The Illustrated Companion To South Indian Classical Music
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Author | : Ludwig Pesch |
Publisher | : Oxford University Press, USA |
Total Pages | : 408 |
Release | : 1999 |
Genre | : Music |
ISBN | : |
This Is An Indispensable And Enriching Reference Work For The Connoisseur, Practising Musician, Interested Amateur, Impresario Teacher And Student.
Author | : Ludwig Pesch |
Publisher | : Oxford University Press, USA |
Total Pages | : 562 |
Release | : 2009 |
Genre | : Music |
ISBN | : |
This is a completely revised and updated edition of The [Oxford] Illustrated Companion to South Indian Classical Music, which includes the latest available information on the subject. Acclaimed as the most authoritative reference work on South Indian classical music, the Companion:* provides an overview of the historical and cultural contexts of the music, its instruments, composers, leading practitioners, and schools* contains more than 120 line drawings and photographs of all the instruments discussed, as well as of major composers; includes a special colour plates section* includes detailed biographical notes on musicians and composers* contains Guide to Pronunciation and Transliteration, Select bibliography and Further Reading, Glossary-cum-Index* includes Alphabetical Index of Ragas and Scales, Index of NamesAn indispensable and enriching reference work for the connoisseur, practicing musician, interested amateur, impresario, teacher, and student, the Companion will be of interest to anybody keen to learn about Indian culture.
Author | : Lakshmi Subramanian |
Publisher | : Taylor & Francis |
Total Pages | : 158 |
Release | : 2020-11-29 |
Genre | : Social Science |
ISBN | : 1000084469 |
This book looks at the life and music of Veena Dhanammal (1866–1938), considered the embodiment of ‘classicism’ in Karnatik music. It locates her art within the cultural, social and intellectual milieu she inhabited, allowing readers to track the changing musical landscape of southern India, as a process of urbanisation — beginning in the late nineteenth century — resulted in Karnatik music’s movement from a ritual and courtly location to a modern, secular form of entertainment in the city space.
Author | : Michael Church |
Publisher | : Boydell & Brewer |
Total Pages | : 428 |
Release | : 2015 |
Genre | : Music |
ISBN | : 1843837269 |
The Other Classical Musics will help both students and general readers to appreciate musical traditions mostly unfamiliar to them.
Author | : Lakshmi Subramanian |
Publisher | : Routledge |
Total Pages | : 220 |
Release | : 2017-08-10 |
Genre | : Music |
ISBN | : 1351383124 |
The essays in New Mansions for Music: Performance, Pedagogy and Criticism look at one of the most ancient and rigorous classical musical traditions of India, the Karnatik music system, and the kind of changes it underwent once it was relocated from traditional spaces of temples and salons to the public domain. Nineteenth-century Madras led the way in the transformation that Karnatik music underwent as it encountered the forces of modernization and standardization. This study also contributes to our understanding of the experience of modernity in India through the prism of music. The role of Madras city as patron and custodian of the performing arts, especially classical music offers an invaluable perspective on the larger processes of modernization in India. As the title suggests, the areas of classical music, which were most influenced by these developments were pedagogy or modes of musical transmission, performance conventions and criticism or music appreciation. Once the urban elite demanded the widening of the teaching of classical music, traditional modes of music instruction underwent a major change involving a breakdown of the gurushishya parampara or the tradition wherein the teacher imparted knowledge to a chosen few. Caste and kinship were important determining factors for the selection of these shishyas or students, but in modern institutions like the universities these boundaries had to be demolished. Simultaneously, the public staging of music brought the performer into a new relationship with his audience, especially as the art form became subject to validation and criticism by the newly emerging music critic. In an immensely readable book peppered with anecdotes and conversations with leading musicians and critics of the day, as well as humorous visual representations, part caricature, part satirical, the author describes a rapidly changing society and its new look in early twentieth century Madras.
