The Language And Iconography Of Chinese Charms
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| Author | : Alex Chengyu Fang |
| Publisher | : Springer |
| Total Pages | : 314 |
| Release | : 2016-12-09 |
| Genre | : Social Science |
| ISBN | : 981101793X |
This book offers an in-depth description and analysis of Chinese coin-like charms, which date back to the second century CE and which continued to be used until mid 20th century. This work is unique in that it provides an archaeological and analytical interpretation of the content of these metallic objects: inscriptive, pictorial or both. As the component chapters show, these coin-like objects represent a wealth of Chinese traditional folk beliefs, including but not limited to family values, social obligations and religious desires. The book presents a collection of contributed chapters, gathering a diverse range of perspectives and expertise from some of the world’s leading scholars in the fields of archaeology, religious studies, art history, language and museology. The background of the cover image is a page from Guang jin shi yun fu 廣金石韻府, a rhyming dictionary first published in the ninth year of the Kangxi Reign (1652 CE). The metal charm dates back to the Song Dynasty (960–1279 CE), depicting two deities traditionally believed to possess the majic power of suppressing evil spirits. The stich-bound book in the foreground is a collection of seal impressions from the beginning of the 20th century. Its wooden press board is inscribed da ji xiang 大吉祥 by Fang Zhi-bin 方質彬 in the year of bing yin (1926 CE).
| Author | : Yibin Ni |
| Publisher | : Watkins Publishing |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : China |
| ISBN | : 9781844838493 |
Much more than a book about language, "100 Chinese Characters" interweaves history, culture and art to reveal one of the world's greatest civilizations. Chinese characters have developed over thousands of years, captivating as much with their artistic expressiveness as with their intriguing layers of meaning. In this book the text is accompanied with calligraphy and full-colour reproductions of Chinese brush paintings, calligraphic scrolls cermaics and textiles, whilst each entry explores the meaning behind the character and its significance in Chinese culture, from words such as dragon, mountain and heaven, to abstract concepts such as love, beauty and trust. Drawing on the latest scholarship, this silk-bound edition is both engaging and informative - language as an art form; art as language.
| Author | : Wolfram Eberhard |
| Publisher | : Routledge |
| Total Pages | : 336 |
| Release | : 2006-12-05 |
| Genre | : Social Science |
| ISBN | : 1134988648 |
This unique and authoritative guide describes more than 400 important Chinese symbols, explaining their esoteric meanings and connections. Their use and development in Chinese literature and in Chinese customs and attitudes to life are traced lucidly and precisely. `An ideal reference book to help one learn and explore further, while simultaneously giving greater insight into many other aspects of Chinese life ... the most authoritative guide to Chinese symbolism available to the general reader today ... a well-researched, informative and entertaining guide to the treasure trove of Chinese symbols.' - South China Morning Post
| Author | : Cometan |
| Publisher | : Astronist Institution |
| Total Pages | : 96 |
| Release | : 2020-09-15 |
| Genre | : Science |
| ISBN | : |
Official title: Do the prehistoric interactions between astronomy and religion form a distinct religious tradition? In the dissertation for his Master's of Arts degree from the University of Central Lancashire, Cometan introduced and thoroughly explored his theory of the existence of the oldest religious tradition based on astronomical observation which he titles the Astronic tradition, or Astronicism. In this work, which received a Distinction Grade of 87 following its examination, Cometan discovers that astronomy and religion were indeed intertwined in prehistoric and ancient times. Through archaeological evidence, Cometan makes the case for the existence of an Astronic religious tradition stretching back to the Upper Palaeolithic period of the Stone Age some 40,000 years ago. Key ideas of Cometan's dissertation work include astromorphism, astrolatry, astroglyphs, astromancy, astronomical religion, and the theory of an astronomical Urreligion (an original or primordial religion).
| Author | : Charles Alfred Speed Williams |
| Publisher | : Courier Corporation |
| Total Pages | : 520 |
| Release | : 1976-01-01 |
| Genre | : Social Science |
| ISBN | : 9780486233727 |
Describes historical, legendary, and supernatural persons, animals, and objects that recur as symbols in Oriental art and literature
| Author | : Matthew Wilson |
| Publisher | : Thames & Hudson |
| Total Pages | : 503 |
| Release | : 2022-11-03 |
| Genre | : Art |
| ISBN | : 0500777691 |
Why do we reach for the red rose on Valentines day? Where did the owl gain its reputation for wisdom? Why should you never trust a fox? In this visual tour through art history, Matthew Wilson pieces together a global visual language enshrined in art: the language of symbols. Symbols exert a strong hold in the image-saturated 21st century, and have done so for thousands of years. From national emblems to corporate logos and emojis, our day-to-day lives abound with icons with roots in the distant past. Expert art historian Matthew Wilson traces the often surprising trajectories that symbols have taken through history, from their original purposes to their modern meanings, identifying the common themes and ideas that link seemingly disparate cultures. Thus we meet the falcon as a symbol of authority from the ancient Egyptian pharaohs to the medieval aristocracy; the dog as stalwart companion from the classical era to the Renaissance; and the mythical phoenix as a symbol of female power connecting a queen in England with a goddess in China. We also see moments of radical reinterpretation and change: the transformation of the swastika from an auspicious symbol of hope to one of hate. From Palaeolithic cave paintings to contemporary installations, Wilson deftly guides us through this world of symbols, showcasing their enduring ability to express power, hope, fear and faith, and to create and communicate identities, uniting or dividing the people that made them.
