The History of Dublin Cinemas
Author | : Marc Zimmermann |
Publisher | : Nonsuch Publishing, Limited |
Total Pages | : 0 |
Release | : 2007 |
Genre | : Motion picture theaters |
ISBN | : 9781845885090 |
Dublin cinemas
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Author | : Marc Zimmermann |
Publisher | : Nonsuch Publishing, Limited |
Total Pages | : 0 |
Release | : 2007 |
Genre | : Motion picture theaters |
ISBN | : 9781845885090 |
Dublin cinemas
Author | : Jim Keenan |
Publisher | : |
Total Pages | : 144 |
Release | : 2019 |
Genre | : Motion picture theaters |
ISBN | : 9780955068393 |
Author | : Maurice Curtis |
Publisher | : The History Press |
Total Pages | : 218 |
Release | : 2019-04-05 |
Genre | : History |
ISBN | : 0750990236 |
Rathmines is one of the oldest and most vibrant parts of Dublin. In this compendium of fascinating, obscure, strange and entertaining facts you will find out about Rathmines' past, its proud sporting heritage, its arts and culture, and its famous (and occasionally infamous) men and women. A reliable reference book and a quirky guide, this can be dipped into time and again to reveal something new about the people, the heritage and the secrets of this much-loved area.
Author | : Denis Condon |
Publisher | : |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Business & Economics |
ISBN | : 9780716529729 |
This book examines early and silent cinema and its contexts in Ireland, 1895-1921. It explores the extent to which cinema fostered a new way of looking in and at Ireland and the extent to which the new technology inherited forms of looking from the image-producing cultural practices of the theatre, tourism, and such public events as state occasions, political protests, and sports meetings. It argues that before cinema emerged as an independent institution in the late 1910s, it was comprehensively intermedial, not only adapting to the presentational strategies of such forms as the fairground attraction, the melodrama, and the magic lantern lecture, but actually constituting these forms and altering them in the process. In locating cinema in relation to popular and elite culture during a key period of Irish history, it draws in particular on surviving films and photographs; articles and illustrations in newspapers, magazines, and trade journals; contemporary accounts; and official documents. Working against approaches that see early cinema as a precursor to the so-called 'classical' cinema of the 1920s onwards, it provide its readers with a wealth of contemporary material that allows them to see early cinema in its own terms as an evolving (audio-) visual form.
Author | : Roddy Flynn |
Publisher | : Rowman & Littlefield |
Total Pages | : 657 |
Release | : 2019-08-09 |
Genre | : Performing Arts |
ISBN | : 1538119587 |
From capsule descriptions/assessments of individual feature films to extended essays on areas such as Irish animation, short film, experimental film and documentary production along with discussion of a wide range of key creative and administrative personnel, the Dictionary combines a breath of existing scholarship with extensive new information and research carried out especially for this volume. It is the definitive guide to Irish cinema in the 21st century. This second edition of Historical Dictionary of Irish Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on key Irish actors, directors, producers and other personnel from over a century of Irish film history. This book is an excellent resource for students, researchers, and anyone wanting to know more about Irish Cinema.
Author | : Scott Curtis |
Publisher | : Indiana University Press |
Total Pages | : 344 |
Release | : 2018-03-22 |
Genre | : Performing Arts |
ISBN | : 025303440X |
1. This book is a fascinating look at how early cinema and moving images inspired and were inspired by other more static forms of visual culture, such as painting, photography, and tableaux vivants. The contributors to this volume demonstrate how cinema responded to and was positioned within broader artistic and cultural frameworks. 2. This book is another strong contribution to the Proceedings of Domitor series, of which we are now the sole publishers. 3. It will benefit from our well established reputation in early cinema studies.
Author | : Paul Rouse |
Publisher | : Gill & Macmillan Ltd |
Total Pages | : 395 |
Release | : 2012-04-30 |
Genre | : History |
ISBN | : 184889970X |
In 2011, on the cusp of its centenary year, the Labour Party recorded its greatest ever electoral success, with 37 TDs elected and a President. In doing so the party has succeeded, temporarily at least, in breaking free from the old two-and-a-half party system. But, why, for its first century, did Labour struggle to match its ambition? This series of essays to mark the party's centenary assesses the challenges facing Labour in a deeply conservative country, where echoes of civil war and Catholic Church hegemony have dominated the political landscape. Leading writers from the fields of journalism, history and social reform examine the failings, splits and contradictions of Ireland's oldest political party alongside the social and economic achievements to which the Labour Party lays claim. Contributors: Ivana Bacik; Michael Laffan; Ronan O'Brien; Stephen Collins; David McCullagh; Eunan O'Halpin; Paul Daly; Ciara Meeha;n Niamh Puirseil; Diarmaid Ferriter; William Mulligan; Kevin Rafter; Eamon Gilmore; William Murphy ;Jane Suiter. All royalties to Barnardos.
Author | : Jim Keenan |
Publisher | : |
Total Pages | : 127 |
Release | : 2005-01-01 |
Genre | : Dublin (Ireland) |
ISBN | : 9780955068300 |
Jim Keenan provides a varied and valuable record of some of Dublin's most memorable cinemas.
Author | : Roderick Flynn |
Publisher | : Scarecrow Press |
Total Pages | : 435 |
Release | : 2007-07-30 |
Genre | : History |
ISBN | : 0810864355 |
In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole. The Historical Dictionary of Irish Cinema provides essential facts on the history of Irish cinema through a list of acronyms and abbreviation; a chronology; an introduction; a bibliography; and hundreds of cross-referenced dictionary entries on the pioneers and current leaders in the industry, the actors, directors, distributors, exhibitors, schools, arts centers, the government bodies and some of the legislation they passed, and the films.
Author | : Gisela Holfter |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 507 |
Release | : 2016-12-19 |
Genre | : History |
ISBN | : 3110395754 |
The monograph provides the first comprehensive, detailed account of German-speaking refugees in Ireland 1933-1945 - where they came from, immigration policy towards them and how their lives turned out in Ireland and afterwards. Thanks to unprecedented access to thousands of files of the Irish Department of Justice (all still officially closed) as well as extensive archive research in Ireland, Germany, England, Austria as well as the US and numerous interviews it is possible for the first time to give an almost complete overview of how many people came, how they contributed to Ireland, how this fits in with the history of migration to Ireland and what can be learned from it. While Exile studies are a well-developed research area and have benefited from the work of research centres and archives in Germany, Austria, Great Britain and the USA (Frankfurt/M, Leipzig, Hamburg, Berlin, Innsbruck, Graz, Vienna, London and SUNY Albany and the Leo Baeck Institutes), Ireland was long neglected in this regard. Instead of the usual narrative of "no one was let in" or "only a handful came to Ireland" the authors identified more than 300 refugees through interviews and intensive research in Irish, German and Austrian archives. German-speaking exiles were the first main group of immigrants that came to the young Irish Free State from 1933 onwards and they had a considerable impact on academic, industrial and religious developments in Ireland.