The Joy of Fairy Tales
Author | : |
Publisher | : |
Total Pages | : 768 |
Release | : 2011 |
Genre | : Fairy tales |
ISBN | : 9781849310482 |
The Worlds greatest Fairy Tales from countries far and wide.
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Author | : |
Publisher | : |
Total Pages | : 768 |
Release | : 2011 |
Genre | : Fairy tales |
ISBN | : 9781849310482 |
The Worlds greatest Fairy Tales from countries far and wide.
Author | : Karrie Fransman |
Publisher | : Faber & Faber |
Total Pages | : 206 |
Release | : 2020-11-03 |
Genre | : Social Science |
ISBN | : 0571360203 |
Discover a collection of fairy tales unlike the ones you've read before . . . Once upon a time, in the middle of winter, a King sat at a window and sewed. As he sewed and gazed out onto the landscape, he pricked his finger with the needle, and three drops of blood fell onto the snow outside. People have been telling fairy tales to their children for hundreds of years. And for almost as long, people have been rewriting those fairy tales - to help their children imagine a world where they are the heroes. Karrie and Jon were reading their child these stories when they hit upon a dilemma, something previous versions of these stories were missing, and so they decided to make one vital change.. They haven't rewritten the stories in this book. They haven't reimagined endings, or reinvented characters. What they have done is switch all the genders. It might not sound like that much of a change, but you'll be dazzled by the world this swap creates - and amazed by the new characters you're about to discover.
Author | : Brothers Grimm |
Publisher | : Lindhardt og Ringhof |
Total Pages | : 4 |
Release | : 2020-11-25 |
Genre | : Fiction |
ISBN | : 8726590387 |
A man is sent to jail for beating his wife. After a while he is released and he promises to never repeat his faults. He says that a couple has to share every joy and sorrow and stay together no matter what. But don’t you think it is a bit strange for a person to change so drastically? Do you want to check what the man actually meant? Then grab "Sharing Joy and Sorrow", but remember to not take the man’s behavior as an example. Children and adults alike, immerse yourselves into Grimm’s world of folktales and legends! Come, discover the little-known tales and treasured classics in this collection of 210 fairy tales. Brothers Grimm are probably the best-known storytellers in the world. Some of their most popular fairy tales are "Cinderella", "Beauty and the Beast" and "Little Red Riding Hood" and there is hardly anybody who has not grown up with the adventures of Hansel and Gretel, Rapunzel and Snow White. Jacob and Wilhelm Grimm’s exceptional literature legacy consists of recorded German and European folktales and legends. Their collections have been translated into all European languages in their lifetime and into every living language today.
Author | : Alice Provensen |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2021-11-16 |
Genre | : Juvenile Fiction |
ISBN | : 1681375826 |
Now back in print, a beautifully illustrated collection of twelve reimagined fairy tales, including classics like "Beauty and the Beast" and literary tales like Oscar Wilde's "The Happy Prince." Alice and Martin Provensen were one of the most talented husband-and-wife author-illustrator teams of the twentieth century. A long-out-of-print cult classic first published 50 years ago, The Provensen Book of Fairy Tales is a treasury of their illustrations accompanied by fairy tales from authors such as A. A. Milne, Hans Christian Andersen, and Oscar Wilde. Here too are clever retellings and newly imagined tales: refined old favorites like Arthur Rackham’s “Beauty and the Beast,” feminist revisions like Elinor Mordaunt’s “The Prince and the Goose Girl,” and sensitive stories by literary stylists like Henry Beston’s “The Lost Half-Hour” and Katharine Pyle’s “The Dreamer.” Full of magic, ingenuity, and humor, The Provensen Book of Fairy Tales is a witty modern descendant of Grimm’s Fairy Tales and a classic in its own right, sure to be beloved by a new generation.
