The Establishment Of Modern English Prose In The Reformation And The Enlightenment
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Author | : Ian Robinson |
Publisher | : Cambridge University Press |
Total Pages | : 234 |
Release | : 1998-12-03 |
Genre | : Literary Criticism |
ISBN | : 9780521480888 |
Traces the history of prose and the evolution of the sentence as a literary form.
Author | : Graham T. Williams |
Publisher | : John Benjamins Publishing |
Total Pages | : 278 |
Release | : 2013-09-18 |
Genre | : Language Arts & Disciplines |
ISBN | : 9027271399 |
Located at the intersection of historical pragmatics, letters and manuscript studies, this book offers a multi-dimensional analysis of the letters of Joan and Maria Thynne, 1575-1611. It investigates multiple ways in which socio-culturally and socio-familially contextualized reading of particular collections may increase our understanding of early modern letters as a particular type of handwritten communicative activity. The book also adds to our understanding of these women as individual users of English in their historical moment, especially in terms of literacy and their engagement with cultural scripts. Throughout the book, analysis is based on the manuscript letters themselves and in this way several chapters address the importance of viewing original sources to understand the letters' full pragmatic significance. Within these broader frameworks, individual chapters address the women's use of scribes, prose structure and punctuation, performative speech act verbs, and (im)politeness, sincerity and mock (im)politeness.
Author | : Joan Lockwood ODonovan |
Publisher | : Bloomsbury Publishing |
Total Pages | : 329 |
Release | : 2023-11-16 |
Genre | : Religion |
ISBN | : 0567712524 |
This study commends the public theology of the English Reformation as a fruitful though neglected resource for a critical analysis of the contradictions of freedom that riddle late-modern liberal democracies and a constructive response to them. Drawn from the key legal, liturgical, homiletic and confessional elements of the English Reformation, this foundational Anglican tradition provides a theological vantage point for understanding current moral and political impasses in the western legacy of natural rights. The extensive development of natural rights in pre-modern scholastic theory and practice and its continuity with theoretical development from the 17th century onward make the Reformers' criticisms of scholastic moral, political, and ecclesial thought germane to identifying the problematic features of the prevailing modern tradition and to furnishing a theological alternative to them. These features are: an individualistic and voluntarist conception of moral agency, a regulative and juridical orientation to human relationships, and an anthropocentric concentration on human rather than on divine right, judgement, and freedom. The humanity they portray is detached from its created ordering to Christological perfection and bound within a self-enclosed ethical and political self-understanding. This is effectively countered by the English reformers' presentation of the salvation of creation in Christ, faith working through love, the spiritual fellowship of the church, and the provisional character of political jurisdiction.
Author | : Prudence Dailey |
Publisher | : A&C Black |
Total Pages | : 212 |
Release | : 2011-09-22 |
Genre | : Religion |
ISBN | : 1441160418 |
The words of The Book of Common Prayer have worked their way deeply into the hearts and minds of English-speaking people, second only to the English Bible and the works of Shakespeare. This collection of essays seeks not only to explore and commemorate the Book of Common Prayer's influence in the past but also to commend it for present use, and as an indispensable part of the Church's future -- both as a working liturgy and as the definitive source of Anglican doctrine.
Author | : Bridget Nichols |
Publisher | : SCM Press |
Total Pages | : 248 |
Release | : 2012-05-12 |
Genre | : Religion |
ISBN | : 0334042070 |
The Collect is a form of prayer which is a core part of the liturgical worship of most Christian traditions, certainly in the Christian West, yet, relatively little work has been done to reflect on the use of this common form of prayer in different traditions, and the Protestant tradition in particular. In this representative collection of essays Bridget Nichols draws together a range of leading scholars who reflect on the history and the development of this form of prayer common to all churches of the western tradition. As well as offering a historical introduction the book offers reflections on the collect in the Methodist tradition, in Baptist worship, in Scandinavian Lutheran traditions, in American Lutheranism and on collect writing today. Contributors include: Jeremy Haselock, Karen Westerfield-Tucker, Michael Perham, John Lampard and David Kennedy.
Author | : Uwe Michael Lang |
Publisher | : Catholic University of America Press |
Total Pages | : 239 |
Release | : 2018-07-11 |
Genre | : Religion |
ISBN | : 0813231396 |
This volume offers a selection of essays from the pages of Antiphon: A Journal for Liturgical Renewal, the official organ of the Society for Catholic Liturgy. The Society was founded in 1995 as a multidisciplinary association of Catholic scholars, teachers, pastors, and ecclesiastical professionals in the Anglophone world, with the aim of promoting the scholarly study and practical renewal of the sacred liturgy.
