The Figural Jew
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| Author | : Sarah Hammerschlag |
| Publisher | : University of Chicago Press |
| Total Pages | : 310 |
| Release | : 2010-05-15 |
| Genre | : Religion |
| ISBN | : 0226315134 |
The rootless Jew, wandering disconnected from history, homeland, and nature, was often the target of early twentieth-century nationalist rhetoric aimed against modern culture. But following World War II, a number of prominent French philosophers recast this maligned figure in positive terms, and in so doing transformed postwar conceptions of politics and identity. Sarah Hammerschlag explores this figure of the Jew from its prewar usage to its resuscitation by Jean-Paul Sartre, Emmanuel Levinas, Maurice Blanchot, and Jacques Derrida. Sartre and Levinas idealized the Jew’s rootlessness in order to rethink the foundations of political identity. Blanchot and Derrida, in turn, used the figure of the Jew to call into question the very nature of group identification. By chronicling this evolution in thinking, Hammerschlag ultimately reveals how the figural Jew can function as a critical mechanism that exposes the political dangers of mythic allegiance, whether couched in universalizing or particularizing terms. Both an intellectual history and a philosophical argument, The Figural Jew will set the agenda for all further consideration of Jewish identity, modern Jewish thought, and continental philosophy.
| Author | : Sarah Hammerschlag |
| Publisher | : Columbia University Press |
| Total Pages | : 270 |
| Release | : 2016-08-30 |
| Genre | : Philosophy |
| ISBN | : 0231542135 |
Over a span of thirty years, twentieth-century French philosophers Emmanuel Levinas and Jacques Derrida held a conversation across texts. Sharing a Jewish heritage and a background in phenomenology, both came to situate their work at the margins of philosophy, articulating this placement through religion and literature. Chronicling the interactions between these thinkers, Sarah Hammerschlag argues that the stakes in their respective positions were more than philosophical. They were also political. Levinas's investments were born out in his writings on Judaism and ultimately in an evolving conviction that the young state of Israel held the best possibility for achieving such an ideal. For Derrida, the Jewish question was literary. The stakes of Jewish survival could only be approached through reflections on modern literature's religious legacy, a line of thinking that provided him the means to reconceive democracy. Hammerschlag's reexamination of Derrida and Levinas's textual exchange not only produces a new account of this friendship but also has significant ramifications for debates within Continental philosophy, the study of religion, and political theology.
| Author | : Sarah Hammerschlag |
| Publisher | : Brandeis University Press |
| Total Pages | : 293 |
| Release | : 2018-05-01 |
| Genre | : Philosophy |
| ISBN | : 151260187X |
"Modern Jewish thought" is often defined as a German affair, with interventions from Eastern European, American, and Israeli philosophers. The story of France's development of its own schools of thought has not been substantially treated outside the French milieu. This anthology of modern French Jewish writing offers the first look at how this significant and diverse body of work developed within the historical and intellectual contexts of France and Europe. Translated into English, these documents speak to two critical axes--the first between Jewish universalism and particularism, and the second between the identification and disidentification of French Jews with France as a nation. Offering key works from Simone Weil, Vladimir Janklvitch, Emmanuel Levinas, Albert Memmi, Hlne Cixous, Jacques Derrida, and many others, this volume is organized in roughly chronological order, to highlight the connections linking religion, politics, and history, as they coalesce around a Judaism that is unique to France.
| Author | : Manuela Consonni |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 378 |
| Release | : 2020-02-24 |
| Genre | : History |
| ISBN | : 3110597616 |
The starting point for this compilation is the wish to rethink the concept of antisemitism, race and gender in light of Sartre’s pioneering Réflexions sur la Question Juive seventy years after its publication. The book gathers texts by prestigious scholars from different disciplines in the Humanities and the Social Sciences, with the objective or revisiting this work locating it within the setting of two other pioneering – and we argue, related – publications, namely Simone De Beauvoir’s Le deuxième sexe of 1949 and Franz Fanon’s Peau noire et masques blancs of 1952. This particular and original standpoint sheds new light on the different meanings and political functions of the concept of antisemitism in a political and historical context marked by the post-modern concepts of multi-ethnicity and multiculturalism.
| Author | : David Dawson |
| Publisher | : Univ of California Press |
| Total Pages | : 314 |
| Release | : 2002 |
| Genre | : Religion |
| ISBN | : 0520226305 |
This text offers a contribution to one of Christianity's central problems: the understanding and interpretation of scripture specifically, the relationship between the Old Testament and the New.
