The Grotesque In Robert Louis Stevensons The Strange Case Of Dr Jekyll And Mr Hyde
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Author | : Hans Niehues |
Publisher | : GRIN Verlag |
Total Pages | : 24 |
Release | : 2016-05-31 |
Genre | : Literary Criticism |
ISBN | : 366822918X |
Seminar paper from the year 2014 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ruhr-University of Bochum (Anglistik), course: 19th Century Gothic Fiction, language: English, abstract: The grotesque mode of writing has a long history and continues to exist in the 20th and 21st century. Yet, the concept of the grotesque hasn’t been a popular subject in literary studies for a long time. This changed in the second half of the last century when literary scholars started to agree upon the significance and benefit of the grotesque for literary studies. Some of the groundbreaking studies in the 20th century were those of Wolfgang Kayser (1957), Mikhail M. Bakhtin (1965) and Philip J. Thomson (1972). Consequently, the grotesque became an accepted and frequently used theory in literary criticism. Yet, studying the concept of the grotesque implies facing certain theoretical difficulties. Definitions and descriptions of the grotesque may differ and there is still no consensus about what the grotesque really is. One reason for the difficulty in talking about the grotesque lies in the fact that scholars often defined the grotesque by referring to its use in different literary periods. However, what exactly is understood as the “grotesque” and how the grotesque is used as an aesthetic in a specific time is always dependent on the respective sociocultural circumstances. It is a term that is consistently redefined in (literary) history. Thus, it is advisable to narrow down a discussion of the grotesque to a distinct literary period. The German literary critic Christian W. Thomsen argues that in particular Gothic literature serves as a very rich source for an analysis of the grotesque aesthetic. He suggests that particularly this literary genre should be approached from the perspective of the grotesque. The study at hand follows his suggestion and focuses on one of the most prominent examples of late Victorian Gothic literature, namely The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson.
Author | : Hans Niehues |
Publisher | : |
Total Pages | : 24 |
Release | : 2016-09-22 |
Genre | : |
ISBN | : 9783668229198 |
Seminar paper from the year 2014 in the subject English Language and Literature Studies - Literature, grade: 1,3, Ruhr-University of Bochum (Anglistik), course: 19th Century Gothic Fiction, language: English, abstract: The grotesque mode of writing has a long history and continues to exist in the 20th and 21st century. Yet, the concept of the grotesque hasn't been a popular subject in literary studies for a long time. This changed in the second half of the last century when literary scholars started to agree upon the significance and benefit of the grotesque for literary studies. Some of the groundbreaking studies in the 20th century were those of Wolfgang Kayser (1957), Mikhail Bakhtin (1965) and Philip Thomson (1972). Consequently, the grotesque became an accepted and frequently used theory in literary criticism. Yet, studying the concept of the grotesque implies facing certain theoretical difficulties. Definitions and descriptions of the grotesque may differ and there is still no consensus about what the grotesque really is. One reason for the difficulty in talking about the grotesque lies in the fact that scholars often defined the grotesque by referring to its use in different literary periods. However, what exactly is understood as the "grotesque" and how the grotesque is used as an aesthetic in a specific time is always dependent on the respective sociocultural circumstances. It is a term that is consistently redefined in (literary) history. Thus, it is advisable to narrow down a discussion of the grotesque to a distinct literary period. The German literary critic Christian W. Thomsen argues that in particular Gothic literature serves as a very rich source for an analysis of the grotesque aesthetic. He suggests that particularly this literary genre should be approached from the perspective of the grotesque. The study at hand follows his suggestion and focuses on one of the most prominent examples of late Victorian Gothic literature, namely The Strange Cas
Author | : Robert Louis Stevenson |
Publisher | : Penguin UK |
Total Pages | : 268 |
Release | : 2006-01-26 |
Genre | : Fiction |
ISBN | : 0141908076 |
Everyone has a dark side. Dr Jekyll has discovered the ultimate drug. A chemical that can turn him into something else. Suddenly, he can unleash his deepest cruelties in the guise of the sinister Hyde. Transforming himself at will, he roams the streets of fog-bound London as his monstrous alter-ego. It seems he is master of his fate. It seems he is in complete control. But soon he will discover that his double life comes at a hideous price...
Author | : Guy Gunaratne |
Publisher | : Macmillan + ORM |
Total Pages | : 149 |
Release | : 2018-12-11 |
Genre | : Fiction |
ISBN | : 0374720363 |
Long-listed for the 2018 Man Booker Prize Short-listed for the 2018 Gordon Burn Prize Short-listed for the 2018 Goldsmiths Prize Inspired by the real-life murder of a British army soldier by religious fanatics, Guy Gunaratne’s In Our Mad and Furious City is a snapshot of the diverse, frenzied edges of modern-day London. A crackling debut from a vital new voice, it pulses with the frantic energy of the city’s homegrown grime music and is animated by the youthful rage of a dispossessed, overlooked, and often misrepresented generation. While Selvon, Ardan, and Yusuf organize their lives around soccer, girls, and grime, Caroline and Nelson struggle to overcome pasts that haunt them. Each voice is uniquely insightful, impassioned, and unforgettable, and when stitched together, they trace a brutal and vibrant tapestry of today’s London. In a forty-eight-hour surge of extremism and violence, their lives are inexorably drawn together in the lead-up to an explosive, tragic climax. In Our Mad and Furious City documents the stark disparities and bubbling fury coursing beneath the prosperous surface of a city uniquely on the brink. Written in the distinctive vernaculars of contemporary London, the novel challenges the ways in which we coexist now—and, more important, the ways in which we often fail to do so.
