The Imperial Museums Of Meiji Japan
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| Author | : Alice Yu-Ting Tseng |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 2008 |
| Genre | : Architecture |
| ISBN | : |
It was not until Japan's opening to the West during the Meiji period (1868-1912) that terms for "art" (bijutsu) and "art museum" (bijutsukan) were coined. The Imperial Museums of Meiji Japan documents Japan's unification of national art and cultural resources to forge a modern identity influenced by European museum and exhibition culture. Japan's Imperial Museums were conceived of as national self-representations, and their creation epitomized the Meiji bureaucracy's mission to engage in the international standards and practices of the late nineteenth century. The architecture of the museums, by incorporating Western design elements and construction methods, effectively safeguarded and set off the nation's unique art historical lineage. Western paradigms and expertise, coupled with Japanese resolve and ingenuity, steered the course of the museums' development. Expeditions by high-ranking Japanese officials to Europe and the United States to explore the burgeoning world of art preservation and exhibition, and throughout Japan to inventory important cultural treasures, led to the establishment of the Imperial Museums in the successive imperial cities of Nara, Kyoto, and Tokyo. Over the course of nearly four decades, the English architect Josiah Conder, known as "the father of modern Japanese architecture," and his student Katayama Tokuma, who became the preeminent state architect, designed four main museum buildings to house the national art collection. These buildings articulated the museums' unified mission to preserve and showcase a millennium-long chronology of Japanese art, while reinforcing the distinctive historical and cultural character of their respective cities. This book is the first English-language study of the art, history, and architecture of Japan's Imperial Museums, the predecessors of today's national museums in Tokyo, Kyoto, and Nara. The Imperial Museums of Meiji Japan examines the museums' formative period and highlights cross-cultural influences that enriched and complicated Japan's search for a modern yet historically grounded identity.
| Author | : Noriko Aso |
| Publisher | : Duke University Press |
| Total Pages | : 316 |
| Release | : 2013-11-27 |
| Genre | : History |
| ISBN | : 0822399717 |
In the late nineteenth century, Japan's new Meiji government established museums to showcase a national aesthetic heritage. Inspired by Western museums and expositions, these institutions were introduced by government officials hoping to spur industrialization and self-disciplined public behavior, and to cultivate an "imperial public" loyal to the emperor. Japan's network of museums expanded along with its colonies. By the mid-1930s, the Japanese museum system had established or absorbed institutions in Taiwan, Korea, Sakhalin, and Manchuria. Not surprising, colonial subjects' views of Japanese imperialism differed from those promulgated by the Japanese state. Meanwhile, in Japan, philanthropic and commercial museums were expanding, revising, and even questioning the state-sanctioned aesthetic canon. Public Properties describes how museums in Japan and its empire contributed to the reimagining of state and society during the imperial era, despite vigorous disagreements about what was to be displayed, how, and by whom it was to be seen.
| Author | : Robert Hellyer |
| Publisher | : Cambridge University Press |
| Total Pages | : 301 |
| Release | : 2020-05-07 |
| Genre | : Business & Economics |
| ISBN | : 1108478050 |
This volume examines the Meiji Restoration through a global history lens to re-interpret the formation of a globally-cast, Japanese nation-state.
| Author | : Dōshin Satō |
| Publisher | : Getty Publications |
| Total Pages | : 378 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 1606060597 |
This is an insightful and intelligent re-thinking of Japanese art history & its Western influences. This broad-ranging and profoundly influential analysis describes how Western art institutions and vocabulary were transplanted to Japan in the late nineteenth century. In the 1870-80s, artists and government administrators in Japan encountered the Western 'system of the arts' for the first time. Under pressure to exhibit and sell its artistic products abroad, Japan's new Meiji government came face-to-face with the need to create European-style art schools and museums - and even to establish Japanese words for art, painting, artist, and sculpture. "Modern Japanese Art" is a full re-conceptualization of the field of Japanese art history, exposing the politics through which the words, categories, and values that structure our understanding of the field came to be while revealing the historicity of Western and non-Western art history.
| Author | : Moyra Clare Pollard |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 222 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9780199252558 |
This is the first book in a European language to make a comprehensive study of the life and works of the astonishingly versatile and accomplished Meiji potter, Makuzu Kozan (1842 - 1916), who was acclaimed as one of the greatest ceramic artists of the Meiji period.The Meiji period, after the opening of Japan to the West in the mid-nineteenth century, was a time of momentous change for Japanese society and Kozan's Makuzu workshop makes an ideal case study to examine the effects of these changes on the Japanese ceramic industry. This book tells the story ofKozan's Makuzu wares from their origins in a traditional workshop in Kyoto to their maturity in a prolific factory in the newly-opened port of Yokohama, where Kozan's ability to cater to the demands of a new Western export market and to incorporate new Western glaze techniques led to enormoussuccess, both in Japan and abroad at the international exhibitions that flourished from the 1850s.Lavish illustrations highlight Kozan's remarkable and technical and artistic achievements, while ceramic marks and box inscriptions are analysed as a practical guide to dating Makuzu ware. Clare Pollard discusses the role of later generations of the Miyagawa family in the running of the workshop andrelates developments in Makuzu ware to the work of other major potters of the era, both in Japan and in Europe and America.Incorporating contemporary sources (including previously unstudied archival material from the Makuzu workshop itself), recent research and the study of a large corpus of Makuzu wares in museums and private collections all over the world, the book examines the artistic, political, and commercialfactors that influenced Kozan and his contemporaries as they strove to come to terms with shifting life-styles and changing attitudes to the arts, and moved towards the creation of a modern ceramic industry.
