The Intellectual Tradition Of Modern Germany Philosophy Religion And The Arts
Download The Intellectual Tradition Of Modern Germany Philosophy Religion And The Arts full books in PDF, epub, and Kindle. Read online free The Intellectual Tradition Of Modern Germany Philosophy Religion And The Arts ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Politics, Religion, and Art
Author | : Douglas Moggach |
Publisher | : Northwestern University Press |
Total Pages | : 369 |
Release | : 2011-04-14 |
Genre | : Art |
ISBN | : 0810127296 |
The period from 1780 to 1850 witnessed an unprecedented explosion of philosophical creativity in the German territories. In the thinking of Kant, Schiller, Fichte, Hegel, and the Hegelian school, new theories of freedom and emancipation, new conceptions of culture, society, and politics, arose in rapid succession. The members of the Hegelian school, forming around Hegel in Berlin and most active in the 1830’s and 1840’s, are often depicted as mere epigones, whose writings are at best of historical interest. In Politics, Religion, and Art: Hegelian Debates, Douglas Moggach moves the discussion past the Cold War–era dogmas that viewed the Hegelians as proto-Marxists and establishes their importance as innovators in the fields of theology, aesthetics, and ethics and as creative contributors to foundational debates about modernity, state, and society.
The Belief in Intuition
Author | : Adriana Alfaro Altamirano |
Publisher | : University of Pennsylvania Press |
Total Pages | : 240 |
Release | : 2021-04-23 |
Genre | : Philosophy |
ISBN | : 0812252934 |
Within the Western tradition, it was the philosophers Henri Bergson and Max Scheler who laid out and explored the nonrational power of "intuition" at work in human beings that plays a key role in orienting their thinking and action within the world. As author Adriana Alfaro Altamirano notes, Bergon's and Scheler's philosophical explorations, which paralleled similar developments by other modernist writers, artists, and political actors of the early twentieth century, can yield fruitful insights into the ideas and passions that animate politics in our own time. The Belief in Intuition shows that intuition (as Bergson and Scheler understood it) leads, first and foremost, to a conception of freedom that is especially suited for dealing with hierarchy, uncertainty, and alterity. Such a conception of freedom is grounded in a sense of individuality that remains true to its "inner multiplicity," thus providing a distinct contrast to and critique of the liberal notion of the self. Focusing on the complex inner lives that drive human action, as Bergson and Scheler did, leads us to appreciate the moral and empirical limits of liberal devices that mean to regulate our actions "from the outside." Such devices, like the law, may not only carry pernicious effects for freedom but, more troublingly, oftentimes "erase their traces," concealing the very ways in which they are detrimental to a richer experience of subjectivity. According to Alfaro Altamirano, Bergson's and Scheler's conception of intuition and personal authority puts contemporary discussions about populism in a different light: It shows that liberalism would only at its own peril deny the anthropological, moral, and political importance of the bearers of charismatic authority. Personal authority thus understood relies on a dense, but elusive, notion of personality, for which personal authority is not only consistent with freedom, but even contributes to it in decisive ways.
Heine and Critical Theory
Author | : Willi Goetschel |
Publisher | : Bloomsbury Academic |
Total Pages | : 329 |
Release | : 2019-02-21 |
Genre | : Philosophy |
ISBN | : 1350087297 |
Heinrich Heine's role in the formation of Critical Theory has been systematically overlooked in the course of the successful appropriation of his thought by Marx, Nietzsche, Freud, and the legacy they left, in particular for Adorno, Benjamin and the Frankfurt School. This book examines the critical connections that led Adorno to call for a “reappraisal” of Heine in a 1948 essay that, published posthumously, remains under-examined. Tracing Heine's Jewish difference and its liberating comedy of irreverence in the thought of the Frankfurt School, the book situates the project of Critical Theory in the tradition of a praxis of critique, which Heine elevates to the art of public controversy. Heine's bold linking of aesthetics and political concerns anticipates the critical paradigm assumed by Benjamin and Adorno. Reading Critical Theory with Heine recovers a forgotten voice that has theoretically critical significance for the formation of the Frankfurt School. With Heine, the project of Critical Theory can be understood as the sustained effort to advance the emancipation of the affects and the senses, at the heart of a theoretical vision that recognizes pleasure as the liberating force in the fight for freedom.
