The First Duke And Duchess Of Newcastle Upon Tyne
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Author | : Thomas Longueville |
Publisher | : Prabhat Prakashan |
Total Pages | : 369 |
Release | : 2021-01-01 |
Genre | : Fiction |
ISBN | : |
The First Duke and Duchess of Newcastle-upon-Tyne by Thomas Longueville: An insightful biographical account of the first Duke and Duchess of Newcastle-upon-Tyne, William Cavendish, and his wife Margaret Cavendish. Thomas Longueville delves into the lives of this influential couple, exploring their roles in English society and their contributions to literature, philosophy, and the arts. The biography provides a fascinating glimpse into the world of 17th-century aristocracy and the cultural milieu of the time. Key Aspects of the Book "The First Duke and Duchess of Newcastle-upon-Tyne": Historical Biography: Longueville's book offers a historical account of the lives of the Duke and Duchess, providing valuable insights into their era. Intellectual Contributions: The biography explores the couple's intellectual pursuits and their involvement in the literary and artistic circles of the time. Portrait of Aristocratic Life: "The First Duke and Duchess of Newcastle-upon-Tyne" presents a vivid portrayal of the social and cultural milieu of 17th-century English aristocracy. Thomas Longueville was a British author and historian known for his writings on historical figures and events. Born in the 19th century, Longueville's works often focused on biographical studies and historical narratives. His book The First Duke and Duchess of Newcastle-upon-Tyne is a testament to his passion for delving into the lives of notable individuals from the past, shedding light on their contributions to society and the shaping of history.
Author | : Danielle Dutton |
Publisher | : Catapult |
Total Pages | : 176 |
Release | : 2016-03-15 |
Genre | : Fiction |
ISBN | : 1936787369 |
A Lit Hub Best Book of 2016 • One of Electric Literature's Best Novels of 2016 • An Entropy Best Book of 2016 “The duchess herself would be delighted at her resurrection in Margaret the First...Dutton expertly captures the pathos of a woman whose happiness is furrowed with the anxiety of underacknowledgment.” —Katharine Grant, The New York Times Book Review Margaret the First dramatizes the life of Margaret Cavendish, the shy, gifted, and wildly unconventional 17th–century Duchess. The eccentric Margaret wrote and published volumes of poems, philosophy, feminist plays, and utopian science fiction at a time when "being a writer" was not an option open to women. As one of the Queen's attendants and the daughter of prominent Royalists, she was exiled to France when King Charles I was overthrown. As the English Civil War raged on, Margaret met and married William Cavendish, who encouraged her writing and her desire for a career. After the War, her work earned her both fame and infamy in England: at the dawn of daily newspapers, she was "Mad Madge," an original tabloid celebrity. Yet Margaret was also the first woman to be invited to the Royal Society of London—a mainstay of the Scientific Revolution—and the last for another two hundred years. Margaret the First is very much a contemporary novel set in the past. Written with lucid precision and sharp cuts through narrative time, it is a gorgeous and wholly new approach to imagining the life of a historical woman. "In Margaret the First, there is plenty of room for play. Dutton’s work serves to emphasize the ambiguities of archival proof, restoring historical narratives to what they have perhapsalways already been: provoking and serious fantasies,convincing reconstructions, true fictions.”—Lucy Ives, The New Yorker “Danielle Dutton engagingly embellishes the life of Margaret the First, the infamousDuchess of Newcastle–upon–Tyne.” —Vanity Fair
Author | : Margaret Cavendish |
Publisher | : Penguin UK |
Total Pages | : 320 |
Release | : 1994-03-31 |
Genre | : Fiction |
ISBN | : 0141904828 |
Flamboyant, theatrical and ambitious, Margaret Cavendish was one of the seventeenth century's most striking figures: a woman who ventured into the male spheres of politics, science, philosophy and literature. The Blazing World is a highly original work: part Utopian fiction, part feminist text, it tells of a lady shipwrecked on the Blazing World where she is made Empress and uses her power to ensure that it is free of war, religious division and unfair sexual discrimination. This volume also includes The Contract, a romance in which love and law work harmoniously together, and Assaulted and Pursued Chastity, which explores the power and freedom a woman can achieve in the disguise of a man.
