The Great Opera
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Author | : James Camner |
Publisher | : New York : Dover Publications |
Total Pages | : 216 |
Release | : 1978 |
Genre | : Biography & Autobiography |
ISBN | : |
This is a book devoted to photographs of opera singers: not operas, not opera houses, but the stars of opera, the personalities who bring operas to life and to whom audiences and composers owe an everlasting debt of gratitude. In assembling the photos, we tried to find as many examples of great and near-great singers as possible, dating back as early as possible. In general, we did not include singers whose careers began after World War II. - Introduction.
Author | : Henry W. Simon |
Publisher | : |
Total Pages | : 0 |
Release | : 1957 |
Genre | : |
ISBN | : |
Author | : Carolyn Abbate |
Publisher | : W. W. Norton & Company |
Total Pages | : 648 |
Release | : 2015-09-08 |
Genre | : Music |
ISBN | : 0393089533 |
“The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
Author | : |
Publisher | : Harry N. Abrams |
Total Pages | : 0 |
Release | : 2013-10-29 |
Genre | : Music |
ISBN | : 9781419709616 |
Opera houses--temples to the art of Mozart, Verdi, Tchaikovsky, and more--have been created by some of the most talented architects and designers of their generations, inspiring centuries of veneration from audiences, filled with royalty and commoners alike. In this sumptuous book, photographer Guillaume de Laubier and journalist Antoine Pecqueur explore more than 25 of the world's most beautiful opera houses, from Tokyo to Covent Garden, from Oslo to Chicago, from Milan to New York. The buildings are described in their historical contexts, while stunning photography reveals the theaters' most captivating spaces. In addition to offering sweeping views of ornate auditoriums and facades, the book opens doors normally closed to the public, entering the artists' dressing rooms, rehearsal halls, scenery workshops, and more, presenting a wide-ranging and compelling look into a spectacular world. Praise for The Most Beautiful Opera Houses in the World: "Performance spaces take the spotlight in The Most Beautiful Opera Houses in the World and you don't need to be a music buff to appreciate their range. The photographs by Guillaume de Laubier capture 32 theaters across the globe in rich detail . . . Who knew empty stages made for such good theater?" --Wall Street Journal "With the growing popularity of massive arenas, it is often difficult to think back to a time when going out for a night of music was synonymous with elegance. But a new book has rediscovered the high art of these exquisite theater spaces. The Most Beautiful Opera Houses in the World contains hundreds of photographs showing the exteriors and auditoriums of these cultural treasures--and is a reminder why these architectural wonders are worth a visit." --FOXNews.com
Author | : Hugh Vickers |
Publisher | : Macmillan |
Total Pages | : 112 |
Release | : 1985-10-15 |
Genre | : Music |
ISBN | : 9780312346348 |
To its devotees, opera is the most sublime of arts. It is also one of the most accident prone, and when things go wrong, they tend to do so on a grand scale. Great Operatic Disasters records some of the most memorable calamities from opera houses around the world. Most of them are true, some have been embroidered over the years, and a few, well, se non e vero, e ben trovato.
Author | : William Ashbrook |
Publisher | : Princeton University Press |
Total Pages | : 204 |
Release | : 2014-12-25 |
Genre | : Music |
ISBN | : 1400866677 |
Unfinished at Puccini's death in 1924, Turandot was not only his most ambitious work, but it became the last Italian opera to enter the international repertory. In this colorful study two renowned music scholars demonstrate that this work, despite the modern climate in which it was written, was a fitting finale for the centuries-old Great Tradition of Italian opera. Here they provide concrete instances of how a listener might encounter the dramatic and musical structures of Turandot in light of the Italian melodramma, and firmly establish Puccini's last work within the tradition of Rossini, Bellini, Donizetti, and Verdi. In a summary of the sounds, sights, and symbolism of Turandot, the authors touch on earlier treatments of the subject, outline the conception, birth, and reception of the work, and analyze its coordinated dramatic and musical design. Showing how the evolution of the libretto documents Puccini's reversion to large musical forms typical of the Great Tradition in the late nineteenth century, they give particular attention to his use of contrasting Romantic, modernist, and two kinds of orientalist coloration in the general musical structure. They suggest that Puccini's inability to complete the opera resulted mainly from inadequate dramatic buildup for Turandot's last-minute change of heart combined with an overly successful treatment of the secondary character.
Author | : Ann Fiery |
Publisher | : Chronicle Books |
Total Pages | : 318 |
Release | : 2003-08 |
Genre | : Music |
ISBN | : 9780811827744 |
A tribute to thirty renowned operas shares the plots and theatrical backgrounds of each, in a volume that covers such productions as Figaro and Turandot.
Author | : Fred Plotkin |
Publisher | : Hyperion |
Total Pages | : 520 |
Release | : 1994-12 |
Genre | : Music |
ISBN | : |
Written by an opera insider and featuring an introduction by Placido Domingo, here is a thorough, friendly, and truly complete guide to learning how to love and appreciate the opera. After a brief history of opera, the book includes a guide to operatic terms, a minute-by-minute listener's guide to 11 central works, a list of recommended books and recordings and much more.
Author | : Phil G. Goulding |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 1999-08-31 |
Genre | : Music |
ISBN | : 0449005666 |
In Ticket to the Opera, Phil G. Goulding finally makes the magic and mystique of opera accessible to all. Here he offers a complete operatic education, including history, definitions of key musical terms, opera lore and gossip, portraits of famous singers and the roles they immortalized, as well as pithy introductions to the greatest operas of Europe and America and their composers. The book's centerpiece is what Goulding terms "the collection"--85 classics, among them Aida, The Marriage of Figaro, Carmen, and Madama Butterfly, that have been packing the world's opera houses for years. This entertaining, meticulously researched book also includes a fascinating chapter on American opera from George Gershwin's Porgy and Bess to Philip Glass's Einstein on the Beach and a discussion of the gems of twentieth-century opera featuring works like Leos Janácek's The Cunning Little Vixen, Alban Berg's Lulu, and Serge Prokofiev's The Love for Three Oranges. Whether you're a curious neophyte, a music lover interested in branching out, or an aficionado eager to compare notes with a brilliant fellow opera buff, you'll prize Ticket to the Opera as an essential volume in your music library.
Author | : John W. Freeman |
Publisher | : W. W. Norton & Company |
Total Pages | : 504 |
Release | : 1984 |
Genre | : Music |
ISBN | : 9780393040517 |
Contains the plots of 150 of the world's most popular operas, short biographies of the 72 composers represented, plus background material pertinent to each work.