Dialogues between Faith and Reason
Author | : John H. Smith |
Publisher | : Cornell University Press |
Total Pages | : 325 |
Release | : 2011-10-15 |
Genre | : Religion |
ISBN | : 0801463270 |
The contemporary theologian Hans Küng has asked if the "death of God," proclaimed by Nietzsche as the event of modernity, was inevitable. Did the empowering of new forms of rationality in Western culture beginning around 1500 lead necessarily to the reduction or privatization of faith? In Dialogues between Faith and Reason, John H. Smith traces a major line in the history of theology and the philosophy of religion down the "slippery slope" of secularization—from Luther and Erasmus, through Idealism, to Nietzsche, Heidegger, and contemporary theory such as that of Derrida, Habermas, Vattimo, and Asad. At the same time, Smith points to the persistence of a tradition that grew out of the Reformation and continues in the mostly Protestant philosophical reflection on whether and how faith can be justified by reason. In this accessible and vigorously argued book, Smith posits that faith and reason have long been locked in mutual engagement in which they productively challenge each other as partners in an ongoing "dialogue." Smith is struck by the fact that although in the secularized West the death of God is said to be fundamental to the modern condition, our current post-modernity is often characterized as a "postsecular" time. For Smith, this means not only that we are experiencing a broad-based "return of religion" but also, and more important for his argument, that we are now able to recognize the role of religion within the history of modernity. Emphasizing that, thanks to the logos located "in the beginning," the death of God is part of the inner logic of the Christian tradition, he argues that this same strand of reasoning also ensures that God will always "return" (often in new forms). In Smith's view, rational reflection on God has both undermined and justified faith, while faith has rejected and relied on rational argument. Neither a defense of atheism nor a call to belief, his book explores the long history of their interaction in modern religious and philosophical thought.
The Emergence of Modern Aesthetic Theory
Author | : Simon Grote |
Publisher | : Cambridge University Press |
Total Pages | : 308 |
Release | : 2017-10-26 |
Genre | : History |
ISBN | : 1107110920 |
This new study of eighteenth-century aesthetic theory situates it in theological contexts that are crucial to explaining why it arose.
The Longing for Myth in Germany
Author | : George S. Williamson |
Publisher | : University of Chicago Press |
Total Pages | : 462 |
Release | : 2004-07 |
Genre | : History |
ISBN | : 9780226899466 |
Since the dawn of Romanticism, artists and intellectuals in Germany have maintained an abiding interest in the gods and myths of antiquity while calling for a new mythology suitable to the modern age. In this study, George S. Williamson examines the factors that gave rise to this distinct and profound longing for myth. In doing so, he demonstrates the entanglement of aesthetic and philosophical ambitions in Germany with some of the major religious conflicts of the nineteenth century. Through readings of key intellectuals ranging from Herder and Schelling to Wagner and Nietzsche, Williamson highlights three crucial factors in the emergence of the German engagement with myth: the tradition of Philhellenist neohumanism, a critique of contemporary aesthetic and public life as dominated by private interests, and a rejection of the Bible by many Protestant scholars as the product of a foreign, "Oriental" culture. According to Williamson, the discourse on myth in Germany remained bound up with problems of Protestant theology and confessional conflict through the nineteenth century and beyond. A compelling adventure in intellectual history, this study uncovers the foundations of Germany's fascination with myth and its enduring cultural legacy.
The Western Intellectual Tradition
Author | : Jacob Bronowski |
Publisher | : Harper Collins |
Total Pages | : 548 |
Release | : 1962-08-01 |
Genre | : History |
ISBN | : 0061330019 |
Traces the development of thought through historical movements and periods from 1500 to 1830.