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| Author | : Orpha Ochse |
| Publisher | : Indiana University Press |
| Total Pages | : 516 |
| Release | : 1988-08-22 |
| Genre | : Music |
| ISBN | : 9780253204950 |
Immigration, wars, industrial growth, the availability of electricity, the popularity of orchestral music, and the invention of the phonograph and of the player piano all had a part in determining the course of American organ history.
| Author | : Stephen Bicknell |
| Publisher | : Cambridge University Press |
| Total Pages | : 430 |
| Release | : 1996 |
| Genre | : Music |
| ISBN | : 9780521654098 |
This 1996 book describes the history of organs built in England from AD 900 to the present day.
| Author | : Chip Jones |
| Publisher | : Simon and Schuster |
| Total Pages | : 400 |
| Release | : 2020-08-18 |
| Genre | : History |
| ISBN | : 1982107545 |
The Immortal Life of Henrietta Lacks meets Get Out in this “startling…powerful” (Kirkus Reviews) investigation of racial inequality at the core of the heart transplant race. In 1968, Bruce Tucker, a black man, went into Virginia’s top research hospital with a head injury, only to have his heart taken out of his body and put into the chest of a white businessman. Now, in The Organ Thieves, Pulitzer Prize–nominated journalist Chip Jones exposes the horrifying inequality surrounding Tucker’s death and how he was used as a human guinea pig without his family’s permission or knowledge. The circumstances surrounding his death reflect the long legacy of mistreating African Americans that began more than a century before with cadaver harvesting and worse. It culminated in efforts to win the heart transplant race in the late 1960s. Featuring years of research and fresh reporting, along with a foreword from social justice activist Ben Jealous, “this powerful book weaves together a medical mystery, a legal drama, and a sweeping history, its characters confronting unprecedented issues of life and death under the shadows of centuries of racial injustice” (Edward L. Ayers, author of The Promise of the New South).
| Author | : Nicholas Thistlethwaite |
| Publisher | : Music in Britain |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Music |
| ISBN | : 9781783274673 |
Established for the building of keyboard instruments, by the mid-1790s the workshop of brothers Robert and William Gray had become one of the leading organ-makers in London, with instruments in St Paul's, Covent Garden and St Martin-in-the-Fields. Under William's son John Gray, the firm built some of the largest English organs of the 1820s and 1830s, as well as exporting major instruments to Boston and Charleston in the United States. In the early 1840s, with the marriage of John Gray's daughter to Frederick Davison - a member of the circle of Bach-enthusiasts around the composer Samuel Wesley - the firm became 'Gray & Davison'. Davison was a progressive figure who reformed workshop practices, commissioned a purpose-built organ factory in Euston Road and opened a branch workshop in Liverpool to exploit the booming market for church organs in Lancashire and the north-west. Under Davison's management, the firm was responsible for significant mechanical and musical innovations, especially in the design of concert organs. Instruments such as those built in the 1850s for Glasgow City Hall, the Crystal Palace and Leeds Town Hall were heavily influenced by contemporary French practice; they were designed to perform a repertoire dominated by orchestral transcriptions. Many of the instruments made by the firm have been lost or altered; but the surviving organs in St Anne, Limehouse (1851), Usk Parish Church (1861) and Clumber Chapel (1889) testify to the quality and importance of Gray & Davison's work. This book charts the firm's history from its foundation in 1772 to Frederick Davison's death in 1889. At the same time, it describes changes in musical taste and liturgical use and explores such topics as provincial music festivals, the town hall organ, domestic music-making and popular entertainment, the building of churches and the impact on church music of the Evangelical and Tractarian movements. It will appeal to organ aficionados interested in the evolution of the English organ in the later Georgian and Victorian eras, as well as other music scholars and cultural historians. NICHOLAS THISTLETHWAITE has written extensively on the history of the English organ and other aspects of English church music, and his book, The making of the Victorian organ (1990) is recognised as the standard work on the subject. He has acted as consultant for the restoration and rebuilding of organs, most recently at St Edmundsbury Cathedral and Christ Church
| Author | : Aeolian Company |
| Publisher | : |
| Total Pages | : 174 |
| Release | : 1907 |
| Genre | : Organ (Musical instrument) |
| ISBN | : |
| Author | : Courtney E. Thompson |
| Publisher | : Rutgers University Press |
| Total Pages | : 151 |
| Release | : 2021-02-12 |
| Genre | : Medical |
| ISBN | : 1978813082 |
Finalist for the 2022 Cheiron Book Prize An Organ of Murder explores the origins of both popular and elite theories of criminality in the nineteenth-century United States, focusing in particular on the influence of phrenology. In the United States, phrenology shaped the production of medico-legal knowledge around crime, the treatment of the criminal within prisons and in public discourse, and sociocultural expectations about the causes of crime. The criminal was phrenology’s ideal research and demonstration subject, and the courtroom and the prison were essential spaces for the staging of scientific expertise. In particular, phrenology constructed ways of looking as well as a language for identifying, understanding, and analyzing criminals and their actions. This work traces the long-lasting influence of phrenological visual culture and language in American culture, law, and medicine, as well as the practical uses of phrenology in courts, prisons, and daily life.
