The Genteel Tradition
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Author | : George Santayana |
Publisher | : U of Nebraska Press |
Total Pages | : 236 |
Release | : 1998-01-01 |
Genre | : Philosophy |
ISBN | : 9780803292512 |
George Santayana probably did more than anyone except Alexis de Tocqueville to shape the critical view of American culture. The great Spanish philosopher and writer coined the phrase "genteel tradition", introducing it to a California audience in 1911. That address appears in this collection of nine essays touching on American idealism and materialism and American endeavor, sacred and profane.
Author | : David E. Chinitz |
Publisher | : John Wiley & Sons |
Total Pages | : 626 |
Release | : 2014-03-31 |
Genre | : Literary Criticism |
ISBN | : 111860444X |
A COMPANION TO MODERNIST POETRY A Companion to Modernist Poetry A Companion to Modernist Poetry presents contemporary approaches to modernist poetry in a uniquely in-depth and accessible text. The first section of the volume reflects the attention to historical and cultural context that has been especially fruitful in recent scholarship. The second section focuses on various movements and groupings of poets, placing writers in literary history and indicating the currents and countercurrents whose interaction generated the category of modernism as it is now broadly conceived. The third section traces the arcs of twenty-one poets’ careers, illustrated by analyses of key works. The Companion thus offers breadth in its presentation of historical and literary contexts and depth in its attention to individual poets; it brings recent scholarship to bear on the subject of modernist poetry while also providing guidance on poets who are historically important and who are likely to appear on syllabi and to attract critical interest for many years to come. Edited by two highly respected and notable critics in the field, A Companion to Modernist Poetry boasts a varied list of contributors who have produced an intense, focused study of modernist poetry.
Author | : George Santayana |
Publisher | : |
Total Pages | : 0 |
Release | : 2009 |
Genre | : National characteristics, American |
ISBN | : 9780300116656 |
This book brings together two seminal works by George Santayana, one of the most significant philosophers of the twentieth century: Character and Opinion in the United States, which stands with Tocqueville's Democracy in America as one t
Author | : Emily Coit |
Publisher | : EUP |
Total Pages | : 328 |
Release | : 2022-11-19 |
Genre | : |
ISBN | : 9781474475419 |
Arguing that Henry Adams, Henry James and Edith Wharton articulated their political thought in response to the liberalism that reigned in Boston and, more specifically, at Harvard University.
Author | : George Santayana |
Publisher | : |
Total Pages | : 232 |
Release | : 1926 |
Genre | : Philosophy, Modern |
ISBN | : |
Author | : Eugene D. Genovese |
Publisher | : Harvard University Press |
Total Pages | : 174 |
Release | : 1994 |
Genre | : History |
ISBN | : 9780674825277 |
As much a work of political and moral philosophy as one of history, The Southern Tradition offers an in-depth look at the tenets and attitudes of the Southern-conservative worldview. Opening a powerful new perspective on today's politics, Eugene D. Genovese traces a distinct type of conservatism to its sources in Southern tradition.
Author | : Leslie Fishbein |
Publisher | : |
Total Pages | : 296 |
Release | : 1982 |
Genre | : History |
ISBN | : |
Rebels in Bohemia: The Radicals of The Masses, 1911-1917
Author | : William W. Cook |
Publisher | : University of Chicago Press |
Total Pages | : 466 |
Release | : 2011-06-07 |
Genre | : Literary Criticism |
ISBN | : 0226789985 |
Constraints on freedom, education, and individual dignity have always been fundamental in determining who is able to write, when, and where. Considering the singular experience of the African American writer, William W. Cook and James Tatum here argue that African American literature did not develop apart from canonical Western literary traditions but instead grew out of those literatures, even as it adapted and transformed the cultural traditions and religions of Africa and the African diaspora along the way.Tracing the interaction between African American writers and the literatures of ancient Greece and Rome, from the time of slavery and its aftermath to the civil rights era and on into the present, the authors offer a sustained and lively discussion of the life and work of Phillis Wheatley, Frederick Douglass, Ralph Ellison, and Rita Dove, among other highly acclaimed poets, novelists, and scholars. Assembling this brilliant and diverse group of African American writers at a moment when our understanding of classical literature is ripe for change, the authors paint an unforgettable portrait of our own reception of “classic” writing, especially as it was inflected by American racial politics.
