The Historicization Of Contemporary Chinese Literature
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Author | : Cheng Guangwei |
Publisher | : Taylor & Francis |
Total Pages | : 266 |
Release | : 2024-09-03 |
Genre | : Literary Criticism |
ISBN | : 1040114318 |
This book provides a concise introduction to the intellectual trends in contemporary Chinese literature from the 1950s to the 1990s and the influence of overseas Sinology. The turbulent period of the second half of the 20th century in China witnessed a significant societal shift from a revolutionary to an economic focus. This transformation introduced and stimulated various ideas, reshaping public thought and reconstructing the historical landscape of contemporary Chinese literature. This book explores the response and self-exploration of domestic literary studies of the period, which were heavily influenced by the Western academic tradition and overseas Sinology studies. It examines critical phenomena, figures, and events in this context. The author's narrative vividly illustrates the interplay and dialogue of factors such as revolution, reform and opening up, and the rise of literature in the 1980s and 1990s. Combining the methodologies of literary and social history, and integrating personal historical experience with rigorous academic methods, this book provides a unique research framework for revisiting the cultural scene of the period. The title will appeal to scholars and students of contemporary Chinese literature and history. It will also attract general readers interested in Chinese culture and society in the 1980s and 1990s.
Author | : Zicheng Hong |
Publisher | : BRILL |
Total Pages | : 657 |
Release | : 2007 |
Genre | : Literary Collections |
ISBN | : 9004157549 |
"A thorough overview and analysis of the literary scene in China during the 1949-1999 period, focusing primarily on fiction, poetry, drama, and prose writing"--Provided by publisher.
Author | : Guangwei Cheng |
Publisher | : |
Total Pages | : 0 |
Release | : 2024-09 |
Genre | : Literary Criticism |
ISBN | : 9781003505716 |
"This book provides a concise introduction to the intellectual trends in contemporary Chinese literature from the 1950s to the 1990s and the influence of overseas Sinology. The turbulent period of the second half of the 20th century in China witnessed a significant societal shift from a revolutionary to an economic focus. This transformation introduced and stimulated various ideas, reshaping public thought and reconstructing the historical landscape of contemporary Chinese literature. This book explores the response and self-exploration of domestic literary studies of the period, which were heavily influenced by the Western academic tradition and overseas Sinology studies. It examines critical phenomena, figures and events in this context. The author's narrative vividly illustrates the interplay and dialogue of factors such as revolution, reform and opening up, and the rise of literature in the 1980s and 1990s. Combining the methodologies of literary and social history, and integrating personal historical experience with rigorous academic methods, this book provides a unique research framework for revisiting the cultural scene of the period. The title will appeal to scholars and students of contemporary Chinese literature and history. It will also attract general readers interested in Chinese culture and society in the 1980s and 1990s"--
Author | : Xiaoping Wang |
Publisher | : BRILL |
Total Pages | : 616 |
Release | : 2019-05-15 |
Genre | : Literary Criticism |
ISBN | : 9004398635 |
In Contending for the "Chinese Modern", Xiaoping Wang studies the writing of fiction in 1940s China. Through a practice of political hermeneutics of fictional texts and social subtexts, it explores how social modernity and literary modernity intertwined with and interacted upon each other in the development of modern Chinese literature. It not only makes critical reappraisement of some renowned modern Chinese writers, but also sheds fresh lights on a series of theoretical problems pertaining to the issue of plural modernities, in which the problematic of subjectivity, class consciousness and identity politics are the key words as well as the concrete procedures that it employs to undertake the ideological analysis. The manuscript signifies a new paradigm in studies of modern Chinese literature.
Author | : Petrus Liu |
Publisher | : Cornell University Press |
Total Pages | : 279 |
Release | : 2012-01-31 |
Genre | : Literary Criticism |
ISBN | : 1933947756 |
Author | : Cosima Bruno |
Publisher | : Bloomsbury Publishing |
Total Pages | : 473 |
Release | : 2023-10-19 |
Genre | : Literary Criticism |
ISBN | : 1350215317 |
Offering the first systematic overview of modern and contemporary Chinese literature from a translation studies perspective, this handbook provides students, researchers and teachers with a context in which to read and appreciate the effects of linguistic and cultural transfer in Chinese literary works. Translation matters. It always has, of course, but more so when we want to reap the benefits of intercultural communication. In many universities Chinese literature in English translation is taught as if it had been written in English. As a result, students submit what they read to their own cultural expectations; they do not read in translation and do not attend to the protocols of knowing, engagements and contestations that bind literature and society to each other. The Bloomsbury Handbook of Modern Chinese Literature in Translation squarely addresses this pedagogical lack. Organised in a tripartite structure around considerations of textual, social, and large-scale spatial and historical circumstances, its thirty plus essays each deal with a theme of translation studies, as emerged from the translation of one or more Chinese literary works. In doing so, it offers new tools for reading and appreciating modern and contemporary Chinese literature in the global context of its translation, offering in-depth studies about eminent Chinese authors and their literary masterpieces in translation. The first of its kind, this book is essential reading for anyone studying or researching Chinese literature in translation.
