The Evolution Of Taste In American Collecting
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Author | : René Brimo |
Publisher | : Penn State Press |
Total Pages | : 512 |
Release | : 2016-12-13 |
Genre | : Art |
ISBN | : 0271077840 |
The Evolution of Taste in American Collecting is a new critical translation of René Brimo’s classic study of eighteenth- and nineteenth-century patronage and art collecting in the United States. Originally published in French in 1938, Brimo’s foundational text is a detailed examination of collecting in America from colonial times to the end of World War I, when American collectors came to dominate the European art market. This work helped shape the then-fledgling field of American art history by explaining larger cultural transformations as manifested in the collecting habits of American elites. It remains the most substantive account of the history of collecting in the United States. In his introduction, Kenneth Haltman provides a biographical study of the author and his social and intellectual milieu in France and the United States. He also explores how Brimo’s work formed a turning point and initiated a new area of academic study: the history of art collecting. Making accessible a text that has until now only been available in French, Haltman’s elegant translation of The Evolution of Taste in American Collecting sheds new critical light on the essential work of this extraordinary but overlooked scholar.
Author | : Lisandra Estevez |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 234 |
Release | : 2021-04-09 |
Genre | : Art |
ISBN | : 1527568199 |
This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bracketing the east and west coasts of the United States. This anthology considers how these works of art were acquired for both prominent public and private collections, how they have been curated and displayed in exhibitions, and how they have also been preserved historically. Individual essays address a variety of art media representative of the early modern period in Europe and the Americas. Case studies of specific works of art, collections, and collectors address the broad geographic scope of Southern collections, inclusive of Washington, DC, the Carolinas, Georgia, Alabama, Louisiana, Arkansas, and Texas.
Author | : John Carter |
Publisher | : Cambridge University Press |
Total Pages | : 215 |
Release | : 2014-10-23 |
Genre | : Language Arts & Disciplines |
ISBN | : 1107438144 |
Originally published in 1948, this book contains the text of the Sandars Lectures in Bibliography for the previous year. Carter reflects upon the evolution and method of book collecting from the middle of the nineteenth century until the 1940s, and meditates on what it means to be a book collector, the changing definition of that term, and recent developments in collecting styles. This book will be of value to anyone with an interest in bibliophilism or the history of book collecting.
Author | : Paul Freedman |
Publisher | : Univ of California Press |
Total Pages | : 380 |
Release | : 2007 |
Genre | : Cooking |
ISBN | : 9780520254763 |
This richly illustrated book applies the discoveries of the new generation of food historians to the pleasures of dining and the culinary accomplishments of diverse civilizations, past and present. Freedman gathers essays by French, German, Belgian, American, and British historians to present a comprehensive, chronological history of taste.
Author | : Jonathan Conlin |
Publisher | : Columbia University Press |
Total Pages | : 316 |
Release | : 2024-10-22 |
Genre | : Travel |
ISBN | : 0231556179 |
New York City’s Metropolitan Museum of Art is one of the world’s greatest cultural institutions. Its holdings encompass a vast range—including paintings, sculptures, costumes, instruments, and arms and armor—and span millennia, from ancient Egypt and Greece to Islamic art to European Old Masters and modern artists. How did the Met amass this trove, and what do the experiences of the people who bought, restored, catalogued, visited, and watched over these works tell us about the museum? This book is a groundbreaking bottom-up history of the Metropolitan Museum of Art, exploring both its triumphs and its failings. Jonathan Conlin tells the stories of the people who have shaped the museum—from curators and artists to museumgoers and security guards—and the communities that have made it their own. Highlighting inequalities of wealth, race, and gender, he exposes the hidden costs of the museum’s reliance on “robber barons” and oligarchs, the exclusionary immigration policies that influenced the foundation of the American Wing, and the obstacles faced by women curators. Drawing on extensive interviews with past and current staff, Conlin brings the story up to the present, including the museum’s troubled 150th anniversary in 2020. As the Met faces continued controversy, this book offers a timely account of the people behind an iconic institution and a compelling case for the museum’s vision of shared human creativity.
Author | : |
Publisher | : BRILL |
Total Pages | : 501 |
Release | : 2023-08-14 |
Genre | : Art |
ISBN | : 9004680446 |
In the late nineteenth and early twentieth centuries, Italian Renaissance art, objects, and even the idea of Italy itself figured heavily both in the dynamic international art market and in the eyes of the general public. The alternative objects that were actively dispersed and collected -- authentic works, pastiches, Renaissance-inspired counterfeits, and reproductions -- in the diverse media of paint, plaster, terracotta, and photography, had a tremendous impact on visual culture across social strata. These essays examine less studied aspects of this market through the lens of just a few of the countless successful sales of objects out of Italy.
Author | : Nika Elder |
Publisher | : Univ of California Press |
Total Pages | : 213 |
Release | : 2022-10-04 |
Genre | : Art |
ISBN | : 0520386418 |
Introduction : Harnett's objects -- Civil War relics and the end of history painting -- Text and the transformation of still life -- Specimens and the art of trompe l'oeil -- Manufactures and the politics of painting -- Epilogue : still life and its afterlives.
Author | : Leanne M. Zalewski |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 265 |
Release | : 2022-12-15 |
Genre | : Art |
ISBN | : 1501358316 |
This transatlantic study analyses a missing chapter in the history of art collecting, the first art market bubble in the United States. In the decades following the Civil War, French art monopolized art collections across the United States. During this “Gilded Age picture rush,” the commercial art system-art dealers, galleries, auction houses, exhibitions, museums, art journals, press coverage, art histories, and collection catalogues-established a strong foothold it has not relinquished to this day. In addition, a pervasive concern for improving aesthetics and providing the best contemporary art to educate the masses led to the formation not only of private art collections, but also of institutions such as the Metropolitan Museum of Art and to the publication of art histories. Richly informed by collectors' and art dealers' diaries, letters, stock books, journals, and hitherto neglected art histories, The New York Market for French Art in the Gilded Age, 1867-1893 offers a fresh perspective on this trailblazing era.
Author | : John Carter |
Publisher | : CUP Archive |
Total Pages | : 224 |
Release | : 1948 |
Genre | : Book collecting |
ISBN | : |
Author | : Jimmy L. Bryan, Jr. |
Publisher | : University Press of Kansas |
Total Pages | : 304 |
Release | : 2019-09-20 |
Genre | : History |
ISBN | : 0700628185 |
The mythmakers of US expansion have expressed “manifest destiny” in many different ways—and so have its many discontents. A multidisciplinary study that delves into these contrasts and contradictions, Inventing Destiny offers a broad yet penetrating cultural history of nineteenth-century US territorial acquisition—a history that gives voice to the underrepresented actors who significantly complicated US narratives of empire, from Native Americans and Anglo-American women to anti- and non-national expansionists. The contributors—established and emerging scholars from history, American studies, literary studies, art history, and religious studies—make use of source materials and techniques as various as artwork, religion, geospatial analysis, interior colonialism, and storytelling alongside fresh readings of traditional historical texts. In doing so, they seek to illuminate the complexities rather than simplify, to transgress borders rather than redraw them, and to amplify the under-told stories rather than repeat the old ones. Their work identifies and explores the obscure—or obscured—fictions of expansion, seeking a deeper understanding of the mechanisms of culture creation and recognizing those who resisted US territorial aggrandizement. In sum, Inventing Destiny demonstrates the value of cross-disciplinary approaches to the study of the multiple rationales, critiques, interventions, and contingencies of nineteenth-century US expansion.