The Fleury Playbook
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Author | : Thomas P. Campbell |
Publisher | : Medieval Institute Publications |
Total Pages | : 242 |
Release | : 1985 |
Genre | : Drama |
ISBN | : |
Growing out of a symposium on the Fleury Playbook at the International Congress on Medieval Studies, this book includes essays from the symposium, as well as additional papers written by scholars whose specialties were not represented at the conference. Each essay covers a unique topic in the study of the Playbook, utilizing a diverse set of methodological tools and interdisciplinary approaches for subjects which have not heretofore received adequate scholarly attention. The topics at hand are each of significant interest to the field at large.
Author | : Wyndham Thomas |
Publisher | : |
Total Pages | : 36 |
Release | : 2005 |
Genre | : |
ISBN | : |
Author | : Wyndham Thomas |
Publisher | : |
Total Pages | : 64 |
Release | : 2005 |
Genre | : Gregorian chants |
ISBN | : |
Author | : Robert Charles Lagueux |
Publisher | : |
Total Pages | : 258 |
Release | : 1997 |
Genre | : Fleury Playbook |
ISBN | : |
Author | : Wyndham Thomas |
Publisher | : |
Total Pages | : 56 |
Release | : 1998 |
Genre | : Christmas music |
ISBN | : |
Author | : Thomas P. Campbell |
Publisher | : |
Total Pages | : 18 |
Release | : 1982 |
Genre | : |
ISBN | : |
Author | : Wyndham Thomas |
Publisher | : |
Total Pages | : 34 |
Release | : 2001 |
Genre | : |
ISBN | : |
Author | : Wyndham Thomas |
Publisher | : |
Total Pages | : 0 |
Release | : 1998 |
Genre | : Music |
ISBN | : |
Author | : John Marlin |
Publisher | : |
Total Pages | : 380 |
Release | : 1995 |
Genre | : Fleury Playbook |
ISBN | : |
Author | : Ronald W. Vince |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 458 |
Release | : 1989-03-27 |
Genre | : Performing Arts |
ISBN | : 1440808058 |
Vince has provided a useful and, for the most part, usable reference work. His introduction should be required reading for anyone approaching medieval theater. Choice Scholars increasingly see medieval theatre as a complex and vital performance medium related more closely to political, religious, and social life than to literature as we know it. Reflecting the current interest in performance, A Companion to the Medieval Theatre presents 250 alphabetically arranged entries offering a panoramic view of European and British theatrical productions between the years 900 and 1550. The volume features 30 essays contributed by an international group of specialists and includes many shorter entries as well as systematic cross-referencing, a chronology, a bibliography, and a full complement of indexes. Major entries focus on the theatres of the principal linguistic areas (the British Isles, France, Germany, Iberia, Italy, Scandinavia, the Low Countries, and Eastern Europe), and on dramatic forms and genres such as liturgical drama, Passion and saint plays, morality plays, folk drama, and Humanist drama. Other articles examine costume, acting, pageantry, and music, and explore the theatrical dimension of courtly entertainment, the dance, and the tournament. Short entries supply information on over one hundred playwrights, directors, actors and antiquarians whose contributions to the theatre have been documented. This informative guide brings new depth to our appreciation of the richness and color of medieval public entertainments and the symbolism and pageantry that were a part of daily life in the Middle Ages. Designed to appeal to general reader, this volume is also an attractive choice for libraries serving students and scholars of theatre history, English and European literatures, medieval history, cultural history, drama, and performance.