| Author | : Orpha Ochse |
| Publisher | : Indiana University Press |
| Total Pages | : 292 |
| Release | : 2000-08-22 |
| Genre | : Music |
| ISBN | : 9780253214232 |
The art of the organist in nineteenth-century France and Belgium is a rags-to-riches story full of extraordinary problems and changes. Devastated by the French Revolution, the organ profession rose from desperate circumstances to a period of remarkable brilliance. By the end of the nineteenth century, organ playing was enthusiastically applauded and had been thoroughly integrated in the musical life of Paris. This account is not just a record of stellar events and famous names: it includes failures, all-but-forgotten musicians, and unexpected encounters. In a carefully documented study that is both scholarly and engaging. Orpha Ochse traces three major aspects of the organist's art: the development of the secular recital, the organist as church musician, and the education of organists. In addition to presenting a comprehensive view of the organ profession in France and Belgium throughout the period, she offers a new perspective on nineteenth-century music in general.
| Author | : Craig Whitney |
| Publisher | : PublicAffairs |
| Total Pages | : 354 |
| Release | : 2004-09-15 |
| Genre | : Music |
| ISBN | : 0786740256 |
For centuries, pipe organs stood at the summit of musical and technological achievement, admired as the most complex and intricate mechanisms the human race had yet devised. In All The Stops, New York Times journalist Craig Whitney journeys through the history of the American pipe organ and brings to life the curious characters who have devoted their lives to its music. From the mid-19th to the mid-20th century, organ music was wildly popular in America. Organ builders in New York and New England could hardly fill the huge demand for both concert hall and home organs. Master organbuilders found ingenious ways of using electricity to make them sound like orchestras. Organ players developed cult followings and bitter rivalries. One movement arose to restore to American organs the clarity and precision that baroque organs had in centuries past, while another took electronic organs to the rock concert halls, where younger listeners could be found. But while organbuilders and organists were fighting with each other, popular audiences lost interest in the organ. Today, organs are beginning to make a comeback in concert halls and churches across America. Craig Whitney brings the story to life and up to date in a humorous, engaging book about the instruments and vivid personalities that inspired his lifelong passion: the great art of the majestic pipe organ. Hear the sounds of some of the pipe organs featured in ALL THE STOPS
| Author | : John M. Howard |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 763 |
| Release | : 2012-12-06 |
| Genre | : Medical |
| ISBN | : 1461505550 |
Never before has a comprehensive history of the pancreas like History of the Pancreas been published. It not only is a historical review of the science of medicine, it is liberally interspersed with anecdotal vignettes of the researchers who have worked on this organ. Much of it, such as the discovery of the duct of Wirsüng, of the islets of Langerhans, of insulin, gastrin and their tumors, reads like the adverture, which it is. This book, divided into 14 chapters, is written in a narrative style and is easily readable, as glimpses of the investigators, those who failed as well as those who succeeded, adds both perspective and human interest. Each chapter is completely referenced, totaling over 1500 references. As a reference book for students, teachers, investigators, writers, its detailed hjistorical documentation is unique. From the pre-Christian era of Asia Minor, to Greece, Rome, Europe and America, to the explosive progress in Japan, the history is there. History of the Pancreas: Mysteries of a Hidden Organ fills a gap.
| Author | : Fenner Douglass |
| Publisher | : Yale University Press |
| Total Pages | : 286 |
| Release | : 1995-01-01 |
| Genre | : Music |
| ISBN | : 9780300064261 |
The seventeenth and eighteenth centuries witnessed the growth of a unique relationship between the French organ and the music written for it. Until recently, however, the roots of this precise musical tradition lay hidden in the sixteenth century. Illuminating these mysteries for the modern audience, Mr. Douglass has traced the development of the French organ from the sixteenth century through the Classical Period (1655-1770).For the first time in English, an explanation is given of the role of mixtures in the plenum of the French instrument of the Classical Period. Because the plenum determines the very character of the organ, and because the mixtures exert the strongest influence upon its sonority, the reader will be able to understand why French composers were writing music for the plenum sharply different from that of their contemporaries in northern Europe. Especially useful is the first complete compilation of known sources of information about French classical organ restriction. Having assimilated the historical facts about the instrument, the reader will be ready to interpret the music of this period on a modern organ.Mr. Douglass is professor organ at the Oberlin College Conservatory of Music. This authoritative study of the French classical organ is a major source for the interpretation of early French organ music. For this new edition, the author has added a chapter on touch in early French organs and its importance for practice. The bibliography has also been extensively revised. Reviews of the previous edition: "The extensive and valuable materials assembled in this study will make it indispensable to both the performer and the scholar of French organ literature."—Almonte C. Howell, Jr., Notes "The only work of its kind in English. . . . Bringing together all of the sources into one volume was alone a task of considerable proportions, and the many conclusions drawn from a careful study of the sources make it a necessary reference for any further study. It should be not only on the shelves but also in the mind of every organ devotee."—Rudolph Kremer, Journal of the American Musicological Society "Douglass has shown us the way that organ studies ought to develop over the next few decades."—Music and Letters
