The Italian Renaissance And Cultural Memory
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| Author | : Patricia Emison |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2011-10-31 |
| Genre | : Art |
| ISBN | : 9781107005266 |
Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer depends on a recalibrated view of the long Renaissance - from 1300 to 1600 - synthesizing the considerable evolution in our understanding of the epoch since the foundational 19th-century studies of Burckhardt and Wölfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes Renaissance style's self-consciously modern aspect. She sets the art against the literary and political interests of the time, and analyzes works both of very familiar artists - Leonardo, Michelangelo, and Raphael - and of lesser-known figures, including Cima and Barocci. An understanding emerges of both the period's long-standing fame and its various historical debts. Moving beyond the Renaissance, Emison unfolds the varying and layered significance it has held from the Old Master era through Impressionism, Modernism, and Post-Modernism.
| Author | : Blake Wilson |
| Publisher | : Cambridge University Press |
| Total Pages | : 487 |
| Release | : 2020 |
| Genre | : History |
| ISBN | : 1108488072 |
The first comprehensive study of the dominant form of solo singing in Renaissance Italy prior to the mid-sixteenth century.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 431 |
| Release | : 2017-03-06 |
| Genre | : Literary Criticism |
| ISBN | : 900433887X |
Cultural Memory, a subtle and comprehensive process of identity formation, promotion and transmission, is considered as a set of symbolic practices and protocols, with particular emphasis on repositories of memory and the institutionalized forms in which they are embodied. High and low culture as texts embedded in the texture of memory, as well as material culture as a communal receptacle and reservoir of memory are analysed in their historical contingency. Symbolic representations of accepted and counter history/ies, and the cultural nodes and mechanisms of the cultural imaginary are also issues of central interest. Twenty-six contributions tackle these topics from a theoretical and historical perspective and bring to the fore case studies illustrating the interdisciplinary agenda that underlies the volume. Contributors: Luis Manuel A.V. Bernardo, Lina Bolzoni, Peter Burke, Pia Brinzeu, Adina Ciugureanu, Thomas Docherty, Christoph Ehland, Herbert Grabes, László Gyapay, Donna Landry, Christoph Lehner, Gerald MacLean, Dragoş Manea, Daniel Melo, Mirosława Modrzewska, Rareş Moldovan, C.W.R.D. Mosely, Petruţa Năiduţ, Francesca Orestano, Maria Lúcia G. Pallares-Burke, Andreea Paris, Leonor Santa Bárbara, Hans-Peter Söder, Jukka Tiusanen, Ludmila Volná, Ioana Zirra.
| Author | : L. Steveker |
| Publisher | : Springer |
| Total Pages | : 195 |
| Release | : 2015-12-11 |
| Genre | : Literary Criticism |
| ISBN | : 0230248594 |
This book provides innovative readings of the key texts of A.S. Byatt's oeuvre by analysing the negotiations of individual identity, cultural memory, and literature which inform Byatt's novels. Steveker explores the concepts of identity constructed in the novels, showing them to be deeply rooted in British literary history and cultural memory.
| Author | : Dana E. Katz |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 240 |
| Release | : 2008-06-04 |
| Genre | : Art |
| ISBN | : 0812240855 |
Dana E. Katz reveals how Italian Renaissance painting became part of a policy of tolerance that deflected violence from the real world onto a symbolic world. While the rulers upheld toleration legislation governing Christian-Jewish relations, they simultaneously supported artistic commissions that perpetuated violence against Jews.
| Author | : Christopher S. Celenza |
| Publisher | : Cambridge University Press |
| Total Pages | : 341 |
| Release | : 2021-09-09 |
| Genre | : History |
| ISBN | : 1108833403 |
Connecting to issues in the humanities today, this book shows how the Italian Renaissance influenced and changed Early Modern Europe.
| Author | : Koen Scholten |
| Publisher | : BRILL |
| Total Pages | : 365 |
| Release | : 2022-03-16 |
| Genre | : Philosophy |
| ISBN | : 9004507159 |
Memory and Identity in the Learned World offers a detailed and varied account of community formation in the early modern world of learning and science. The book traces how collective identity, institutional memory and modes of remembrance helped to shape learned and scientific communities. The case studies in this book analyse how learned communities and individuals presented and represented themselves, for example in letters, biographies, histories, journals, opera omnia, monuments, academic travels and memorials. By bringing together the perspectives of historians of literature, scholarship, universities, science, and art, this volume studies knowledge communities by looking at the centrality of collective identity and memory in their formations and reformations. Contributors: Lieke van Deinsen, Karl Enenkel, Constance Hardesty, Paul Hulsenboom, Dirk van Miert, Alan Moss, Richard Kirwan, Koen Scholten, Floris Solleveld, and Esther M. Villegas de la Torre.
| Author | : PROF. DR. Patricia Emison |
| Publisher | : Film Culture in Transition |
| Total Pages | : 642 |
| Release | : 2021-08-17 |
| Genre | : |
| ISBN | : 9789463724036 |
Film, like the printed imagery inaugurated during the Renaissance, spread ideas---not least the idea of the power of visual art---across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early flourishing of film, 1920s-mid-60s, as partly reprising the introduction of mass media in the Renaissance, allowing for innovation that reflected an art free of the control of a patron though required to attract a broad public. Rivalry between word and image, narrative and visual composition shifted in both cases toward acknowledging the compelling nature of the visual. The twentieth century also saw the development of the discipline of art history; transfusions between cinematic practice and art historical postulates and preoccupations are part of the story told here.
| Author | : Christopher S. Celenza |
| Publisher | : Cambridge University Press |
| Total Pages | : 455 |
| Release | : 2018 |
| Genre | : History |
| ISBN | : 1107003628 |
This book offers a new view of Italian Renaissance intellectual life, linking philosophy and literature as expressed in both Latin and Italian.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 586 |
| Release | : 2021-12-28 |
| Genre | : Literary Criticism |
| ISBN | : 9004488871 |
This volume deals with the inherent relation between literary genres and cultural memory. Indeed, generic repertoires may be regarded as bodies of shared knowledge (a sort of ‘encyclopaedia' or 'museum' of stocked culture) and have played and still play an important role in absorbing and activating that memory. The contributors have focused on some specific memory-linked genres that prove especially relevant in remembering and transforming past experiences, i.e. the (post)modern historical novel and various forms of (post)modern autobiographical writing. They deal with such renowned authors as Carlos Fuentes, Vargas Llosa, Umberto Eco, Antonio Tabucchi, John Barth, Julian Barnes, Michel Butor, Nathalie Sarraute, Alain Robbe-Grillet, Claude Simon, Georges Perec and Marguerite Yourcenar. The volume, thus, constitutes an attractive and representative sample of (post)modern forms of rewriting and problematizing individual and collective pasts.