| Author | : Helen Wang |
| Publisher | : Archaeopress Publishing Ltd |
| Total Pages | : 236 |
| Release | : 2023-12-21 |
| Genre | : Antiques & Collectibles |
| ISBN | : 1803276118 |
24 contributions reflect the vast scope of Joe Cribb’s interests including Asian numismatics, museology, poetry and art. Papers are arranged geographically, then chronologically/thematically including studies on coins, charms and silver currencies in or from China; finds from ancient Central Asia and Afghanistan: coins of South Soghd, and far more.
| Author | : Richard Sproat |
| Publisher | : Springer Nature |
| Total Pages | : 240 |
| Release | : 2023-07-31 |
| Genre | : Computers |
| ISBN | : 3031268091 |
For millennia humans have used visible marks to communicate information. Modern examples of conventional graphical symbols include written language, and non-linguistic symbol systems such as mathematical symbology or traffic signs. The latter kinds of symbols convey information without reference to language. This book presents the first systematic study of graphical symbol systems, including a history of graphical symbols from the Paleolithic onwards, a taxonomy of non-linguistic systems – systems that are not tied to spoken language – and a survey of more than 25 such systems. One important feature of many non-linguistic systems is that, as in written language, symbols may be combined into complex “messages” if the information the system represents is itself complex. To illustrate, the author presents an in-depth comparison of two systems that had very similar functions, but very different structure: European heraldry and Japanese kamon. Writing first appeared in Mesopotamia about 5,000 years ago and is believed to have evolved from a previous non-linguistic accounting system. The exact mechanism is unknown, but crucial was the discovery that symbols can represent the sounds of words, not just the meanings. The book presents a novel neurologically-inspired hypothesis that writing evolved in an institutional context in which symbols were “dictated”, thus driving an association between symbol and sound, and provides a computational simulation to support this hypothesis. The author further discusses some common fallacies about writing and non-linguistic systems, and how these relate to widely cited claims about statistical “evidence” for one or another system being writing. The book ends with some thoughts about the future of graphical symbol systems. The intended audience includes students, researchers, lecturers, professionals and scientists from fields like Natural Language Processing, Machine Learning, Archaeology and Semiotics, as well as general readers interested in language and/or writing systems and symbol systems.
| Author | : Ariel Fox |
| Publisher | : BRILL |
| Total Pages | : 276 |
| Release | : 2024-09-09 |
| Genre | : Literary Criticism |
| ISBN | : 1684176816 |
The long seventeenth century in China was a period of tremendous commercial expansion, and no literary genre was better equipped to articulate its possibilities than southern drama. As a form and a practice, southern drama was in the business of world-building—both in its structural imperative to depict and reconcile the social whole and in its creation of entire economies dependent on its publication and performance. However, the early modern commercial world repelled rather than engaged most playwrights, who consigned its totems—the merchant and his money—to the margins as sources of political suspicion and cultural anxiety. In The Cornucopian Stage, Ariel Fox examines a body of influential yet understudied plays by a circle of Suzhou playwrights who enlisted the theatrical imaginary to very different ends. In plays about long-distance traders and small-time peddlers, impossible bargains and broken contracts, strings of cash and storehouses of silver, the Suzhou circle placed commercial forms not only at center stage but at the center of a new world coming into being. Here, Fox argues, the economic character of early modern selfhood is recast as fundamentally productive—as the basis for new subject positions, new kinds of communities, and new modes of art.
| Author | : Mary Ellen Snodgrass |
| Publisher | : McFarland |
| Total Pages | : 407 |
| Release | : 2019-08-12 |
| Genre | : Business & Economics |
| ISBN | : 1476677964 |
During ancient times currency took varied forms, including beaver skins, bales of tobacco, and sea salt blocks. As art and technology advanced, monetary systems and currencies altered. Today, coins and currency provide an historical and archeological record of culture, religion, politics, and world leaders. This updated second edition offers numerous entries of historical commentary on the role of coins and currency in human events, politics, and the arts. It begins with the origin of coins in ancient Sumer, and follows advancements in metallurgy and minting machines to paper, plastic, and electronic moneys designed to ease trade and halt counterfeiting and other forms of theft. A timeline of monetary history is provided along with a glossary and bibliography. Numerous photographs of coins and bills provide an up-close look at beautiful and ingenious artifacts.
