The Japan America Film Wars
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| Author | : Abé Mark Nornes |
| Publisher | : Routledge |
| Total Pages | : 366 |
| Release | : 2021-11-21 |
| Genre | : History |
| ISBN | : 1000458466 |
With contributions from noted critics and film historians from both countries, this book, first published in 1994, examines some of the most innovative and disturbing propaganda ever created. It analyses the conflicting images of these films and their effectiveness in defining public perception of the enemy. It also offers pointed commentary on the power of visual imagery to enhance racial tensions and enforce both positive and negative stereotypes of the Other.
| Author | : John Dower |
| Publisher | : Pantheon |
| Total Pages | : 411 |
| Release | : 2012-03-28 |
| Genre | : History |
| ISBN | : 0307816141 |
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD • AN AMERICAN BOOK AWARD FINALIST • A monumental history that has been hailed by The New York Times as “one of the most original and important books to be written about the war between Japan and the United States.” In this monumental history, Professor John Dower reveals a hidden, explosive dimension of the Pacific War—race—while writing what John Toland has called “a landmark book ... a powerful, moving, and evenhanded history that is sorely needed in both America and Japan.” Drawing on American and Japanese songs, slogans, cartoons, propaganda films, secret reports, and a wealth of other documents of the time, Dower opens up a whole new way of looking at that bitter struggle of four and a half decades ago and its ramifications in our lives today. As Edwin O. Reischauer, former ambassador to Japan, has pointed out, this book offers “a lesson that the postwar generations need most ... with eloquence, crushing detail, and power.”
| Author | : Hiroshi Kitamura |
| Publisher | : Cornell University Press |
| Total Pages | : 284 |
| Release | : 2010 |
| Genre | : History |
| ISBN | : 9780801445996 |
Shows how the US's expansive attempt at cultural globalization helped transform Japan into one of Hollywood's key markets. He also demonstrates the prominent role American cinema played in the political reeducation and reorientation of the Japanese.
| Author | : Markus Nornes |
| Publisher | : U of Minnesota Press |
| Total Pages | : 292 |
| Release | : 2003 |
| Genre | : Performing Arts |
| ISBN | : 9780816640461 |
Among Asian countries--where until recently documentary filmmaking was largely the domain of central governments--Japan was exceptional for the vigor of its nonfiction film industry. And yet, for all its aesthetic, historical, and political interest, the Japanese documentary remains little known and largely unstudied outside of Japan. This is the first English-language study of the subject, an enlightening close look at the first fifty years of documentary film theory and practice in Japan. Beginning with films made by foreigners in the nineteenth century and concluding with the first two films made after Japan's surrender in 1945, Abe Mark Nornes moves from a "prehistory of the documentary, " through innovations of the proletarian film movement, to the hardening of style and conventions that started with the Manchurian Incident films and continued through the Pacific War. Nornes draws on a wide variety of archival sources--including Japanese studio records, secret police reports, government memos, letters, military tribunal testimonies, and more--to chart shifts in documentary style against developments in the history of modern Japan.
| Author | : Loyd Lee |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 528 |
| Release | : 1998-10-23 |
| Genre | : History |
| ISBN | : 0313033153 |
A companion to World War II in Europe, Africa, and the Americas, this volume reevaluates the most enduring literature on basic aspects of the war in Asia and the Pacific. It also covers themes pertaining to societies at war, culture, the arts, and science and technology as well as international relations and the postwar world. Included are not only grand strategy, military and naval campaigns, and matters of diplomacy, but also resistance, collaboration, prisoners of war, and broad topics of the home front, including chapters on gender issues, film, literature, popular culture, and propaganda. This volume and its companion provide the first comprehensive historiographic reference work on the war. Each chapter describes the state of knowledge on the topic, relating each bibliographic reference to the chapter's themes and issues, and concludes with a bibliography. Recent original scholarship is included when it aids new understanding, and older works of enduring value also find a place. The essays in this volume will interest scholars and college teachers as well as advanced students and serious amateurs seeking insight into the history of the war and its literature.
| Author | : Louis G. Perez |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 657 |
| Release | : 2013-01-08 |
| Genre | : History |
| ISBN | : 1598847422 |
This compelling reference focuses on the events, individuals, organizations, and ideas that shaped Japanese warfare from early times to the present day. Japan's military prowess is legendary. From the early samurai code of morals to the 20th-century battles in the Pacific theater, this island nation has a long history of duty, honor, and valor in warfare. This fascinating reference explores the relationship between military values and Japanese society, and traces the evolution of war in this country from 700 CE to modern times. In Japan at War: An Encyclopedia, author Louis G. Perez examines the people and ideas that led Japan into or out of war, analyzes the outcomes of battles, and presents theoretical alternatives to the strategic choices made during the conflicts. The book contains contributions from scholars in a wide range of disciplines, including history, political science, anthropology, sociology, language, literature, poetry, and psychology; and the content features internal rebellions and revolutions as well as wars with other countries and kingdoms. Entries are listed alphabetically and extensively cross-referenced to help readers quickly locate topics of interest.
