The Household of Edward IV: the Black Book and the Ordinance of 1478
Author | : Alec Reginald Myers |
Publisher | : Manchester U. P |
Total Pages | : 340 |
Release | : 1959 |
Genre | : Royal households |
ISBN | : |
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Author | : Alec Reginald Myers |
Publisher | : Manchester U. P |
Total Pages | : 340 |
Release | : 1959 |
Genre | : Royal households |
ISBN | : |
Author | : Great Britain |
Publisher | : Manchester University Press |
Total Pages | : 340 |
Release | : 1959 |
Genre | : |
ISBN | : |
Author | : A. R. Myers |
Publisher | : Psychology Press |
Total Pages | : 1327 |
Release | : 2013-10-18 |
Genre | : History |
ISBN | : 0415604672 |
English Historical Documents is the most ambitious, impressive and comprehensive collection of documents on English history ever published. An authoritative work of primary evidence, each volume presents material with exemplary scholarly accuracy. Editorial comment is directed towards making sources intelligible rather than drawing conclusions from them. Full account has been taken of modern textual criticism. A general introduction to each volume portrays the character of the period under review and critical bibliographies have been added to assist further investigation. Documents collected include treaties, personal letters, statutes, military dispatches, diaries, declarations, newspaper articles, government and cabinet proceedings, orders, acts, sermons, pamphlets, agricultural instructions, charters, grants, guild regulations and voting records. Volumes are furnished with lavish extra apparatus including genealogical tables, lists of officials, chronologies, diagrams, graphs and maps.
Author | : Meg Twycross |
Publisher | : Routledge |
Total Pages | : 321 |
Release | : 2017-03-02 |
Genre | : Literary Criticism |
ISBN | : 135191930X |
Drawing on broad research, this study explores the different social and theatrical masking activities in England during the Middle Ages and the early 16th century. The authors present a coherent explanation of the many functions of masking, emphasizing the important links among festive practice, specialized ceremonial, and drama. They elucidate the intellectual, moral and social contexts for masking, and they examine the purposes and rewards for participants in the activity. The authors' insight into the masking games and performances of England's medieval and early Tudor periods illuminates many aspects of the thinking and culture of the times: issues of identity and community; performance and role-play; conceptions of the psyche and of the individual's position in social and spiritual structures. Masks and Masking in Medieval and Early Tudor England presents a broad overview of masking practices, demonstrating how active and prominent an element of medieval and pre-modern culture masking was. It has obvious interest for drama and literature critics of the medieval and early modern periods; but is also useful for historians of culture, theatre and anthropology. Through its analysis of masked play this study engages both with the history of theatre and performance, and with broader cultural and historical questions of social organization, identity and the self, the performance of power, and shifting spiritual understanding.
Author | : Elisabeth B. MacDougall |
Publisher | : Dumbarton Oaks |
Total Pages | : 372 |
Release | : 1986 |
Genre | : Architecture |
ISBN | : 9780884021469 |
Author | : James P. Carley |
Publisher | : Boydell & Brewer Ltd |
Total Pages | : 224 |
Release | : 1993 |
Genre | : Literary Collections |
ISBN | : 9780859913973 |
Latest work on Arthur by respected scholars.
Author | : Anne Crawford |
Publisher | : Bloomsbury Publishing |
Total Pages | : 380 |
Release | : 2011-11-03 |
Genre | : History |
ISBN | : 1441179976 |
John Howard, baron Howard and first duke of Norfolk, was one of the most important men of the Yorkist period. He was a consistently loyal supporter of the Yorkist dynasty from the late 1450s until his death at Bosworth in 1485. He was an indefatigable royal servant, active in the military field, as an agent of the Crown at home in East Anglia, as a councillor at Westminster and as an ambassador who became England's leading envoy to France. And yet there were other men of the period, equally significant in their careers, for whom no biographies have been forthcoming. To the question - why write a biography of John Howard? one answer must be - because we can. With the exceptions of the kings he served, no other man of the fifteenth-century peerage has left us so much in the way of evidence of his day-to-day life, not only of his royal service but his domestic concerns. Information about other men of his time depends largely on well-documented political or administrative action; very little information is available on their private lives. The same is not true of Howard. The unparalleled records that he left behind are four volumes of household memoranda covering the periods 1462 -1471 and 1481-1483.The memoranda were a daily record of the money received and dispersed by Howard himself, his family and senior household members. The lack of distinction between business and domestic concerns and the great range of subjects, from payments for ships to laces for his wife's gowns, are what make them so illuminating. Taken together, these surviving records illustrate almost every aspect of his life and bring him alive: talented, efficient, ambitious and not above some dishonourable dealings, short-tempered, paternalistic and loyal.