Author | : Thomas Longueville |
Publisher | : |
Total Pages | : 342 |
Release | : 1910 |
Genre | : Great Britain |
ISBN | : |
Author | : Margaret Cavendish |
Publisher | : Broadview Press |
Total Pages | : 266 |
Release | : 2020-02-28 |
Genre | : Philosophy |
ISBN | : 177048731X |
This edition aims to make Margaret Cavendish’s most mature philosophical work more accessible to students and scholars of the period. Grounds of Natural Philosophy is important not only because it is Cavendish’s final articulation of her metaphysics but also because it succinctly outlines her fundamental views on “the nature of nature”—or the base substance and mechanics of all natural matter—and vividly demonstrates her probabilistic approach to philosophical enquiry. Moreover, Grounds spends considerable time discussing the human body, including the functions of the mind, a topic of growing interest to both historians of philosophy and literary scholars. This Broadview Edition opens to modern readers a vibrant, unique, and provocative voice of the past that challenges our standard view of seventeenth-century English philosophy.
Author | : Laura J. Rosenthal |
Publisher | : Cornell University Press |
Total Pages | : 271 |
Release | : 2019-05-15 |
Genre | : Literary Criticism |
ISBN | : 1501744801 |
Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for men, for amateurs than for professionals, and for playwrights than for other authors. Rosenthal explores distinctions between legitimate and illegitimate forms of literary appropriation in drama from 1650 to 1730. In considering the alleged plagiarists Margaret Cavendish (the Duchess of Newcastle), Aphra Behn, John Dryden, Colley Cibber, and Susanna Centlivre, Rosenthal maintains that accusations had less to do with the degree of repetition in texts than with the gender of the authors and the cultural location of the plays. Questions of literary property, then, became not just legal matters but part of a discourse aimed at conferring or withholding cultural authority. Struggles over literary property must be seen in the context of competing conceptions of property in general, Rosenthal asserts, and she shows how both Filmerian and Lockean models gender the position of the owner. Drawing on feminist theory and from scholarship in history, philosophy, and political science, Rosenthal debates the relationship between women and property in modern England. Gender and class, she contends, continue to influence judgments as to what stories a playwright can own or use, as to whom critics praise as heirs to Shakespeare and Jonson, and as to whom they damn as plagiarists.
Author | : Margaret Cavendish of Newcastle |
Publisher | : |
Total Pages | : 0 |
Release | : 1668 |
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Publisher | : |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Art |
ISBN | : 9781855147461 |
100 Pioneering Women presents a selection of images of remarkable women, who have defied the expectations of their gender and made extraordinary contributions to British life over the past four centuries. An introduction from the Gallery's Senior Curator of Eighteenth Century Collections considers the representation of women in the Collection and the efforts being made to redress historical imbalances through the acquisition of portraits of notable women from the last four centuries. Extended captions provide context about each sitter's life and work and remind us of the impact of women in spheres as diverse as politics, science and medicine, the arts, engineering and law. This book features some of the National Portrait Gallery's most famous sitters - Elizabeth I, writer and women's rights advocate Mary Wollstonecraft, scientist Dorothy Hodgkin and architect and businesswoman Zaha Hadid - as well as paintings and photographs of lesser - known women whose influence is equally significant. A recently acquired portrait of anti-FGM campaigner and psychotherapist Leyla Hussein, a bromide cabinet card of Helena Normanton, the first woman to practise as a barrister in England, and a self-portrait by Angelica Kauffmann, one of the founding members of the Royal Academy, are also included in this highly illustrated publication.
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Total Pages | : 748 |
Release | : 1910 |
Genre | : Books |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 758 |
Release | : 1910 |
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