The Foundations of the Nineteenth Century; Volume 2

The Foundations of the Nineteenth Century; Volume 2
Author: Houston Stewart Chamberlain
Publisher: Franklin Classics Trade Press
Total Pages: 592
Release: 2018-10-23
Genre: History
ISBN: 9780344072260

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Foundations of the Nineteenth Century

The Foundations of the Nineteenth Century
Author: Houston Chamberlain
Publisher:
Total Pages: 384
Release: 2015-08-21
Genre:
ISBN: 9781517020224

The Foundations of the Nineteenth Century, first published in German as "Die Grundlagen des neunzehnten Jahrhunderts" in 1899, is an intellectual tour de force which juxtaposes European Christian civilization-under the leadership of the Teutonic, or Germanic peoples, against the Semitic world. Volume 1 starts by sketching the origin of present-day European civilization in the ancient systems developed by classical Greece and Rome. It then moves on to an in-depth discussion of the figure of Jesus Christ and his message, which the author differentiates from the history of the Christian Church. Although widely regarded as purely anti-Semitic, the book actually posits the Teutons against the entire Semitic world-Jewish and non-Jewish (Muslim) alike-and adopts a stridently pro-Christian stance, endeavouring at length to show that Jesus Christ was not Jewish in spirit or origin. It then moves on to discuss the effect of Jews on Western civilization from the time of the decline of the Roman Empire to the nineteenth century, and finally the effect of the Teutonic peoples during the same time period, positing all of history as a struggle between these two groups. Along the way, it discusses race, using an early cranial classification to differentiate between races, and remarking as follows on racial differences: "Certain anthropologists would fain teach us that all races are equally gifted; we point to history and answer: that is a lie! The races of mankind are markedly different in the nature and also in the extent of their gifts, and the Germanic races belong to the most highly gifted group, the group usually termed Aryan. Is this human family united and uniform by bonds of blood? Do these stems really all spring from the same root? I do not know and I do not much care; no affinity binds more closely than elective affinity, and in this sense the Indo-European Aryans certainly form a family."-from Chapter 6. The Foundations of the Nineteenth Century was a best-seller which went into eight editions and sold more than a quarter of a million copies by 1938. Reviews: "A monument of erudition."-The Spectator. "Glowing with life, packed with fresh and vigorous thought."-The Birmingham Post. "It is difficult to over-estimate the stimulating qualities of this book."-The Glasgow Herald. "This is one of the books that really matter."-The Times Literary Supplement. "A historical masterpiece. Those who fail to read it, will be unable to talk intelligently about contemporary sociological and political problems."-George Bernard Shaw, writing in the Fabian News. This new edition is not a facsimile, but has been fully reset and contains the complete original text.

The Foundations of the Nineteenth Century

The Foundations of the Nineteenth Century
Author: Houston Stewart Chamberlain
Publisher:
Total Pages: 362
Release: 2015-08-26
Genre: Civilization
ISBN: 9781517074135

The Foundations of the Nineteenth Century, first published in German as "Die Grundlagen des neunzehnten Jahrhunderts" in 1899, is an intellectual tour de force which juxtaposes European Christian civilization-under the leadership of the Teutonic, or Germanic peoples, against the Semitic world. The central thesis of Volume 2 is that all of modern European civilization is a product of the Teutonic people. This theme is then developed in detail in the second part of the book, in a discussion of the history of discovery, science, industry, politics, economy, the church, philosophy and art. "We have seen that nothing is more characteristic of our Teutonic culture than the fact that the impulse to discover and the impulse to fashion go hand in hand. Contrary to the teaching of our historians we hold that our art and science have never rested; had they done so, we should have ceased to be Teutons. Indeed we see that the one is dependent upon the other; the source of all our inventive talent, of all our genius, even of the whole originality of our civilisation, is nature; yet our philosophers and natural scientists have agreed with Goethe when he said: 'The worthiest interpreter of nature is art.' "To transform knowledge into fact! to summarise the past in such a way that we no longer take pride in an empty, borrowed learning concerning things long dead and buried, but make of the knowledge of the past a living, determining power for the present! a knowledge which has so fully entered our consciousness that even unconsciously it determines our judgment! Surely a sublime and worthy aim!"-from the conclusion. The Foundations was a best-seller which went into eight editions and sold more than a quarter of a million copies by 1938. "A monument of erudition."-The Spectator. "Glowing with life, packed with fresh and vigorous thought."-The Birmingham Post. "It is difficult to over-estimate the stimulating qualities of this book." -The Glasgow Herald. "This is one of the books that really matter." -The Times Literary Supplement. "A historical masterpiece. Those who fail to read it, will be unable to talk intelligently about contemporary sociological and political problems."-George Bernard Shaw, writing in the Fabian News. This new edition is not a facsimile, but has been fully reset and contains the complete original text.