Author | : Robert Dawidoff |
Publisher | : Univ of North Carolina Press |
Total Pages | : 245 |
Release | : 2000-11-09 |
Genre | : History |
ISBN | : 0807861006 |
Asking why many American intellectuals have had such difficulty accepting wholeheartedly the cultural dimensions of democracy, Robert Dawidoff examines their alienation and ambivalence, a tradition of detachment he identifies as "Tocquevillian." In the work of three towering American literary figures - Henry Adams, Henry James, and George Santayana -- Dawidoff explores fully this distancing and uneasy response to democratic culture. Linked together by common Harvard, Cambridge, and New England connections, and by an upper-class, Brahmin background, each of these three writers, Dawidoff argues, was at once self-critical and contemptuous of cultural democracy -- especially its indifference to them and what they represented. But their claims to detached observation of democratic culture must be viewed skeptically, Dawidoff warns, and borrowed with caution. An important contribution of the book is its integration of gay issues into American intellectual history. Viewing James's and Santayana's attitudes toward their homosexuality as affecting their views of American society, Dawidoff examines this significant and overlooked element in the American intellectual and cultural mix. Dawidoff also includes powerful new readings of Adams's Democracy and James's The Ambassadors and discusses Santayana's Americanist essays. In his foreward, Alan Trachtenberg notes the "taboo" that seems to have fallen over the word democracy. "It is rarely encountered anymore in humanistic studies," he says, " snubbed in favor of gender, class, race, region." This trend, he says, may be in part due to an unease about studying the culture in which we participate because the posture of the cutural critic implies a certain detachment. "The Genteel Tradition and the Sacred Rage returns the question of democracy to centerstage," he concludes, "not as political theory alone but as cultural and personal experience." Originally published in 1992. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author | : Sarah Morgan Bryan Piatt |
Publisher | : University of Illinois Press |
Total Pages | : 274 |
Release | : 2005 |
Genre | : History |
ISBN | : 9780252072819 |
The unique and powerful voice of an extraordinary nineteenth-century woman poet Sarah Morgan Bryan Piatt (1836-1919) now ranks as the strongest American woman poet of the nineteenth century after Emily Dickinson. Published heavily in all the period's most prestigious journals, Piatt was widely celebrated by her peers as a gifted stylist in the genteel tradition. This selected edition reveals Piatt's other side, a side that contemporary critics found more problematic: ironic, experimental, pushing the limits of Victorian language and the sentimental female persona. Spanning more than half a century, this collection reveals the "borderland temper" of Piatt's mind and art. As an expatriate southerner, Piatt voices guilt at her own past as the daughter of slave-holders and raw anguish at the waste of war; as an eleven-year "exile" in Ireland, she expresses her dismay at the indifference of the wealthy to the daily suffering of the poor. Her poetry, whether speaking of children, motherhood, marriage, or illicit love affairs, uses conventional language and forms but in ways that greatly broadened the range of what women's poetry could say. Going beyond and even contradicting the genteel aesthetic, Piatt's poetry moves toward an innovative kind of dramatic realism built on dialogue, an approach more familiar to modern readers, acquainted with Faulknerian polyvocal texts, than to her contemporaries, who were as ill at ease with complexity as they were with irony. This astutely edited selection of Piatt's mature work--much of it never before collected--explains why her "deviant poetics" caused her peers such discomfort and why they offer such fertile ground for study today. Illustrated with engravings from Harper's Weekly and Harper's Bazaar, both periodicals in which Piatt's work appeared, Palace-Burner marks the reemergence of one of the most interesting writers in American literary history.