Author | : Andrew Hugill |
Publisher | : Routledge |
Total Pages | : 313 |
Release | : 2010-03-17 |
Genre | : Art |
ISBN | : 1135897700 |
The Digital Musician explores what it means to be a musician in the digital age. It examines musical skills, cultural awareness and artistic identity through the prism of recent technological innovations. New technologies, and especially the new digital technologies, mean that anyone can produce music without musical training. This book asks why make music? what music to make? and how do we know what is good?
Author | : Timothy Rommen |
Publisher | : Routledge |
Total Pages | : 484 |
Release | : 2020-09-18 |
Genre | : Music |
ISBN | : 0429782934 |
Excursions in World Music is a comprehensive introductory textbook to the musics of the world, creating a panoramic experience for students by engaging the many cultures around the globe, and highlighting the sheer diversity to be experienced in the world of music. At the same time, the text illustrates the often profound ways through which a deeper exploration of these many different communities can reveal overlaps, shared horizons, and common concerns in spite of, and because of, this very diversity. The new eighth edition features six brand new chapters, including chapters on Japan, Sub-Saharan Africa, China and Taiwan, Europe, Maritime Southeast Asia, and Indigenous Peoples. General updates have been made to other chapters, replacing visuals and updating charts/statistics. Another major addition to the eighth edition is the publication of a companion Reader, entitled Critical Issues in World Music. Each chapter in the Reader is designed to introduce students to a theoretical concept or thematic area within ethnomusicology and illustrate its possibilities by pointing to case studies drawn from at least three chapters in Excursions in World Music. Chapters include the following topics: Music, Gender, and Sexuality; Music and Ritual; Coloniality and "World Music"; Music and Space; Music and Diaspora; Communication, Technology, Media; Musical Labor, Musical Value; and Music and Memory. Instructors can use this resource as a primary or secondary path through the materials, either assigning chapters from the textbook and then digging deeper by exploring a chapter from the Reader, or starting with a Reader chapter and then moving into the musical specifics offered in the textbook chapters. Having available both an area studies and a thematic approach to the materials offers important flexibility to instructors and also provides students with additional means of engaging with the musics of the world. A companion website with a new test bank and fully updated instructor’s manual is available for instructors. Numerous resources are posted for students, including streamed audio listening, additional resources (such as links to YouTube videos or websites), a musical fundamentals essay (introducing concepts such as meter, melody, harmony, form, etc.), interactive quizzes, and flashcards.
Author | : Hae-kyung Um |
Publisher | : Routledge |
Total Pages | : 248 |
Release | : 2004-11-04 |
Genre | : Performing Arts |
ISBN | : 1135789908 |
A wide range of performing arts and practices of the Asian diasporas across the world are examined by scholars of Asian studies, theatre studies, anthropology, cultural studies, dance ethnology and ethnomusicology.
Author | : Hans de Zeeuw |
Publisher | : Archaeopress Publishing Ltd |
Total Pages | : 144 |
Release | : 2022-06-09 |
Genre | : Music |
ISBN | : 1803271078 |
Tanbûrs are long-necked lute-like instruments played in the art, Sûfî, and folk musical traditions along the Silk Road and beyond. This book provides a detailed study of the history of the tanbûr, its role in Ottoman music, construction and playing technique.
Author | : Charulatha Mani |
Publisher | : Cambridge University Press |
Total Pages | : 145 |
Release | : 2021-08-19 |
Genre | : Music |
ISBN | : 1108910629 |
How can the classical Karnatik music of South India illuminate performers' and researchers' understanding of the art music of seventeenth-century Italy, and specifically Monteverdi's operas? Both art forms attach great value to the skill of vocal ornamentation, and by exploring the singer's practice moving between them, this Element reveals how intercultural approaches can enable the reconsideration of the history of Western music from a global perspective. Using methods from historical and comparative musicology, theory and practice-based research, Charulatha Mani analyses vocal ornamentation and technique and arrives at an innovative approach to studying musics from the past. Musical practice, the author argues, is an enactment of hybridity and the artistic product of plurality. Specifically, in early modern Europe the fluid movement of musicians from the East paved the way to a plurality of musical cultures. This finding holds deep implications for diversity in and decolonisation of current music performance and education.