Author | : Rozanne Lanczak Williams |
Publisher | : Creative Teaching Press |
Total Pages | : 16 |
Release | : 2007-09-01 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781591983590 |
Author | : Luisa Adam |
Publisher | : Brolly Books |
Total Pages | : 0 |
Release | : 2020-03 |
Genre | : Juvenile Fiction |
ISBN | : 9780648457169 |
A stunning collection of classic fairytales, including Rapunzel, Sleeping Beauty, The Princess and the Frog, and more. Each tale has been retold for a contemporary audience in an evocative and imaginative way. Each story is less than 600 words, so is perfect for engaging young readers. The paintings by Joy Scherger are exquisitely delicate and capture the traditional beauty of these much loved stories.
Author | : |
Publisher | : Golden Books |
Total Pages | : 158 |
Release | : 1999-10-01 |
Genre | : Juvenile Fiction |
ISBN | : 030717025X |
Originally published in 1958, this book contains a selection of 28 traditional stories from the French, German, Danish, Russian and Japanese traditions. Includes The Sleeping Beauty, The Frog Prince, Puss in Boots, Thumbelina, Cinderella, Little Red Riding Hood, and Beauty and the Beast.
Author | : Diriye Osman |
Publisher | : Angelica Entertainment Limited |
Total Pages | : 174 |
Release | : 2013-09-01 |
Genre | : Fiction |
ISBN | : 9780956971944 |
FAIRYTALES FOR LOST CHILDREN is narrated by people constantly on the verge of self-revelation. These characters - young, gay and lesbian Somalis - must navigate the complexities of family, identity and the immigrant experience as they tumble towards freedom. Set in Kenya, Somalia and South London, these stories are imbued with pathos, passion and linguistic playfulness, marking the arrival of a singular new voice in contemporary fiction. Praise for FAIRYTALES FOR LOST CHILDREN: 'Fantastic writing. I am most highly impressed. I've read some of the stories more than once and saw in each of them plenty of talent everywhere - in every sinew and vein.' - NURUDDIN FARAH 'There is nothing more humbling than good writing except when the author is fiercely beautiful and ferociously generous of heart. That Diriye Osman should possess so much talent is only fair in light of his goodness. Read this book.' - MESHELL NDEGEOCELLO -The characters in these fairy tales are displaced in multiple, complicated ways. But Osman's storytelling creates a shelter for them; a warm place which is both real and imaginary, in which they find political, sexual, and ultimately psychic liberation.' - ALISON BECHDEL 'East Africa. South London. Queer. Displaced. Mentally Ill. My excitement over Osman and his writing comes, in part, out of delight at the impossibility of categorisation.' - ELLAH ALLFREY The Telegraph
Author | : Jacob Grimm |
Publisher | : W. W. Norton & Company |
Total Pages | : 520 |
Release | : 2004 |
Genre | : Education |
ISBN | : 9780393058482 |
Containing 40 stories in new translations by Tatar this celebration of the richness and dramatic power of the legendary fables also features 150 illustrations, many of them in color, by legendary painters.
Author | : Bronwyn Reddan |
Publisher | : U of Nebraska Press |
Total Pages | : 190 |
Release | : 2020-12 |
Genre | : Fiction |
ISBN | : 1496223934 |
Love is a key ingredient in the stereotypical fairy-tale ending in which everyone lives happily ever after. This romantic formula continues to influence contemporary ideas about love and marriage, but it ignores the history of love as an emotion that shapes and is shaped by hierarchies of power including gender, class, education, and social status. This interdisciplinary study questions the idealization of love as the ultimate happy ending by showing how the conteuses, the women writers who dominated the first French fairy-tale vogue in the 1690s, used the fairy-tale genre to critique the power dynamics of courtship and marriage. Their tales do not sit comfortably in the fairy-tale canon as they explore the good, the bad, and the ugly effects of love and marriage on the lives of their heroines. Bronwyn Reddan argues that the conteuses' scripts for love emphasize the importance of gender in determining the "right" way to love in seventeenth-century France. Their version of fairy-tale love is historical and contingent rather than universal and timeless. This conversation about love compels revision of the happily-ever-after narrative and offers incisive commentary on the gendered scripts for the performance of love in courtship and marriage in seventeenth-century France.