The History of Dublin Cinemas

The History of Dublin Cinemas
Author: Marc Zimmermann
Publisher: Nonsuch Publishing, Limited
Total Pages: 0
Release: 2007
Genre: Motion picture theaters
ISBN: 9781845885090

Dublin cinemas

Irish Cinemas

Irish Cinemas
Author: Jim Keenan
Publisher:
Total Pages: 144
Release: 2019
Genre: Motion picture theaters
ISBN: 9780955068393

The Little Book of Rathmines

The Little Book of Rathmines
Author: Maurice Curtis
Publisher: The History Press
Total Pages: 218
Release: 2019-04-05
Genre: History
ISBN: 0750990236

Rathmines is one of the oldest and most vibrant parts of Dublin. In this compendium of fascinating, obscure, strange and entertaining facts you will find out about Rathmines' past, its proud sporting heritage, its arts and culture, and its famous (and occasionally infamous) men and women. A reliable reference book and a quirky guide, this can be dipped into time and again to reveal something new about the people, the heritage and the secrets of this much-loved area.

Early Irish Cinema

Early Irish Cinema
Author: Denis Condon
Publisher:
Total Pages: 0
Release: 2008
Genre: Business & Economics
ISBN: 9780716529729

This book examines early and silent cinema and its contexts in Ireland, 1895-1921. It explores the extent to which cinema fostered a new way of looking in and at Ireland and the extent to which the new technology inherited forms of looking from the image-producing cultural practices of the theatre, tourism, and such public events as state occasions, political protests, and sports meetings. It argues that before cinema emerged as an independent institution in the late 1910s, it was comprehensively intermedial, not only adapting to the presentational strategies of such forms as the fairground attraction, the melodrama, and the magic lantern lecture, but actually constituting these forms and altering them in the process. In locating cinema in relation to popular and elite culture during a key period of Irish history, it draws in particular on surviving films and photographs; articles and illustrations in newspapers, magazines, and trade journals; contemporary accounts; and official documents. Working against approaches that see early cinema as a precursor to the so-called 'classical' cinema of the 1920s onwards, it provide its readers with a wealth of contemporary material that allows them to see early cinema in its own terms as an evolving (audio-) visual form.

Historical Dictionary of Irish Cinema

Historical Dictionary of Irish Cinema
Author: Roddy Flynn
Publisher: Rowman & Littlefield
Total Pages: 657
Release: 2019-08-09
Genre: Performing Arts
ISBN: 1538119587

From capsule descriptions/assessments of individual feature films to extended essays on areas such as Irish animation, short film, experimental film and documentary production along with discussion of a wide range of key creative and administrative personnel, the Dictionary combines a breath of existing scholarship with extensive new information and research carried out especially for this volume. It is the definitive guide to Irish cinema in the 21st century. This second edition of Historical Dictionary of Irish Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on key Irish actors, directors, producers and other personnel from over a century of Irish film history. This book is an excellent resource for students, researchers, and anyone wanting to know more about Irish Cinema.

The Image in Early Cinema

The Image in Early Cinema
Author: Scott Curtis
Publisher: Indiana University Press
Total Pages: 344
Release: 2018-03-22
Genre: Performing Arts
ISBN: 025303440X

1. This book is a fascinating look at how early cinema and moving images inspired and were inspired by other more static forms of visual culture, such as painting, photography, and tableaux vivants. The contributors to this volume demonstrate how cinema responded to and was positioned within broader artistic and cultural frameworks. 2. This book is another strong contribution to the Proceedings of Domitor series, of which we are now the sole publishers. 3. It will benefit from our well established reputation in early cinema studies.

Making the Difference?

Making the Difference?
Author: Paul Rouse
Publisher: Gill & Macmillan Ltd
Total Pages: 395
Release: 2012-04-30
Genre: History
ISBN: 184889970X

In 2011, on the cusp of its centenary year, the Labour Party recorded its greatest ever electoral success, with 37 TDs elected and a President. In doing so the party has succeeded, temporarily at least, in breaking free from the old two-and-a-half party system. But, why, for its first century, did Labour struggle to match its ambition? This series of essays to mark the party's centenary assesses the challenges facing Labour in a deeply conservative country, where echoes of civil war and Catholic Church hegemony have dominated the political landscape. Leading writers from the fields of journalism, history and social reform examine the failings, splits and contradictions of Ireland's oldest political party alongside the social and economic achievements to which the Labour Party lays claim. Contributors: Ivana Bacik; Michael Laffan; Ronan O'Brien; Stephen Collins; David McCullagh; Eunan O'Halpin; Paul Daly; Ciara Meeha;n Niamh Puirseil; Diarmaid Ferriter; William Mulligan; Kevin Rafter; Eamon Gilmore; William Murphy ;Jane Suiter. All royalties to Barnardos.

Dublin Cinemas

Dublin Cinemas
Author: Jim Keenan
Publisher:
Total Pages: 127
Release: 2005-01-01
Genre: Dublin (Ireland)
ISBN: 9780955068300

Jim Keenan provides a varied and valuable record of some of Dublin's most memorable cinemas.

Historical Dictionary of Irish Cinema

Historical Dictionary of Irish Cinema
Author: Roderick Flynn
Publisher: Scarecrow Press
Total Pages: 435
Release: 2007-07-30
Genre: History
ISBN: 0810864355

In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel, Colm Meaney, Cillian Murphy, Liam Neeson, Maureen O'Hara, and Peter O'Toole. The Historical Dictionary of Irish Cinema provides essential facts on the history of Irish cinema through a list of acronyms and abbreviation; a chronology; an introduction; a bibliography; and hundreds of cross-referenced dictionary entries on the pioneers and current leaders in the industry, the actors, directors, distributors, exhibitors, schools, arts centers, the government bodies and some of the legislation they passed, and the films.

An Irish Sanctuary

An Irish Sanctuary
Author: Gisela Holfter
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 507
Release: 2016-12-19
Genre: History
ISBN: 3110395754

The monograph provides the first comprehensive, detailed account of German-speaking refugees in Ireland 1933-1945 - where they came from, immigration policy towards them and how their lives turned out in Ireland and afterwards. Thanks to unprecedented access to thousands of files of the Irish Department of Justice (all still officially closed) as well as extensive archive research in Ireland, Germany, England, Austria as well as the US and numerous interviews it is possible for the first time to give an almost complete overview of how many people came, how they contributed to Ireland, how this fits in with the history of migration to Ireland and what can be learned from it. While Exile studies are a well-developed research area and have benefited from the work of research centres and archives in Germany, Austria, Great Britain and the USA (Frankfurt/M, Leipzig, Hamburg, Berlin, Innsbruck, Graz, Vienna, London and SUNY Albany and the Leo Baeck Institutes), Ireland was long neglected in this regard. Instead of the usual narrative of "no one was let in" or "only a handful came to Ireland" the authors identified more than 300 refugees through interviews and intensive research in Irish, German and Austrian archives. German-speaking exiles were the first main group of immigrants that came to the young Irish Free State from 1933 onwards and they had a considerable impact on academic, industrial and religious developments in Ireland.