Author | : Cally Hammond |
Publisher | : SPCK |
Total Pages | : 207 |
Release | : 2015-01-15 |
Genre | : Religion |
ISBN | : 0281069557 |
Cally Hammond looks at how words function as carriers of semantic content (communicating facts and doctrines; telling stories; articulating emotions and spiritual perceptions) and then contrasts this with words as they function as physical entities striking the ear, so as to evoke emotions, memories and spiritual perceptions. This basic antithesis between words as carriers of meaning and words as evokers of feeling, emotion, and memory leads to four chapters that explore in fascinating detail the four main aspects of liturgical speech: posture, repetition, rhythm and punctuation.
Author | : John C. Leeds |
Publisher | : Routledge |
Total Pages | : 257 |
Release | : 2017-03-02 |
Genre | : Literary Criticism |
ISBN | : 1351904337 |
The relationship between Latin and the Scots vernacular in the chronicle literature of 16th-century Scotland provides the topic for this study. John Leeds here shows how the disposition of grammatical subjects, in the radically dissimilar syntactic systems of humanist neo-Latin and Scots, conditions the way in which "the subject" (i.e., the human individual) and its actions are conceived in the writing of history. In doing so, he extends the boundaries of existing critical literature on early modern "subjectivity" to include the subject of grammar, analyzing its incorporation into narrative sentences and illuminating the ideological contents of different systems for its deployment. Though focused on the chronicles of Renaissance Scotland, the argument can in principle be applied to the entire range of Latin-vernacular relations during the early modern period. While examining the intellectual culture of early modernity, Leeds also takes aim, at every stage of his argument, at the semiotic and social-constructionist orthodoxies that dominate the humanities today. Against the notion that human subjects are "discursive constructs," he argues for the subordination of discourse to realities, both material and immaterial, that are external to language. As part of this argument, he proposes a view of neo-Latin humanism as a resistance to the onset of modernity, arguing that Latin prose provides options (at once syntactic, ideological, and ontological) that vernacular culture has, to its considerable detriment, foreclosed. In sum, Leeds advocates a renewed and theoretically-informed commitment to the humanism that the humanities themselves have been at such pains, during the last scholarly generation, to depreciate.
Author | : Robin Bates |
Publisher | : Routledge |
Total Pages | : 179 |
Release | : 2008-01-11 |
Genre | : Drama |
ISBN | : 1135905126 |
Using a combined lens of cultural materialist and postcolonial studies to read the early modern inclusion of the Irish in the culture of the British empire, this study explores the cultural colonization or "impressment" as a way of understanding for Shakespeare’s representations of the Irish.
Author | : Vidyan Ravinthiran |
Publisher | : Bucknell University Press |
Total Pages | : 251 |
Release | : 2015-07-01 |
Genre | : Literary Criticism |
ISBN | : 1611486823 |
Elizabeth Bishop is now recognized as one of the greatest poets of the twentieth century—a uniquely cosmopolitan writer with connections to the US, Canada, Brazil, and also the UK, given her neglected borrowings from many English authors, and her strong influence on modern British verse. Yet the dominant biographical/psychoanalytical approach leaves her style relatively untouched—and it is vital that an increasing focus on archival material does not replace our attention to the writing itself. Bishop’s verse is often compared with prose (sometimes insultingly); writing fiction, she worried she was really writing poems. But what truly is the difference between poetry and prose—structurally, conceptually, historically speaking? Is prose simply formalized speech, or does it have rhythms of its own? Ravinthiran seeks an answer to this question through close analysis of Bishop’s prose-like verse, her literary prose, her prose poems, and her letter prose. This title is a provocation. It demands that we reconsider the pejorative quality of the word prosaic; playing on mosaic, Ravinthiran uses Bishop’s thinking about prose to approach—for the first time—her work in multiple genres as a stylistic whole. Elizabeth Bishop’s Prosaic is concerned not only with her inimitable style, but also larger questions to do with the Anglo-American shift from closed to open forms in the twentieth century. This study identifies not just borrowings from, but rich intertextual relationships with, writers as diverse as—among others—Gerard Manley Hopkins, W.H. Auden, Virginia Woolf, Flannery O’Connor, and Dorothy Richardson. (Though Bishop criticized Woolf, she in particular is treated as a central and thus far neglected precursor, crucial to our understanding of Bishop as a feminist poet.) Finally, the sustained discussion of how the history of prose frames effects of rhythm, syntax, and acoustic texture—in both Bishop’s prose proper and her prosaic verse—extends a body of research which seeks now to treat literature as a form of cognition. Technique and thought are finely wedded in Bishop’s work—her literary forms evince a historical intelligence attuned to questions of power, nationality, tradition (both literary and otherwise), race, and gender.