Author | : Michael Szonyi |
Publisher | : John Wiley & Sons |
Total Pages | : 475 |
Release | : 2017-02-06 |
Genre | : History |
ISBN | : 1118624602 |
A Companion to Chinese History presents a collection of essays offering a comprehensive overview of the latest intellectual developments in the study of China’s history from the ancient past up until the present day. Covers the major trends in the study of Chinese history from antiquity to the present day Considers the latest scholarship of historians working in China and around the world Explores a variety of long-range questions and themes which serves to bridge the conventional divide between China’s traditional and modern eras Addresses China’s connections with other nations and regions and enables non-specialists to make comparisons with their own fields Features discussion of traditional topics and chronological approaches as well as newer themes such as Chinese history in relation to sexuality, national identity, and the environment
Author | : Keping Yu |
Publisher | : BRILL |
Total Pages | : 329 |
Release | : 2015-11-24 |
Genre | : Philosophy |
ISBN | : 9004308881 |
China’s economy and social system has witnessed tremendous transformations since late 1970s. So is China’s culture. Centering on the cultural transformations of China since late 1970s and covering diverse of topics in the field, this collection of articles presents a multi-dimensional narrative on the dynamics, dilemmas and characteristics involving this giant process.
Author | : Ming Dong Gu |
Publisher | : Routledge |
Total Pages | : 902 |
Release | : 2018-09-03 |
Genre | : Literary Criticism |
ISBN | : 1317236696 |
The Routledge Handbook of Modern Chinese Literature presents a comprehensive overview of Chinese literature from the 1910s to the present day. Featuring detailed studies of selected masterpieces, it adopts a thematic-comparative approach. By developing an innovative conceptual framework predicated on a new theory of periodization, it thus situates Chinese literature in the context of world literature, and the forces of globalization. Each section consists of a series of contributions examining the major literary genres, including fiction, poetry, essay drama and film. Offering an exciting account of the century-long process of literary modernization in China, the handbook’s themes include: Modernization of people and writing Realism, rmanticism and mdernist asthetics Chinese literature on the stage and screen Patriotism, war and revolution Feminism, liberalism and socialism Literature of reform, reflection and experimentation Literature of Taiwan, Hong Kong and new media This handbook provides an integration of biographical narrative with textual analysis, maintaining a subtle balance between comprehensive overview and in-depth examination. As such, it is an essential reference guide for all students and scholars of Chinese literature.
Author | : Michael K. Bourdaghs |
Publisher | : University of Michigan Press |
Total Pages | : 309 |
Release | : 2020-06-01 |
Genre | : Social Science |
ISBN | : 0472901435 |
The 1970s and 1980s saw a revolution in Japanese literary criticism. A new generation of scholars and critics, many of them veterans of 1960s political activism, arose in revolt against the largely positivistic methodologies that had hitherto dominated postwar literary studies. Creatively refashioning approaches taken from the field of linguistics, the new scholarship challenged orthodox interpretations, often introducing new methodologies in the process: structuralism, semiotics, and phenomenological linguistics, among others. The radical changes introduced then continue to reverberate today, shaping the way Japanese literature is studied both at home and abroad. The Linguistic Turn in Contemporary Japanese Literary Studies is the first critical study of this revolution to appear in English. It includes translations of landmark essays published in the 1970s and 1980s by such influential figures as Noguchi Takehiko, Kamei Hideo, Mitani Kuniaki, and Hirata Yumi. It also collects nine new essays that reflect critically on the emergence of linguistics-based literary criticism and theory in Japan, exploring both the novel possibilities such theory created and the shortcomings that could not be overcome. Scholars from a variety of disciplines and fields probe the political and intellectual implications of this transformation and explore the exciting new pathways it opened up for the study of modern Japanese literature.