Author | : Sonja Drimmer |
Publisher | : University of Pennsylvania Press |
Total Pages | : 352 |
Release | : 2018-09-21 |
Genre | : Literary Criticism |
ISBN | : 0812295382 |
At the end of the fourteenth and into the first half of the fifteenth century Geoffrey Chaucer, John Gower, and John Lydgate translated and revised stories with long pedigrees in Latin, Italian, and French. Royals and gentry alike commissioned lavish manuscript copies of these works, copies whose images were integral to the rising prestige of English as a literary language. Yet despite the significance of these images, manuscript illuminators are seldom discussed in the major narratives of the development of English literary culture. The newly enlarged scale of English manuscript production generated a problem: namely, a need for new images. Not only did these images need to accompany narratives that often had no tradition of illustration, they also had to express novel concepts, including ones as foundational as the identity and suitable representation of an English poet. In devising this new corpus, manuscript artists harnessed visual allusion as a method to articulate central questions and provide at times conflicting answers regarding both literary and cultural authority. Sonja Drimmer traces how, just as the poets embraced intertexuality as a means of invention, so did illuminators devise new images through referential techniques—assembling, adapting, and combining images from a range of sources in order to answer the need for a new body of pictorial matter. Featuring more than one hundred illustrations, twenty-seven of them in color, The Art of Allusion is the first book devoted to the emergence of England's literary canon as a visual as well as a linguistic event.
Author | : Thomas Penn |
Publisher | : Simon and Schuster |
Total Pages | : 688 |
Release | : 2021-06-15 |
Genre | : History |
ISBN | : 1451694180 |
"For fans of Hilary Mantel and The Tudors, this is the dramatic story of the concluding episode in England's War of the Roses, featuring three brothers, two of whom became kings, Edward IV and Richard III, famous from Shakespeare's great history play Richard III"--
Author | : Julia A Hickey |
Publisher | : Pen and Sword |
Total Pages | : 282 |
Release | : 2023-10-12 |
Genre | : Biography & Autobiography |
ISBN | : 1399064894 |
The story of the Earl of Warwick's wife Anne Beauchamp and their daughters, Isabel and Anne Neville. They were supposed to be pious, fruitful and submissive. The wealthiest women in the kingdom, Anne Beauchamp and her daughters were at the heart of bitter inheritance disputes. Well educated and extravagant, they lived in style and splendour but were forced to navigate their lives around the unpredictable clashes of the Cousins’ War. Were they pawns or did they exert an influence of their own? The twists and turns of Fate as well as the dynastic ambitions of Richard Neville, Earl of Warwick saw Isabel married without royal permission to the Yorkist heir presumptive, George Duke of Clarence. Anne Neville was married to Edward of Lancaster, the only son of King Henry VI when her father turned his coat. One or the other was destined to become queen. Even so, the Countess of Warwick, heiress to one of the richest titles in England, could not avoid being declared legally dead so that her sons-in-law could take control of her titles and estates. Tragic Isabel, beloved by her husband, would experience the dangers of childbirth and on her death, her midwife was accused of witchcraft and murder. Her children both faced a traitor’s death because of their Plantagenet blood. Anne Neville became the wife of Richard, Duke of Gloucester having survived a forced march, widowhood and the ambitions of Isabel’s husband. When Gloucester took the throne as Richard III, she would become Shakespeare’s tragic queen. The women behind the myth suffered misfortune and loss but fulfilled their domestic duties in the brutal world they inhabited and fought by the means available to them for what they believed to be rightfully their own. The lives of Countess Anne and her daughters have much to say about marriage, childbirth and survival of aristocratic women in the fifteenth century.