| Author | : |
| Publisher | : M.E. Sharpe |
| Total Pages | : 300 |
| Release | : |
| Genre | : Asia |
| ISBN | : 9780765632067 |
Even though the cultural approach concerns itself with the local and the particular rather than with the abstract and universal, it is inherently comparative. Moreover, it also relocates each war in the historical and cultural experiences of Asian countries themselves rather than seeing the war as merely a conflict between the United States and Asian nations.
| Author | : Thomas W. Zeiler |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 230 |
| Release | : 2004 |
| Genre | : History |
| ISBN | : 9780842029919 |
Unconditional Defeat-the second book in a Pacific War trilogy that is part of SR Books' Total War series-examines the concluding stages of World War II in Asia and the Pacific, from November 1943 until September 1945. Thomas W. Zeiler argues that this "war without mercy" could only come to one conclusion: the complete, unconditional defeat of Japan by a mobilized, overwhelming, vengeful United States. Zeiler describes these final 22 months of the Pacific War as a story of contrasts. While the U.S. launched a methodical, smothering attack with all the means at its disposal, Japan fought a fierce yet hopeless defense with diminishing supplies. By November 1943, Japan lacked the necessities not just for victory, as in the earlier phases of the war, but for adequate defense. The Japanese had no options. The strategic planning rested with the Americans. Zeiler's gripping and thorough overview discusses other contrasts between the two foes. The Americans planned multiple advances in the Pacific Ocean and on the Asian mainland. They used a massive number of troops, devised and adopted new amphibious techniques, and deployed the new nuclear category of weapons. The Japanese stubbornly but desperately clung to their territory, often with the basest of defenses. By August 1945, the United States' forces at sea, on land, and in the air had brought Japan near complete defeat. In addition, the Japanese Empire was diplomatically isolated. Japanese politics was in turmoil, the government faced rebellion, and the Emperor stood on the brink of extinction. Wracked by the destruction of the homeland from the air and blockade by sea, Japanese society veered near chaos and the people peered into the abyss of an uncertain future. In the meantime, America's military had experienced such horrors at the hands of Japan that the U.S. made the difficult decision to unleash the atomic bomb. Despite the stark differences between the U.S. and Japan, argues Zeiler, there was one aspect of the war that both sides held i
| Author | : Peter C. Rollins |
| Publisher | : University Press of Kentucky |
| Total Pages | : 624 |
| Release | : 2008-07-25 |
| Genre | : History |
| ISBN | : 0813172977 |
Film moves audiences like no other medium; both documentaries and feature films are especially remarkable for their ability to influence viewers. Best-selling author James Brady remarked that he joined the Marines to fight in Korea after seeing a John Wayne film, demonstrating how a motion picture can change the course of a human life—in this case, launching the career of a major historian and novelist. In Why We Fought: America's Wars in Film and History, editors Peter C. Rollins and John E. O'Connor explore the complexities of war films, describing the ways in which such productions interpret history and illuminate American values, politics, and culture. This comprehensive volume covers representations of war in film from the American Revolution in the 18th century to today's global War on Terror. The contributors examine iconic battle films such as The Big Parade (1925), All Quiet on the Western Front (1930), From Here to Eternity (1953), and Platoon (1986), considering them as historical artifacts. The authors explain how film shapes our cultural understanding of military conflicts, analyzing how war is depicted on television programs, through news media outlets, and in fictional and factual texts. With several essays examining the events of September 11, 2001, and their aftermath, the book has a timely relevance concerning the country's current military conflicts. Jeff Chown examines controversial documentary films about the Iraq War, while Stacy Takacs considers Jessica Lynch and American gender issues in a post-9/11 world, and James Kendrick explores the political messages and aesthetic implications of United 93. From filmmakers who reshaped our understanding of the history of the Alamo, to Ken Burns's popular series on the Civil War, to the uses of film and media in understanding the Vietnam conflict, Why We Fought offers a balanced outlook— one of the book's editors was a combat officer in the United States Marines, the other an antiwar activist—on the conflicts that have become touchstones of American history. As Air Force veteran and film scholar Robert Fyne notes in the foreword, American war films mirror a nation's past and offer tangible evidence of the ways millions of Americans have become devoted, as was General MacArthur, to "Duty, honor, and country." Why We Fought chronicles how, for more than half a century, war films have shaped our nation's consciousness.
| Author | : Naoki Sakai |
| Publisher | : Taylor & Francis |
| Total Pages | : 255 |
| Release | : 2023-07-21 |
| Genre | : Social Science |
| ISBN | : 1000919447 |
This book critically analyzes the global hegemony of the United States – a hegemony whose innovative aspect consists in articulating postcoloniality to imperial control – in relation to knowledge and knowledge production. Through targeted case studies on the historical relationship between regional areas and the United States, the authors explore possibilities and obstacles to epistemic decolonization. By highlighting the connection between the control of work and the control of communication that has been at the core of the colonial regimes of accumulation (‘classic colonialism’), they present an entirely new form of disciplinary practice, not based on the equation of evolution and knowledge. An extensive introduction outlines the historical genealogy of Pax Americana epistemic hegemony, while individual chapters examine the implications for different regions of the world and different domains of activity, including visual culture, economy, migration, the arts, and translation. This interdisciplinary collection will appeal to students and scholars in many fields, including Asian studies, American studies, postcolonialism, and political theory.