| Author | : Lori Baron |
| Publisher | : SBL Press |
| Total Pages | : 461 |
| Release | : 2018-11-09 |
| Genre | : Religion |
| ISBN | : 0884143163 |
Focused studies on the historical interactions and formations of Judaism and Christianity This volume of essays, from an internationally renowned group of scholars, challenges popular ways of understanding how Judaism and Christianity came to be separate religions in antiquity. Essays in the volume reject the belief that there was one parting at an early point in time and contest the argument that there was no parting until a very late date. The resulting volume presents a complex account of the numerous ways partings occurred across the ancient Mediterranean spanning the first four centuries CE. Features: Case studies that explore how Jews and Christians engaged in interaction, conflict, and collaboration Examinations of the gospels, Paul’s letters, the book of James, as well as rabbinic and noncanonical Christian texts New evidence for historical reconstructions of how Christianity came on the world scene
| Author | : Jonathan Freedman |
| Publisher | : University of Chicago Press |
| Total Pages | : 311 |
| Release | : 2021-04-26 |
| Genre | : Art |
| ISBN | : 022658108X |
"Freedman's final book is a tour de force that examines the history of Jewish involvement in the decadent art movement. While decadent art's most notorious practitioner was Oscar Wilde, as a movement it spread through western Europe and even included a few adherents in Russia. Jewish writers and artists such as Catulle Mèndes, Gustav Kahn, and Simeon Solomon would portray non-stereotyped characters and produce highly influential works. After decadent art's peak, Walter Benjamin, Marcel Proust, and Sigmund Freud would take up the idiom of decadence and carry it with them during the cultural transition to modernism. Freedman expertly and elegantly takes readers through this transition and beyond, showing the lineage of Jewish decadence all the way through to the end of the twentieth century"--
| Author | : Sarah Pearce |
| Publisher | : Journal of Jewish Studies |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 9780957522800 |
Against the commonly held opinion that ancient Judaism was an artless culture, this sumptuously illustrated book offers new ways of looking at art in Jewish antiquity. Leading experts, under the editorship of Sarah Pearce, skilfully explore different functions of images in relation to their prohibition by the Second of the Ten Commandments. The visual world of ancient Judaism often reflects a tense confrontation between Mediterranean, artful classical culture and the image-filled, yet law-inspired biblical literature. Readers will encounter a rich collection of objects and texts analysed in different contexts, from Solomon's Temple to late antiquity. The imageless God of monotheistic Judaism combated the polytheistic cults of Israel's neighbours with the use of symbols. Figurative, floral and geometrical embellishments of synagogues served as decoration and not for worship. Narrative biblical scenes in the Dura-Europos synagogue played an educational and political role in Jewish society on the outskirts of the Roman Empire. Antique Jewish art exercised a profound influence on medieval Islam and even on the modern Western visual world. This book is aimed at both the scholarly world and all readers interested in religion and art.
| Author | : |
| Publisher | : Penn State Press |
| Total Pages | : 248 |
| Release | : 2009 |
| Genre | : Austria |
| ISBN | : 9780271047171 |
| Author | : Herbert L. Kessler |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 456 |
| Release | : 2012-10-08 |
| Genre | : Art |
| ISBN | : 0812208366 |
Christian cultures across the centuries have invoked Judaism in order to debate, represent, and contain the dangers presented by the sensual nature of art. By engaging Judaism, both real and imagined, they explored and expanded the perils and possibilities for Christian representation of the material world. The thirteen essays in Judaism and Christian Art reveal that Christian art has always defined itself through the figures of Judaism that it produces. From its beginnings, Christianity confronted a host of questions about visual representation. Should Christians make art, or does attention to the beautiful works of human hands constitute a misplaced emphasis on the things of this world or, worse, a form of idolatry ("Thou shalt make no graven image")? And if art is allowed, upon what styles, motifs, and symbols should it draw? Christian artists, theologians, and philosophers answered these questions and many others by thinking about and representing the relationship of Christianity to Judaism. This volume is the first dedicated to the long history, from the catacombs to colonialism but with special emphasis on the Middle Ages and the Renaissance, of the ways in which Christian art deployed cohorts of "Jews"—more figurative than real—in order to conquer, defend, and explore its own territory.
