The Hekatompathia Or Passionate Centurie Of Love
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The Catholic Imaginary and the Cults of Elizabeth, 1558–1582
| Author | : Stephen Hamrick |
| Publisher | : Routledge |
| Total Pages | : 354 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351893327 |
Stephen Hamrick demonstrates how poets writing in the first part of Elizabeth I's reign proved instrumental in transferring Catholic worldviews and paradigms to the cults and early anti-cults of Elizabeth. Stephen Hamrick provides a detailed analysis of poets who used Petrarchan poetry to transform many forms of Catholic piety, ranging from confession and transubstantiation to sacred scriptures and liturgical singing, into a multivocal discourse used to fashion, refashion, and contest strategic political, religious, and courtly identities for the Queen and for other Court patrons. These poets, writers previously overlooked in many studies of Tudor culture, include Barnabe Googe, George Gascoigne, and Thomas Watson. Stephen Hamrick here shows that the nature of the religious reformations in Tudor England provided the necessary contexts required for Petrarchanism to achieve its cultural centrality and artistic complexity. This study makes a strong contribution to our understanding of the complex interaction among Catholicism, Petrachanism, and the second English Reformation.
A Comprehensive Guide to Shakespeare’s Sonnets
| Author | : Roland Weidle |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 257 |
| Release | : 2024-11-14 |
| Genre | : Literary Criticism |
| ISBN | : 135038285X |
This book provides readers with the tools to unravel the complexities of one of the most difficult sonnet sequences, introducing them to the literary tradition, themes, stylistic features and cultural contexts of the genre and the collection, and offering close readings of more than 100 sonnets. This combined approach enables readers not only to disentangle the complex relationships of the poems' characters but also to appreciate their philosophical, sensual, topical and subversive qualities. Of the book's two sections, the first, 'Contexts and Forms', includes chapters on the sonnet tradition, early publication history, the structural features of the sequence and the Shakespearean sonnet, as well as the main characteristics of the dramatis personae. The second section, 'Themes', consists of 5 chapters and explores the theme clusters that can be identified throughout the sequence (preservation, writing, desire, deception, imagination). Additional features of the book include a step-by-step approach to a Shakespeare sonnet, a model interpretation of a sonnet, as well as charts and tables identifying and summarizing the sequence's mini-narratives, groups, addressees and themes. For easy reference, the sonnets discussed in the book are cross-referenced and listed in the index, which also includes key terms and names of works and people. Suggestions for further reading are provided at the end of each chapter, and the annotated bibliography includes brief descriptions of the most useful works for further study.
Memory and Intertextuality in Renaissance Literature
| Author | : Raphael Lyne |
| Publisher | : Cambridge University Press |
| Total Pages | : 408 |
| Release | : 2016-02-09 |
| Genre | : Literary Criticism |
| ISBN | : 131603335X |
This book uses theories of memory derived from cognitive science to offer new ways of understanding how literary works remember other literary works. Using terms derived from psychology – implicit and explicit memory, interference and forgetting – Raphael Lyne shows how works by Renaissance writers such as Wyatt, Shakespeare, Jonson, and Milton interact with their sources. The poems and plays in question are themselves sources of insight into the workings of memory, sharing and anticipating some scientific categories in the process of their thinking. Lyne proposes a way forward for cognitive approaches to literature, in which both experiments and texts are valued as contributors to interdisciplinary questions. His book will interest researchers and upper-level students of renaissance literature and drama, Shakespeare studies, memory studies, and classical reception.
The Imprint of Gender
| Author | : Wendy Wall |
| Publisher | : Cornell University Press |
| Total Pages | : 396 |
| Release | : 1993 |
| Genre | : History |
| ISBN | : 9780801480478 |
What did it mean to be published at the end of the sixteenth century? While in polite circles gentlemen exchanged handwritten letters, published authors risked association with the low-born masses. Examining a wide range of published material including sonnets, pageants, prefaces, narrative poems, and title pages, Wendy Wall considers how the idea of authorship was shaped by the complex social controversies generated by publication during the English Renaissance.
Shakespeare's tutor
| Author | : Darren Freebury-Jones |
| Publisher | : Manchester University Press |
| Total Pages | : 190 |
| Release | : 2022-12-13 |
| Genre | : Literary Criticism |
| ISBN | : 1526164736 |
Shakespeare’s tutor: The influence of Thomas Kyd adds to the critical and scholarly discussion that seeks to establish the early modern playwright Thomas Kyd’s dramatic canon, and indicates where and how Kyd contributed to the development of Shakespeare’s drama through influence, collaboration, revision and adaptation. A further, complementary aim of the book is to demonstrate various ways in which it is possible to combine statistical analysis with reading plays as literary and performative works. The book summarises, extends, and corrects all of the scholarship on Kyd’s authorship of anonymous plays, and reveals the remarkable extent to which Shakespeare was influenced by his dramatic predecessor. The book represents a significant intervention in the field of early modern authorship studies and aims to revolutionise our understanding of Shakespeare’s dramatic development.
Mythologies of Internal Exile in Elizabethan Verse
| Author | : A.D. Cousins |
| Publisher | : Routledge |
| Total Pages | : 311 |
| Release | : 2018-10-26 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0429686420 |
Writers of the English Renaissance, like their European contemporaries, frequently reflect on the phenomenon of exile—an experience that forces the individual to establish a new personal identity in an alien environment. Although there has been much commentary on this phenomenon as represented in English Renaissance literature, there has been nothing written at length about its counterpart, namely, internal exile: marginalization, or estrangement, within the homeland. This volume considers internal exile as a simultaneously twofold experience. It studies estrangement from one’s society and, correlatively, from one’s normative sense of self. In doing so, it focuses initially on the sonnet sequences by Sidney, Spenser, and Shakespeare (which is to say, the problematics of romance); then it examines the verse satires of Donne, Hall, and Marston (likewise, the problematics of anti-romance). This book argues that the authors of these major texts create mythologies—via the myths of (and accumulated mythographies about) Cupid, satyrs, and Proteus—through which to reflect on the doubleness of exile within one’s own community. These mythologies, at times accompanied by theologies, of alienation suggest that internal exile is a fluid and complex experience demanding multifarious reinterpretation of the incongruously expatriate self. The monograph thus establishes a new framework for understanding texts at once diverse yet central to the Elizabethan literary achievement.
