The Edinburgh Companion To Romanticism And The Arts
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Author | : David Punter |
Publisher | : Edinburgh University Press |
Total Pages | : 520 |
Release | : 2019-08-05 |
Genre | : Art, Gothic |
ISBN | : 1474432379 |
The Gothic is a contested and complicated phenomenon, extending over many centuries and across all the arts. In The Edinburgh Companion to the Gothic and the Arts, the range of essays run from medieval architecture and design to contemporary gaming and internet fiction; from classical painting to the modern novel; from ballet and dance to contemporary Goth music. The contributors include many of the best-known critics of the Gothic (e.g., Hogle, Punter, Spooner, Bruhm) as well as newer names such as Kirk and Round. The editor has put all these contributors in touch with each other in the preparation of their essays in order to ensure the maximum benefit to the reader by producing a well-integrated book which will prove much more than a collection of disparate essays, but rather a distinctive contribution to a field.
Author | : Maureen McCue |
Publisher | : Edinburgh Companions to Litera |
Total Pages | : 0 |
Release | : 2022-12-31 |
Genre | : Literary Criticism |
ISBN | : 9781474484176 |
The only volume to comprehensively bring together developments from different disciplines that address the complex interplay between British Romantic literature and the visual arts
Author | : Brian McHale |
Publisher | : Edinburgh University Press |
Total Pages | : 304 |
Release | : 2006-06-28 |
Genre | : Reference |
ISBN | : 0748627103 |
An imaginatively constructed new literary history of the twentieth century.This companion with a difference sets a controversial new agenda for literary -historical analysis. Far from the usual forced march through the decades, genres and national literatures, this reference work for the new century cuts across familiar categories, focusing instead on literary 'hot spots': Freud's Vienna and Conrad's Congo in 1899, Chicago and London in 1912, the Somme in July 1916, Dublin, London and Harlem in 1922, and so on, down to Bradford and Berlin in 1989 (the fatwa against Salman Rushdie, the new digital media), Stockholm in 1993 (Toni Morrison's Nobel Prize) and September 11, 2001.
Author | : Hannah Moss |
Publisher | : Edinburgh University Press |
Total Pages | : 1007 |
Release | : 2024-05-31 |
Genre | : |
ISBN | : 1399500430 |
Jane Austen was a keen consumer of the arts throughout her lifetime. The Edinburgh Companion to Jane Austen and the Arts considers how Austen represents the arts in her writing, from her juvenilia to her mature novels. The thirty-three original chapters in this Companion cover the full range of Austen's engagement with the arts, including the silhouette and the caricature, crafts, theatre, fashion, music and dance, together with the artistic potential of both interior and exterior spaces. This volume also explores her artistic afterlives in creative re-imaginings across different media, including adaptations and transpositions in film, television, theatre, digital platforms and games.
Author | : Maggie Humm |
Publisher | : Edinburgh University Press |
Total Pages | : 512 |
Release | : 2010-04-20 |
Genre | : Literary Criticism |
ISBN | : 074863553X |
The Edinburgh Companion to Virginia Woolf and the Arts is the most authoritative and up-to-date guide to Virginia Woolf's artistic influences and associations. In original, extensive and newly researched chapters by internationally recognised authors, the Companion explores Woolf's ideas about creativity and the nature of art in the context of the recent 'turn to the visual' in modernist studies with its focus on visual technologies and the significance of material production. The in-depth chapters place Woolf's work in relation to the most influential aesthetic theories and artistic practices, including Bloomsbury aesthetics, art and race, Vanessa Bell and painting, art galleries, theatre, music, dance, fashion, entertaining, garden and book design, broadcasting, film, and photography. No previous book concerned with Woolf and the arts has been so wide ranging or has paid such close attention to both public and domestic art forms.Illustrated with 16 olour as well as 39 black and white illustrations and with guides to further reading, the Companion will be an essential reference work for scholars, students and the general public.Key Features* An essential reference tool for all those working on or interested in Virginia Woolf, the arts, visual culture and modernist studies* Provides a new intellectual framework for the exciting discoveries of the past decades*Draws on archival and historical research into Virginia Woolf's manuscripts and her Bloomsbury milieu*Original chapters from expert contributors newly commissioned by Maggie Humm, widely known for her important work on Virginia Woolf and visual culture*Combines broad synthesis and original reflection setting Woolf's work in historical, cultural and artistic contexts
Author | : Catherine Brown (Lecturer) |
Publisher | : |
Total Pages | : 540 |
Release | : 2021 |
Genre | : |
ISBN | : 9781474496056 |
This text includes twenty-eight innovative chapters by specialists from across the arts, reassessing Lawrence's relationship to aesthetic categories and specific art forms in their historical and critical contexts.
Author | : Ann-Marie Einhaus |
Publisher | : Edinburgh University Press |
Total Pages | : 480 |
Release | : 2017-05-24 |
Genre | : History |
ISBN | : 1474425720 |
A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present
Author | : Benedict Taylor |
Publisher | : Cambridge University Press |
Total Pages | : 403 |
Release | : 2021-08-26 |
Genre | : History |
ISBN | : 1108475434 |
A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
Author | : Lynn Turner |
Publisher | : Edinburgh University Press |
Total Pages | : 559 |
Release | : 2018-03-07 |
Genre | : Art |
ISBN | : 1474418422 |
This volume critically investigates current topics and disciplines that are affected, enriched or put into dispute by the burgeoning scholarship on Animal Studies.
Author | : Frances Dickey |
Publisher | : Edinburgh University Press |
Total Pages | : 328 |
Release | : 2016-08-16 |
Genre | : Literary Criticism |
ISBN | : 1474405304 |
From his early "e;Curtain Raiser"e; to the late Four Quartets, T. S. Eliot took an interest in all the arts, drawing on them for poetic inspiration and for analysis in his prose. T. S. Eliot and the Arts provides extensive, high quality research about his many-sided engagement with painting, sculpture, museum artefacts, architecture, music, drama, music hall, opera and dance, as well as the emerging media of recorded sound, film and radio. Building on the newly published editions of Eliot's prose and poetry, this contemporary research collection opens avenues for understanding Eliot both in his own right as a poet and critic and as a foremost exemplar of interarts modernism.