kingsley and Rex Cowan brilliantly tie Avery to the shadowy lives of two other icons of the early 18th century, including Daniel Defoe, the world-famous novelist and—as few people know—a deep-cover spy with more than a hundred pseudonyms, and Archbishop Thomas Tenison, a Protestant with a hatred of Catholic France. Sean Kingsley and Rex Cowan's The Pirate King brilliantly reveals the untold epic story of Henry Avery in all it's colorful glory—his exploits, his survival, his secret double life, and how he inspired the golden age of piracy.
The Life and Adventures of Capt. John Avery. the Successful Pirate
Author | : Charles Johnson |
Publisher | : AMS Press |
Total Pages | : |
Release | : 1992-01-01 |
Genre | : Biography & Autobiography |
ISBN | : 9780404702038 |
Wavin' Flag: World Cup of Soccer Terror in Africa
Author | : Martin Avery |
Publisher | : Lulu.com |
Total Pages | : 201 |
Release | : 2010-06-24 |
Genre | : Fiction |
ISBN | : 055750676X |
A literary thriller that mixes sports with terrorism, set in South Africa during the World Cup of Soccer, 2010. Possibly the best soccer novel since The Goalie's Anxiety At The Penalty Kick.
Rum, Sodomy, and the Lash
Author | : Hans Turley |
Publisher | : NYU Press |
Total Pages | : 220 |
Release | : 1999 |
Genre | : History |
ISBN | : 0814782248 |
For abstracts see: Caribbean Abstracts, no. 11, 1999-2000 (2001); p. 111.
Pirating Fictions
Author | : Monica F. Cohen |
Publisher | : University of Virginia Press |
Total Pages | : 363 |
Release | : 2018-01-02 |
Genre | : Literary Criticism |
ISBN | : 0813940702 |
Two distinctly different meanings of piracy are ingeniously intertwined in Monica Cohen's lively new book, which shows how popular depictions of the pirate held sway on the page and the stage even as their creators were preoccupied with the ravages of literary appropriation. The golden age of piracy captured the nineteenth-century imagination, animating such best-selling novels as Treasure Island and inspiring theatrical hits from The Pirates of Penzance to Peter Pan. But the prevalence of unauthorized reprinting and dramatic adaptation meant that authors lost immense profits from the most lucrative markets. Infuriated, novelists and playwrights denounced such literary piracy in essays, speeches, and testimonies. Their fiction, however, tells a different story. Using landmarks in copyright history as a backdrop, Pirating Fictions argues that popular nineteenth-century pirate fiction mischievously resists the creation of intellectual property in copyright legislation and law. Drawing on classic pirate stories by such writers as Walter Scott, James Fenimore Cooper, Robert Louis Stevenson, and J. M. Barrie, this wide-ranging account demonstrates, in raucous tales and telling asides, how literary appropriation was celebrated at the very moment when the forces of possessive individualism began to enshrine the language of personal ownership in Anglo-American views of creative work.
Pirate Nests and the Rise of the British Empire, 1570-1740
Author | : Mark G. Hanna |
Publisher | : UNC Press Books |
Total Pages | : 465 |
Release | : 2015-10-22 |
Genre | : History |
ISBN | : 1469617951 |
Analyzing the rise and subsequent fall of international piracy from the perspective of colonial hinterlands, Mark G. Hanna explores the often overt support of sea marauders in maritime communities from the inception of England's burgeoning empire in the 1570s to its administrative consolidation by the 1740s. Although traditionally depicted as swashbuckling adventurers on the high seas, pirates played a crucial role on land. Far from a hindrance to trade, their enterprises contributed to commercial development and to the economic infrastructure of port towns. English piracy and unregulated privateering flourished in the Pacific, the Caribbean, and the Indian Ocean because of merchant elites' active support in the North American colonies. Sea marauders represented a real as well as a symbolic challenge to legal and commercial policies formulated by distant and ineffectual administrative bodies that undermined the financial prosperity and defense of the colonies. Departing from previous understandings of deep-sea marauding, this study reveals the full scope of pirates' activities in relation to the landed communities that they serviced and their impact on patterns of development that formed early America and the British Empire.
Empire on the English Stage 1660-1714
Author | : Bridget Orr |
Publisher | : Cambridge University Press |
Total Pages | : 380 |
Release | : 2001-08-23 |
Genre | : Drama |
ISBN | : 9780521773508 |
Empire on the English Stage 1660-1714 analyzes Restoration and early eighteenth-century drama in terms of empire.
Treasure Neverland
Author | : Neil Rennie |
Publisher | : OUP Oxford |
Total Pages | : 375 |
Release | : 2013-09-12 |
Genre | : Literary Criticism |
ISBN | : 0191668648 |
Treasure Neverland is about factual and fictional pirates. Swashbuckling eighteenth-century pirates were the ideal pirates of all time and tales of their exploits are still popular today. Most people have heard of Blackbeard and Captain Kidd even though they lived about three hundred years ago, but most have also heard of other pirates, such as Long John Silver and Captain Hook, even though these pirates never lived at all, except in literature. The differences between these two types of pirates - real and imaginary - are not quite as stark as we might think as the real, historical pirates are themselves somewhat legendary, somewhat fictional, belonging on the page and the stage rather than on the high seas. Based on extensive research of fascninating primary material, including testimonials, narratives, legal statements, colonial and mercantile records, Neil Rennie describes the ascertainable facts of real eighteenth-century pirate lives and then investigates how such facts were subsequently transformed artistically, by writers like Defoe and Stevenson, into realistic and fantastic fictions of various kinds: historical novels, popular melodramas, boyish adventures, Hollywood films. Rennie's aim is to watch, in other words, the long dissolve from Captain Kidd to Johnny Depp. There are surprisingly few scholarly studies of the factual pirates - properly analysing the basic manuscript sources and separating those documents from popular legends - and there are even fewer literary-historical studies of the whole crew of fictional pirates, although those imaginary pirates form a distinct and coherent literary tradition. Treasure Neverland is a study of this Scots-American literary tradition and also of the interrelations between the factual and fictional pirates - pirates who are intimately related, as the nineteenth-century writings about fictional pirates began with the eighteenth-century writings about supposedly real pirates. 'What I want is the best book about the Buccaneers', wrote Stevenson when he began Treasure Island in 1881. What he received, rightly, was indeed the best book: the sensational and unreliable History of the Pyrates (1724).