Catalogue of the Harlem Library
Author | : Harlem Library, New York |
Publisher | : |
Total Pages | : 976 |
Release | : 1893 |
Genre | : Libraries |
ISBN | : |
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Author | : Harlem Library, New York |
Publisher | : |
Total Pages | : 976 |
Release | : 1893 |
Genre | : Libraries |
ISBN | : |
Author | : Cary D. Wintz |
Publisher | : Routledge |
Total Pages | : 708 |
Release | : 2012-12-06 |
Genre | : Social Science |
ISBN | : 1135455368 |
From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedi a of Harlem Renaissance website.
Author | : Steven K. Galbraith |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 201 |
Release | : 2012-06-21 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Successfully managing rare book collections requires very specific knowledge and skills. This handbook provides that essential information in a single volume. Rare Book Librarianship for the 21st Century is the first new rare books handbook of practice in 25 years. Authored by two special collections experts with extensive field experience, this book is also the first to discuss the role of digital technologies in managing a rare book collection. After a fascinating discussion of the history and current state of rare book libraries, this handbook provides a comprehensive account of the core skills and knowledge needed to be a successful rare book librarian. Topics include best practices for handling, housing, and conserving rare materials; collection development techniques; and user education and outreach. This book will serve as a handbook for practitioners in academic settings, large public libraries, and special libraries, and as a textbook for students in MLIS courses on rare book librarianship and curatorship.
Author | : Robert Merritt Orton |
Publisher | : |
Total Pages | : 296 |
Release | : 1953 |
Genre | : Editions |
ISBN | : |
Author | : Michael Soto |
Publisher | : Peter Lang |
Total Pages | : 276 |
Release | : 2008 |
Genre | : Art |
ISBN | : 9780820497242 |
Teaching the Harlem Renaissance: Course Design and Classroom Strategies addresses the practical and theoretical needs of college and high school instructors offering a unit or a full course on the Harlem Renaissance. In this collection many of the field's leading scholars address a wide range of issues and primary materials: the role of slave narrative in shaping individual and collective identity; the long-recognized centrality of women writers, editors, and critics within the «New Negro» movement; the role of the visual arts and «popular» forms in the dialogue about race and cultural expression; and tried-and-true methods for bringing students into contact with the movement's poetry, prose, and visual art. Teaching the Harlem Renaissance is meant to be an ongoing resource for scholars and teachers as they devise a syllabus, prepare a lecture or lesson plan, or simply learn more about a particular Harlem Renaissance writer or text.
Author | : Melvil Dewey |
Publisher | : |
Total Pages | : 624 |
Release | : 1910 |
Genre | : Libraries |
ISBN | : |
Includes, beginning Sept. 15, 1954 (and on the 15th of each month, Sept.-May) a special section: School library journal, ISSN 0000-0035, (called Junior libraries, 1954-May 1961). Also issued separately.
Author | : Emmanuel S. Nelson |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 544 |
Release | : 2000-01-30 |
Genre | : Literary Criticism |
ISBN | : 0313007403 |
There has been a dramatic resurgence of interest in early African American writing. Since the accidental rediscovery and republication of Harriet Wilson's Our Nig in 1983, the works of dozens of 19th and early 20th century black writers have been recovered and reprinted. There is now a significant revival of interest in the Harlem Renaissance of the 1920s; and in the last decade alone, several major assessments of 18th and 19th century African American literature have been published. Early African American literature builds on a strong oral tradition of songs, folktales, and sermons. Slave narratives began to appear during the late 18th and early 19th century, and later writers began to engage a variety of themes in diverse genres. A central objective of this reference book is to provide a wide-ranging introduction to the first 200 years of African American literature. Included are alphabetically arranged entries for 78 black writers active between 1745 and 1945. Among these writers are essayists, novelists, short story writers, poets, playwrights, and autobiographers. Each entry is written by an expert contributor and provides a biography, a discussion of major works and themes, an overview of the author's critical reception, and primary and secondary bibliographies. The volume concludes with a selected, general bibliography.
Author | : Vivian Yenika-Agbaw |
Publisher | : McFarland |
Total Pages | : 245 |
Release | : 2013-07-03 |
Genre | : Social Science |
ISBN | : 0786471298 |
The all new essays in this book discuss black cultural retellings of traditional, European fairy tales. The representation of black protagonists in such tales helps to shape children's ideas about themselves and the world beyond--which can ignite a will to read books representing diverse characters. The need for a multicultural text set which includes the multiplicity of cultures within the black diaspora is discussed. The tales referenced in the text are rich in perspective: they are Aesop's fables, Cinderella, Rapunzel and Ananse. Readers will see that stories from black perspectives adhere to the dictates of traditional literary conventions while still steeped in literary traditions traceable to Africa or the diaspora.