Author | : Stephen Arata |
Publisher | : Cambridge University Press |
Total Pages | : 251 |
Release | : 1996-08-29 |
Genre | : Literary Criticism |
ISBN | : 0521563526 |
It has been widely recognised that British culture in the 1880s and 1890s was marked by a sense of irretrievable decline. Fictions of Loss in the Victorian Fin de Siècle explores the ways in which that perception of loss was cast into narrative, into archetypal stories which sought to account for the culture's troubles and perhaps assuage its anxieties. Stephen Arata pays close attention to fin de siècle representation of three forms of decline - national, biological and aesthetic - and reveals how late Victorian degeneration theory was used to 'explain' such decline. By examining a wide range of writers - from Kipling to Wilde, from Symonds to Conan Doyle and Stoker - Arata shows how the nation's twin obsessions with decadence and imperialism became intertwined in the thought of the period. His account offers new insights for students and scholars of the fin de siècle.
Author | : Robert Louis Stevenson |
Publisher | : |
Total Pages | : 418 |
Release | : 1922 |
Genre | : |
ISBN | : |
Author | : Schuy R. Weishaar |
Publisher | : McFarland |
Total Pages | : 221 |
Release | : 2012-10-26 |
Genre | : Performing Arts |
ISBN | : 0786471867 |
The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors' films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics. This cultural tradition effectively subsumes the contribution of any artist or1genre that intersects it but also affords the artist or genre--the auteur and the genre filmmaker--a pantheon and an abundance of images, themes, and motifs through which he1or she can subversively represent the world and our place in it.
Author | : Kan Long |
Publisher | : Hyperink Inc |
Total Pages | : 40 |
Release | : 2012-02-24 |
Genre | : Study Aids |
ISBN | : 161464053X |
ABOUT THE BOOK Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde is a lesson in suspense. Stevenson creates one singular point of mystery that successfully sustains reader intrigue and anxiety across nine tightly written chapters. Speaking as a writer: bravo, RLS, bravo. The simplicity of the central question - excuse me, Mr. Hyde, who exactly are you? - is highly effective. The entirety of Stevenson’s narrative stems from this predicament. The suspense comes from an absence of knowledge. We, the reader, know nothing. Sure, Enfield tells a fairly bone-chilling story about a monster who stomps on a little girl at 3:00 am, but Hyde remains an enigma. Stevenson plays on natural human curiosity by piquing interest with a perturbing opening tale, then rests, and uses Utterson’s ignorance as a buffer to withhold information. Seriously, who is Hyde? MEET THE AUTHOR Pennies, Blacktop, and Words EXCERPT FROM THE BOOK Written in 1885, The Strange Case of Dr. Jekyll and Mr. Hyde falls under the category of the Late Victorian era. Attributes of the era included a dissatisfaction with religious faith and the aesthetic feature of interior moods and thoughts projected outward onto the world. Jekyll and Hyde also embodies literary themes associated with the 1890s. Chief among these is the allegory present in the novella which functions as both a critique and a scathing exposé of the hypocritical self-righteousness and repressive moral severity of British society at the turn of the 19th century. Upon its publication in 1886, The Strange Case of Dr. Jekyll and Mr. Hyde was well received in both the United Kingdom and the United States. Though marketed as a “shilling shocker,” Jekyll and Hyde received favorable reviews from both The Times (bookstores refused to stock the novella until a review was published in the newspaper) and Stevenson’s contemporaries. The poet Gerard Manley Hopkins wrote that “the superficial touches of character are admirable” and “worthy of Shakespeare.” Jack London shared a similar admiration stating, “as a storyteller there isn’t his [Stevenson’s] equal.” Stevenson’s chilling novella of dual identities has secured a lasting place in the canon of Western culture. Over one hundred film, television, and theater adaptions of Jekyll and Hyde exist today. The grotesque nature of Edward Hyde and the genteel fallibility of Henry Jekyll unflinchingly depicts a universal psychological struggle between interior desire and external morality that continues to resonate with readers around the world. Buy a copy to keep reading!
Author | : Lewis Grassic Gibbon |
Publisher | : DigiCat |
Total Pages | : 210 |
Release | : 2022-11-13 |
Genre | : Fiction |
ISBN | : |
Sunset Song is widely regarded as one of the most important Scottish novels of the 20th century. Chris Guthrie, the female protagonist, is a strong character who grows up in a dysfunctional farming family. Life is hard after her dad's death and she must take some tough decisions to save her farms under the inevitable threat of World War I . . . Lewis Grassic Gibbon was the pseudonym of James Leslie Mitchell (1901-1935), a Scottish writer famous for his contribution to the Scottish Renaissance and portrayal of strong female characters.
Author | : Robert Louis Stevenson |
Publisher | : |
Total Pages | : 318 |
Release | : 1925 |
Genre | : |
ISBN | : |