The International Exhibition 1871
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Author | : United States. Commission to the Vienna exhibition, 1873 |
Publisher | : |
Total Pages | : 984 |
Release | : 1876 |
Genre | : Vienna International Exhibition |
ISBN | : |
Author | : [Anonymus AC09768471] |
Publisher | : |
Total Pages | : 452 |
Release | : 1874 |
Genre | : |
ISBN | : |
Author | : Peter H. Hoffenberg |
Publisher | : Univ of California Press |
Total Pages | : 632 |
Release | : 2001 |
Genre | : Business & Economics |
ISBN | : 9780520922969 |
The exhibitions of the Victorian and Edwardian eras are the lens through which this book examines the economic, cultural, and social forces that helped define Britain and the Empire. It focuses on exhibitions in England, Australia, and India from the Great Exhibition to the Festival of Empire.
Author | : National Art Library (Great Britain) |
Publisher | : |
Total Pages | : 666 |
Release | : 1870 |
Genre | : Art |
ISBN | : |
Author | : George Ripley |
Publisher | : |
Total Pages | : 908 |
Release | : 1883 |
Genre | : Encyclopedias and dictionaries |
ISBN | : |
Author | : National Art Library (Great Britain) |
Publisher | : |
Total Pages | : 664 |
Release | : 1877 |
Genre | : Art |
ISBN | : |
Author | : Calcutta (India). Imperial library |
Publisher | : |
Total Pages | : 476 |
Release | : 1904 |
Genre | : India |
ISBN | : |
Author | : Stephanie Moser |
Publisher | : |
Total Pages | : 625 |
Release | : 2020 |
Genre | : Art |
ISBN | : 0190697024 |
Painting Antiquity explores the archaeological dimension of the works of these three artists: in doing so, it addresses how the aesthetic engagement these artists had with ancient objects represented a unique and important development in the cultural reception of the past.
Author | : Michael Falser |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 1170 |
Release | : 2019-12-16 |
Genre | : Art |
ISBN | : 3110335840 |
This book unravels the formation of the modern concept of cultural heritage by charting its colonial, postcolonial-nationalist and global trajectories. By bringing to light many unresearched dimensions of the twelfth-century Cambodian temple of Angkor Wat during its modern history, the study argues for a conceptual, connected history that unfolded within the transcultural interstices of European and Asian projects. With more than 1,400 black-and-white and colour illustrations of historic photographs, architectural plans and samples of public media, the monograph discusses the multiple lives of Angkor Wat over a 150-year-long period from the 1860s to the 2010s. Volume 1 (Angkor in France) reconceptualises the Orientalist, French-colonial ‘discovery’ of the temple in the nineteenth century and brings to light the manifold strategies at play in its physical representations as plaster cast substitutes in museums and as hybrid pavilions in universal and colonial exhibitions in Marseille and Paris from 1867 to 1937. Volume 2 (Angkor in Cambodia) covers, for the first time in this depth, the various on-site restoration efforts inside the ‘Archaeological Park of Angkor’ from 1907 until 1970, and the temple’s gradual canonisation as a symbol of national identity during Cambodia’s troublesome decolonisation (1953–89), from independence to Khmer Rouge terror and Vietnamese occupation, and, finally, as a global icon of UNESCO World Heritage since 1992 until today. Congratulations to our author Michael Falser who received the prestigious 2021 ICAS Book Prize in the "Ground Breaking Subject Matter" category.
Author | : United States Centennial Commission |
Publisher | : |
Total Pages | : 458 |
Release | : 1880 |
Genre | : Centennial Exhibition |
ISBN | : |