The Fall Of The Studio
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Author | : Wouter Davidts |
Publisher | : Valiz |
Total Pages | : 264 |
Release | : 2009 |
Genre | : Art criticism |
ISBN | : |
Valiz's Antennae series picks up new currents in the arts and commissions essays that transmit current waves of thought. The Fall of the Studio: Artists at Work, a collection of new essays examining the role and significance of the artist's studio in the cultural production and criticism of the second half of the twentieth century, is its first publication. It critically assesses the changes that have occurred in the nature and function of the artist's studio from the postwar period on. A blend of art history, art criticism and art theory, written in an accessible, non-academic style, the book illuminates a number of artists' studio habits--from the 1960s through the present--including Eva Hesse, Mark Rothko, Olafur Eliasson, Bruce Nauman, Robert Morris, Daniel Buren, Martin Kippenberger, Paul McCarthy, Jason Rhoades and Jan De Cock.
Author | : Adam Abraham |
Publisher | : Wesleyan University Press |
Total Pages | : 321 |
Release | : 2012-03-09 |
Genre | : Performing Arts |
ISBN | : 0819572705 |
What do Franklin Roosevelt, Dr. Seuss, the U.S. Navy, and Mr. Magoo have in common? They are all part of the surprising story of the pioneering cartoon studio UPA (United Productions of America). Throughout the 1950s, a group of artists ran a business that broke all the rules, pushing animated films beyond the fluffy fantasy of the Walt Disney Studio and the crash-bang anarchy of Warner Bros. Instead, UPA’s films were innovative and graphically bold—the cartoon equivalent to modern art. When Magoo Flew is the first book-length study to chronicle the complete story of this unique American enterprise. The book features cameo appearances by Aldous Huxley, James Thurber, Orson Welles, Judy Garland, Robert Goulet, Jim Backus, Eddie Albert, and Woody Allen, as well as a select filmography of the best of UPA. Ebook Edition Note: The ebook has three images redacted: figures 1, 2, and 51.
Author | : Thomas Schatz |
Publisher | : Henry Holt and Company |
Total Pages | : 530 |
Release | : 2015-06-02 |
Genre | : Performing Arts |
ISBN | : 1627796452 |
At a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's tradional blend of business and art. This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making-and unmaking-of movies, from Frankenstein to Spellbound to Grand Hotel. Richly illustrated and highly readable, The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.
Author | : Susan McMartin |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 0 |
Release | : 2012-08-25 |
Genre | : Alcoholics |
ISBN | : 9781479186198 |
"Understanding the fall is Susan's first book and is based on her own personal experience of growing up with an alcoholic parent. She has performed readings of her book and has donated it to recovery houses and institutions throughout Los Angeles."--Page 4 of cover.
Author | : Vanda Krefft |
Publisher | : HarperCollins |
Total Pages | : 1501 |
Release | : 2017-11-28 |
Genre | : Biography & Autobiography |
ISBN | : 0062680676 |
A riveting story of ambition, greed, and genius unfolding at the dawn of modern America. This landmark biography brings into focus a fascinating brilliant entrepreneur—like Steve Jobs or Walt Disney, a true American visionary—who risked everything to realize his bold dream of a Hollywood empire. Although a major Hollywood studio still bears William Fox’s name, the man himself has mostly been forgotten by history, even written off as a failure. Now, in this fascinating biography, Vanda Krefft corrects the record, explaining why Fox’s legacy is central to the history of Hollywood. At the heart of William Fox’s life was the myth of the American Dream. His story intertwines the fate of the nineteenth-century immigrants who flooded into New York, the city’s vibrant and ruthless gilded age history, and the birth of America’s movie industry amid the dawn of the modern era. Drawing on a decade of original research, The Man Who Made the Movies offers a rich, compelling look at a complex man emblematic of his time, one of the most fascinating and formative eras in American history. Growing up in Lower East Side tenements, the eldest son of impoverished Hungarian immigrants, Fox began selling candy on the street. That entrepreneurial ambition eventually grew one small Brooklyn theater into a $300 million empire of deluxe studios and theaters that rivaled those of Adolph Zukor, Marcus Loew, and the Warner brothers, and launched stars such as Theda Bara. Amid the euphoric roaring twenties, the early movie moguls waged a fierce battle for control of their industry. A fearless risk-taker, Fox won and was hailed as a genius—until a confluence of circumstances, culminating with the 1929 stock market crash, led to his ruin.
Author | : Paul Wenzel |
Publisher | : Lulu.com |
Total Pages | : 74 |
Release | : 2019-06-11 |
Genre | : Performing Arts |
ISBN | : 0359849083 |
This is a small booklet of drum machine patterns, designed to fit in your pocket. It is a companion to other small travel-friendly music-making devices you might have.
Author | : Quinn Jacobson |
Publisher | : |
Total Pages | : 118 |
Release | : 2013-03-25 |
Genre | : Ambrotype |
ISBN | : 9781482659948 |
This book covers everything you need to know about wet-plate collodion photography. Quinn teaches you how to make direct positive images on glass and metal plates; Ambrotypes, Tintypes, and Alumitypes.
Author | : Mark Harris |
Publisher | : Penguin |
Total Pages | : 522 |
Release | : 2008 |
Genre | : History |
ISBN | : 9781594201523 |
Documents the cultural revolution behind the making of 1967's five Best Picture-nominated films, including Guess Who's Coming to Dinner, The Graduate, Doctor Doolittle, In the Heat of the Night, and Bonnie and Clyde, in an account that discusses how the movies reflected period beliefs about race, violence, and identity. 40,000 first printing.
Author | : David Thomson |
Publisher | : Yale University Press |
Total Pages | : 233 |
Release | : 2017-08-08 |
Genre | : Biography & Autobiography |
ISBN | : 0300231334 |
Behind the scenes at the legendary Warner Brothers film studio, where four immigrant brothers transformed themselves into the moguls and masters of American fantasy Warner Bros charts the rise of an unpromising film studio from its shaky beginnings in the early twentieth century through its ascent to the pinnacle of Hollywood influence and popularity. The Warner Brothers—Harry, Albert, Sam, and Jack—arrived in America as unschooled Jewish immigrants, yet they founded a studio that became the smartest, toughest, and most radical in all of Hollywood. David Thomson provides fascinating and original interpretations of Warner Brothers pictures from the pioneering talkie The Jazz Singer through black-and-white musicals, gangster movies, and such dramatic romances as Casablanca, East of Eden, and Bonnie and Clyde. He recounts the storied exploits of the studio’s larger-than-life stars, among them Al Jolson, James Cagney, Bette Davis, Errol Flynn, Humphrey Bogart, James Dean, Doris Day, and Bugs Bunny. The Warner brothers’ cultural impact was so profound, Thomson writes, that their studio became “one of the enterprises that helped us see there might be an American dream out there.”
Author | : Matthew Kennedy |
Publisher | : Oxford University Press |
Total Pages | : 318 |
Release | : 2015-09-02 |
Genre | : Music |
ISBN | : 0190262443 |
In Roadshow! The Fall of Film Musicals in the 1960s, film historian Matthew Kennedy explores the downfall of a beloved genre caught in the hands of misguided creators who glutted the American film market with a spate of expensive and financially unrewarding musicals between 1967 and 1972. In doing so, it offers an alternative view of this era in the world of American popular entertainment, telling of the cultural importance of the studios' death grip on the film business rather than dwelling on the failures of the flops themselves.