Calabar on the Cross River

Calabar on the Cross River
Author: David Imbua
Publisher:
Total Pages: 392
Release: 2017
Genre: Calabar (Nigeria)
ISBN: 9781569025727

From about the middle of the seventeenth century, Calabar emerged as a vibrant entrepot where Europeans traded with coastal merchants to purchase enslaved people and raw materials destined for the Americas and Europe. Referred to as 'Old Calabar' in the historical sources, this busy port was located on the eastern side of the Calabar River at the confluence with the Cross River and was the centre of a vast network of international trade extending to the Grassfields region of Cameroon and to the Benue River valley directly north.

Masquerade and Money in Urban Nigeria

Masquerade and Money in Urban Nigeria
Author: Jordan Fenton
Publisher: Boydell & Brewer
Total Pages: 397
Release: 2022
Genre: Masquerades
ISBN: 1648250262

Introduction, Masquerade as an Artistic Pulse of the City -- "Face No Fear Face:" Unmasking Youths -- "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space -- "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance -- "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance -- "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa -- "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies -- "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage -- "I know Myself:" Masquerade as an Artistic Transformation -- Coda: "I Think About my Kids and Feeding Them".

African Voices on Slavery and the Slave Trade: Volume 1, The Sources

African Voices on Slavery and the Slave Trade: Volume 1, The Sources
Author: Alice Bellagamba
Publisher: Cambridge University Press
Total Pages: 587
Release: 2013-05-13
Genre: History
ISBN: 110732808X

Though the history of slavery is a central topic for African, Atlantic world and world history, most of the sources presenting research in this area are European in origin. To cast light on African perspectives, and on the point of view of enslaved men and women, this group of top Africanist scholars has examined both conventional historical sources (such as European travel accounts, colonial documents, court cases, and missionary records) and less-explored sources of information (such as folklore, oral traditions, songs and proverbs, life histories collected by missionaries and colonial officials, correspondence in Arabic, and consular and admiralty interviews with runaway slaves). Each source has a short introduction highlighting its significance and orienting the reader. This first of two volumes provides students and scholars with a trove of African sources for studying African slavery and the slave trade.

Voice of the Leopard

Voice of the Leopard
Author: Ivor L. Miller
Publisher: Univ. Press of Mississippi
Total Pages: 401
Release: 2010-01-06
Genre: History
ISBN: 1604738146

In Voice of the Leopard: African Secret Societies and Cuba, Ivor L. Miller shows how African migrants and their political fraternities played a formative role in the history of Cuba. During the eighteenth and nineteenth centuries, no large kingdoms controlled Nigeria and Cameroon's multilingual Cross River basin. Instead, each settlement had its own lodge of the initiation society called Ékpè, or “leopard,” which was the highest indigenous authority. Ékpè lodges ruled local communities while also managing regional and long-distance trade. Cross River Africans, enslaved and forcibly brought to colonial Cuba, reorganized their Ékpè clubs covertly in Havana and Matanzas into a mutual-aid society called Abakuá, which became foundational to Cuba's urban life and music. Miller's extensive fieldwork in Cuba and West Africa documents ritual languages and practices that survived the Middle Passage and evolved into a unifying charter for transplanted slaves and their successors. To gain deeper understanding of the material, Miller underwent Ékpè initiation rites in Nigeria after ten years' collaboration with Abakuá initiates in Cuba and the United States. He argues that Cuban music, art, and even politics rely on complexities of these African-inspired codes of conduct and leadership. Voice of the Leopard is an unprecedented tracing of an African title-society to its Caribbean incarnation, which has deeply influenced Cuba's creative energy and popular consciousness.