Hermann von Helmholtz and the Foundations of Nineteenth-Century Science

Hermann von Helmholtz and the Foundations of Nineteenth-Century Science
Author: David Cahan
Publisher: Univ of California Press
Total Pages: 701
Release: 1994-01-12
Genre: Science
ISBN: 0520914090

Hermann von Helmholtz (1821-1894) was a polymath of dazzling intellectual range and energy. Renowned for his co-discovery of the second law of thermodynamics and his invention of the ophthalmoscope, Helmholtz also made many other contributions to physiology, physical theory, philosophy of science and mathematics, and aesthetic thought. During the late nineteenth century, Helmholtz was revered as a scientist-sage—much like Albert Einstein in this century. David Cahan has assembled an outstanding group of European and North American historians of science and philosophy for this intellectual biography of Helmholtz, the first ever to critically assess both his published and unpublished writings. It represents a significant contribution not only to Helmholtz scholarship but also to the history of nineteenth-century science and philosophy in general.

Mapping the Nation

Mapping the Nation
Author: Susan Schulten
Publisher: University of Chicago Press
Total Pages: 260
Release: 2012-06-29
Genre: Technology & Engineering
ISBN: 0226740706

“A compelling read” that reveals how maps became informational tools charting everything from epidemics to slavery (Journal of American History). In the nineteenth century, Americans began to use maps in radically new ways. For the first time, medical men mapped diseases to understand and prevent epidemics, natural scientists mapped climate and rainfall to uncover weather patterns, educators mapped the past to foster national loyalty among students, and Northerners mapped slavery to assess the power of the South. After the Civil War, federal agencies embraced statistical and thematic mapping in order to profile the ethnic, racial, economic, moral, and physical attributes of a reunified nation. By the end of the century, Congress had authorized a national archive of maps, an explicit recognition that old maps were not relics to be discarded but unique records of the nation’s past. All of these experiments involved the realization that maps were not just illustrations of data, but visual tools that were uniquely equipped to convey complex ideas and information. In Mapping the Nation, Susan Schulten charts how maps of epidemic disease, slavery, census statistics, the environment, and the past demonstrated the analytical potential of cartography, and in the process transformed the very meaning of a map. Today, statistical and thematic maps are so ubiquitous that we take for granted that data will be arranged cartographically. Whether for urban planning, public health, marketing, or political strategy, maps have become everyday tools of social organization, governance, and economics. The world we inhabit—saturated with maps and graphic information—grew out of this sea change in spatial thought and representation in the nineteenth century, when Americans learned to see themselves and their nation in new dimensions.

Nineteenth-Century Music

Nineteenth-Century Music
Author: Carl Dahlhaus
Publisher: Univ of California Press
Total Pages: 432
Release: 1989
Genre: Biography & Autobiography
ISBN: 9780520076440

This magnificent survey of the most popular period in music history is an extended essay embracing music, aesthetics, social history, and politics, by one of the keenest minds writing on music in the world today. Dahlhaus organizes his book around "watershed" years--for example, 1830, the year of the July Revolution in France, and around which coalesce the "demise of the age of art" proclaimed by Heine, the musical consequences of the deaths of Beethoven and Schubert, the simultaneous and dramatic appearance of Chopin and Liszt, Berlioz and Meyerbeer, and Schumann and Mendelssohn. But he keeps us constantly on guard against generalization and clich . Cherished concepts like Romanticism, tradition, nationalism vs. universality, the musical culture of the bourgeoisie, are put to pointed reevaluation. Always demonstrating the interest in socio-historical influences that is the hallmark of his work, Dahlhaus reminds us of the contradictions, interrelationships, psychological nuances, and riches of musical character and musical life. Nineteenth-Century Music contains 90 illustrations, the collected captions of which come close to providing a summary of the work and the author's methods. Technical language is kept to a minimum, but while remaining accessible, Dahlhaus challenges, braces, and excites. This is a landmark study that no one seriously interested in music and nineteenth-century European culture will be able to ignore.