The Great African Festival
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| Author | : Albert B. Sancho Illustrated by Benjamin Sancho |
| Publisher | : Covenant Books, Inc. |
| Total Pages | : 29 |
| Release | : 2024-11-04 |
| Genre | : Juvenile Fiction |
| ISBN | : |
In Africa, many people live in big or small villages. One such village is Goya located in Liberia. This story is about a boy named Garswah and a girl named Janjay who live in Goya with their families. Garswah and Janjay are cousins because their mothers are sisters and daughters of the great and wise Chief Donmonyu. At the end of each dry season, the people of Goya celebrate the end of harvest with lots of food, music, and dancing. Janjay and Garswah are happy to be a part of the celebration and excited to help with the preparation of the great festival. 2
| Author | : Andrew Apter |
| Publisher | : University of Chicago Press |
| Total Pages | : 345 |
| Release | : 2008-10-01 |
| Genre | : Social Science |
| ISBN | : 0226023567 |
When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from its many diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation. The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points towards a critique of the political economy of the sign in postcolonial Africa.
| Author | : David Murphy |
| Publisher | : Oxford University Press |
| Total Pages | : 246 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 1781383162 |
In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.
| Author | : Jacob K. Olupona |
| Publisher | : Oxford University Press |
| Total Pages | : 177 |
| Release | : 2014 |
| Genre | : History |
| ISBN | : 0199790582 |
This book connects traditional religions to the thriving religious activity in Africa today.
| Author | : Marsha Music |
| Publisher | : |
| Total Pages | : 66 |
| Release | : 2020-02-13 |
| Genre | : |
| ISBN | : 9781733317306 |
The Detroitist is an anthology of poems and stories about Detroit written by a daughter of Detroit. Natives of Detroit will recognize the places, faces, and history of their city. Newcomers to Detroit will learn about a Detroit that was and is a real locale, not a media-driven invention. Those returning to the Detroit their parents and grandparents fled will realize that they are not here to save Detroit, but to be saved by their new hometown. Words of hope. Words of grief. Words of joy. Words of sadness. Stories about a long-ago time. Stories about today and tomorrow. The Detroitist is a fascinating combination of poetry and prose that will entertain you, engage you, and educate you. The Detroitist is a book about Detroiters, for Detroiters, written by a Detroiter. If you are not already a Detroiter, The Detroitist will probably make you want to be a Detroiter. The Detroitist is about "Detroit Pride," past, present, and future. Marsha Battle Philpot, known in Detroit as "Marsha Music," was born in Detroit and grew up in Highland Park, Michigan. In 2012, she was awarded a prestigious Kresge Literary Arts Fellowship, and in 2015 she received a Knight Arts Award. She is also recognized as an exemplar of Detroit style.
| Author | : Martin Banham |
| Publisher | : Indiana University Press |
| Total Pages | : 198 |
| Release | : 2002 |
| Genre | : African drama |
| ISBN | : 9780253215390 |
The contributions to this volume in the African Theatre series make clear that the role of women in the theatre across the continent has changed as control is mainly held by literate elites and women's traditional standing has been lost to men.
| Author | : Abiola Abrams |
| Publisher | : Hay House, Inc |
| Total Pages | : 425 |
| Release | : 2021-07-20 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 1401962955 |
A sacred feminine initiation of self-love and soul care rituals, tools, and exercises. Spiritual teacher, intuitive coach, and award-winning author, Abiola Abrams invites you to activate African goddess magic to transmute your fears and limiting beliefs, so that you can create more happiness, abundance, and self-acceptance. Africa is a continent of 54+ countries, and her children are global. There is no one African spiritual tradition. Our ancestors who were trafficked in "The New World" hid the secrets of our orishas, abosom, lwas, álúsí, and god/desses behind saints, angels, and legendary characters. From South Africa to Egypt, Brazil to Haiti, Guyana to Louisiana, goddess wisdom still empowers us. Writes Abiola, "Spirit told me, "We choose who shows up." And if you are holding this book, then this sacred medicine is meant for you. In this book, you will meet ancient goddesses and divine feminine energy ancestors, legendary queens, and mystical spirits. As you complete their powerful rituals, and ascend through their temples, you will: . Awaken generational healing in the Temple of Ancestors; . Manifest your miracles in the Temple of Conjurers; . Release the struggle in the Temple of Warriors; . Embrace your dark goddess self in the Temple of Shadows; . Heal your primal wounds in the Temple of Lovers; . Liberate your voice in the Temple of Griots; . Open your third eye intuition in the Temple of Queens; and . Surrender, meditate, and rise in the Temple of High Priestesses. Welcome to your goddess circle!
| Author | : Unwana Samuel Akpan |
| Publisher | : Springer Nature |
| Total Pages | : 487 |
| Release | : |
| Genre | : |
| ISBN | : 3031663047 |
| Author | : Lizelle Bisschoff |
| Publisher | : Routledge |
| Total Pages | : 384 |
| Release | : 2019-11-14 |
| Genre | : Performing Arts |
| ISBN | : 1351854704 |
Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This book provides the first in-depth and sustained examination of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, motherhood and daughterhood, women’s bodies, sexuality, and spirituality. Each chapter serves up a theoretical-historical discussion of the chosen theme, followed by two in-depth case studies that provide contextual and transnational readings of the films as well as outlining production, distribution and exhibition contexts. This book contributes to the feminist anti-racist revision of the canon by placing African women filmmakers squarely at the centre of African film culture. Demonstrating the depth and diversity of the feminine or female aesthetic in African cinema, this book will be of great interest to students and scholars of African cinema, media studies and African studies.
| Author | : Cheryl Finley |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 118 |
| Release | : 2018-05-21 |
| Genre | : Art |
| ISBN | : 1588396096 |
My Soul Has Grown Deep considers the art-historical significance of contemporary Black artists and quilters working throughout the southeastern United States and Alabama in particular. Their paintings, drawings, mixed-media compositions, sculptures, and textiles include pieces ranging from the profoundly moving assemblages of Thornton Dial to the renowned quilts of Gee’s Bend. Nearly sixty remarkable examples—originally collected by the Souls Grown Deep Foundation and donated to The Metropolitan Museum of Art—are illustrated alongside insightful texts that situate them in the history of modernism and the context of the African American experience in the twentieth-century South. This remarkable study simultaneously considers these works on their own merits while making connections to mainstream contemporary art. Art historians Cheryl Finley, Randall R. Griffey, and Amelia Peck illuminate shared artistic practices, including the novel use of found or salvaged materials and the artists’ interest in improvisational approaches across media. Novelist and essayist Darryl Pinckney provides a thoughtful consideration of the cultural and political history of the American South, during and after the Civil Rights era. These diverse works, described and beautifully illustrated, tell the compelling stories of artists who overcame enormous obstacles to create distinctive and culturally resonant art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
