The History of Photography, from 1839 to the Present Day
Author | : Beaumont Newhall |
Publisher | : |
Total Pages | : 319 |
Release | : 2006 |
Genre | : Photography |
ISBN | : 9780870703812 |
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Author | : Beaumont Newhall |
Publisher | : |
Total Pages | : 319 |
Release | : 2006 |
Genre | : Photography |
ISBN | : 9780870703812 |
Author | : William Johnson |
Publisher | : |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Photography |
ISBN | : 9783836540995 |
This volume shows in chronological order the most impressive images and the most important developments in the art of light that is photography. It offers in its huge collection and themes a unique survey of the medium from its origins until now.
Author | : Beaumont Newhall |
Publisher | : |
Total Pages | : 328 |
Release | : 1982 |
Genre | : Photography |
ISBN | : |
A history of photography that gives many prints representing the best from the past and present.
Author | : Todd Gustavson |
Publisher | : |
Total Pages | : 376 |
Release | : 2009 |
Genre | : Photography |
ISBN | : |
"Few inventions have had as powerful an influence as the camera, and few modes of expression have enjoyed the enduring artistic, scientific, and popular appeal of photography. We are so focused on the products of the camera, the indelible images marking our lives and times, that it's easy to forget the instrument itself has a history. Now that history has been comprehensively traced for photography buffs and amateurs alike by Todd Gustavson, Curator of Technology at George Eastman House. In this ... volume, hundreds of new and archival images from George Eastman House bring the story to life and provide an unmatched reference source. Vast in its scope, this ... book is an in-depth visual and narrative look at the camera, and consequently photography itself"--Jacket.
Author | : Musee d’Orsay (Paris) |
Publisher | : Skira Paris |
Total Pages | : 346 |
Release | : 2009 |
Genre | : Photography |
ISBN | : |
This comprehensive book traces the origins and progression of photography from its humble beginnings in daguerreotypes to the gradual mastering of photographic portraits, techniques, and negatives. The wider use of photography in journalism, for documenting architecture and art movements, and its capacity to produce piercing perspectives on the social and political climate of the nineteenth and twentieth centuries are all carefully evaluated, as well as the work of amateurs such as Zola who tried their hand at this revolutionary art form. Twenty-five years after the inauguration of France's first permanent exhibition devoted solely to photography, the Musée d'Orsay continues in its innovative and original thread. This book bears testimony to the unique nature of the museum's collection, noted for its rare finds, their quality, and the sheer number of works it holds (more than fifty-five thousand). The collection's most-treasured works are exposed here, including a portrait of Baudelaire by Nadar and the recently acquired portrait of Man Ray by Stieglitz.
Author | : Michel Frizot |
Publisher | : Konemann |
Total Pages | : 784 |
Release | : 1998 |
Genre | : Photography |
ISBN | : |
A collection of entries that help chronicle the history of photography, explaining the different techniques that have been used and defining the common terms used in the field.
Author | : Kim Beil |
Publisher | : Stanford University Press |
Total Pages | : 333 |
Release | : 2020-06-23 |
Genre | : Photography |
ISBN | : 1503612325 |
A picture-rich field guide to American photography, from daguerreotype to digital. We are all photographers now, with camera phones in hand and social media accounts at the ready. And we know which pictures we like. But what makes a "good picture"? And how could anyone think those old styles were actually good? Soft-focus yearbook photos from the '80s are now hopelessly—and happily—outdated, as are the low-angle portraits fashionable in the 1940s or the blank stares of the 1840s. From portraits to products, landscapes to food pics, Good Pictures proves that the history of photography is a history of changing styles. In a series of short, engaging essays, Kim Beil uncovers the origins of fifty photographic trends and investigates their original appeal, their decline, and sometimes their reuse by later generations of photographers. Drawing on a wealth of visual material, from vintage how-to manuals to magazine articles for working photographers, this full-color book illustrates the evolution of trends with hundreds of pictures made by amateurs, artists, and commercial photographers alike. Whether for selfies or sepia tones, the rules for good pictures are always shifting, reflecting new ways of thinking about ourselves and our place in the visual world.
Author | : Michael Pritchard |
Publisher | : Firefly Books |
Total Pages | : 224 |
Release | : 2022-02-27 |
Genre | : History |
ISBN | : 9780228103639 |
A History of Photography in 50 Cameras explores the 180-year story of perhaps the most widely used device ever built. It covers cameras in all forms, revealing the origins and development of each model and tracing the stories of the photographers who used and popularized them. Illustrated throughout with studio shots of all fifty cameras and a selection of iconic photographs made using them, it is the perfect companion guide for camera and photography enthusiasts alike. The cameras include: The Nikon F, the "hockey puck" that saved photographer Don McCullin's life when it stopped a sniper's bullet during the Vietnam War. Its indestructibility, reliability and interchangeable lenses made it a favored workhorse of photojournalists. The Leica M3-D was also favored by war photographers, including David Duncan Douglas, who used the camera during his coverage of the Korean and Vietnam Wars. In 2012, one of his four customized Leica cameras sold at auction for nearly $2 million. A Speed Graphic was used to take Sam Shere's widely published photograph of the 1937 Hindenburg disaster, "the world's most famous news photograph ever taken." With few shots left and no time to get the camera to his eye, he shot his Pulitzer Prize-winning image "literally from the hip. It was over so fast there was nothing else to do." The camera phone has transformed picture-taking technology most profoundly since the invention of cameras. The "selfie" has become a new genre of photography practiced by everyone, and shared globally. This is an ideal book for camera collectors as well as anyone researching the history and art of photography.
Author | : Cervin Robinson |
Publisher | : Mit Press |
Total Pages | : 203 |
Release | : 1990-07-19 |
Genre | : Photography |
ISBN | : 9780262680646 |
Gathers photographs of interiors and exteriors, homes and office buildings, and churches and public buildings, and describes changes in photographic style
Author | : Clement Cheroux |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2021-11-09 |
Genre | : Photography |
ISBN | : 026204577X |
Essays on a range of photographic topics by the recently appointed Joel and Anne Ehrenkranz Chief Curator of Photography at MoMA Since 1839... offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020, Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts, newly translated into English and published together in one volume for the first time, reflect the breadth of Chéroux’s thinking, the rigor of his approach, and his endless curiosity about photographs. In this strikingly designed and generously illustrated volume, Chéroux presents unique case studies and untold stories. He discusses ways of sharing images, from the nineteenth century to the digital age; considers the utopian ideals of early photography; and analyzes the duality of amateur photography. Among other things, he describes the appeal of photographs snapped from a speeding train and explains historical value of first-generation prints of photographs. Through an analysis of key photographs taken on 9/11, Chéroux shows that the same six images were seen again and again in the press. Widely ranging, erudite, and engaging, these essays present Chéroux's innovative investigations of the histories of photography.