| Author | : Oleg Benesch |
| Publisher | : Cambridge University Press |
| Total Pages | : 377 |
| Release | : 2019-05-02 |
| Genre | : Architecture |
| ISBN | : 1108481949 |
Considering Castles and Tenshu -- Modern Castles on the Margins -- Overview: "from Feudalism to the Edge of Space" -- From Feudalism to Empire -- Castles and the Transition to the Imperial State -- Castles in the Global Early Modern World -- Castles and the Fall of the Tokugawa -- Useless Reminders of the Feudal Past -- Remilitarizing Castles in the Meiji Period -- Considering Heritage in Early Meiji -- Castles and the Imperial House -- The Discovery of Castles, 1877-1912 -- Making Space Public -- Civilian Castles and Daimyo Buyback -- Castles as Sites and Subjects of Exhibitions -- Civil Society and the Organized Preservation of Castles -- Castles, Civil Society, and the Paradoxes of "Taisho Militarism" -- Building an Urban Military -- Castles and Military Hard Power -- Castles as Military Soft Power -- Challenging the Military -- The military and Public in Osaka -- Castles in War and Peace: Celebrating Modernity, Empire, and War -- The Early Development of Castle Studies -- The Arrival of Castle Studies in Wartime -- Castles for town and country -- Castles for the empire -- From feudalism to the edge of space -- Castles in war and peace II: Kokura, Kanazawa, and the Rehabilitation of the -- Nation -- Desolate gravesites of fallen empire: what became of castles -- The imperial castle and the transformation of the center -- Kanazawa castle and the ideals of progressive education -- Losing our traditions: lamenting the fate of japanese heritage -- Kokura castle and the politics of japanese identity -- "Fukko": hiroshima castle rises from the ashes -- Hiroshima castle: from castle road to macarthur boulevard and back -- Prelude to the castle: rebuilding hiroshima gokoku shrine -- Reconstructions: celebrations of recovery in hiroshima -- Between modernity and tradition at the periphery and the world stage -- The weight of Meiji: the imperial general headquarters in hiroshima and the -- Meiji centenary -- Escape from the center: castles and the search for local identity -- Elephants and castles: odawara and the shadow of tokyo -- Victims of history I: Aizu-wakamatsu and the revival of grievances -- Victims of history II: Shimabara castle and the Enshrinement of loss -- Southern Barbarians at the gates: Kokura castle's struggle with authenticity -- Japan's new castle builders: recapturing tradition and culture -- Rebuilding the Meijo: (re)building campaigns in Kumamoto and Nagoya -- No business like castle business: castle architects and construction companies -- Symbols of the people? conflict and accommodation in Kumamoto and Nagoya -- Conclusions.
| Author | : Robert Hellyer |
| Publisher | : Cambridge University Press |
| Total Pages | : 301 |
| Release | : 2020-05-07 |
| Genre | : History |
| ISBN | : 1108800475 |
In world history, the Meiji Restoration of 1868 ranks as a revolutionary watershed, on a par with the American and French Revolutions. In this volume, leading historians from North America, Europe, and Japan employ global history in novel ways to offer fresh economic, social, political, cultural, and military perspectives on the Meiji Restoration and the subsequent creation of the modern Japanese nation-state. Seamlessly mixing meta- and micro-history, the authors examine how the Japanese state and Japanese people engaged with global trends of the early nineteenth century. They also explore the internal military conflicts that marked the 1860s and the process of reconciliation after 1868. They conclude with discussions of how new political, cultural, and diplomatic institutions were created as Japan emerged as a global nation, defined in multiple ways by its place in the world.
| Author | : Chelsea Foxwell |
| Publisher | : University of Chicago Press |
| Total Pages | : 296 |
| Release | : 2015-07-20 |
| Genre | : Art |
| ISBN | : 022611080X |
Introduction. Nihonga and the historical inscription of the modern -- Exhibitions and the making of modern Japanese painting -- In search of images -- The painter and his audiences -- Decadence and the emergence of Nihonga style -- Naturalizing the double reading -- Transmission and the historicity of Nihonga -- Conclusion.
| Author | : Masaaki Morishita |
| Publisher | : Routledge |
| Total Pages | : 164 |
| Release | : 2016-03-23 |
| Genre | : Art |
| ISBN | : 1317034171 |
This book examines the processes through which public art museums, as modern Western institutions, were introduced to Japan in the late nineteenth century and how they subsequently developed distinctive national characteristics. The author focuses on one of the most distinctive forms of Japanese museums: the 'empty museums' - museums without collections, permanent displays, and curators. Morishita shows how they developed, in relation to social and cultural conditions at certain periods in modern Japanese history, by engaging with a wide range of interdisciplinary theories, in particular, Pierre Bourdieu's field theory and the conceptual framework of transculturation. Japan is used as a case study to show in general terms how the elements of modern Western culture associated with public art museums were introduced and transformed in the local conditions of non-Western regions. With its unique empirical cases and theoretical focus, the book makes a significant contribution to existing literature in the field of museum studies, both in the English-speaking world and in Japan, and will be of interest to scholars and students of sociology, art history, cultural studies and Japanese studies.
| Author | : Dallas Finn |
| Publisher | : Weatherhill, Incorporated |
| Total Pages | : 312 |
| Release | : 1995 |
| Genre | : Architecture |
| ISBN | : |
During the Meiji period (1868-1912), the Japanese laid the foundations for what is now the most advanced nation in Asia. Like Victorian Britain, which served as a model, Meiji Japan was characterized by faith in progress, civilization, and the growth of empire. This book features the architecture and feats of engineering of this age, illustrating Japan's transformation from a feudal society into a modern nation-state. Factories and schools, palaces and prisons, private homes, churches, hospitals, railways, bridges, canals, shipyards, warehouses, parks, and museums are all discussed, with attention to both the nuances of their design and construction and to their broader significance in reflecting and shaping the lives and consciousness of the people who built and used them.
