The Drums of Kumasi
Author | : Alan Lloyd |
Publisher | : |
Total Pages | : 224 |
Release | : 1964 |
Genre | : Ashanti (African people) |
ISBN | : |
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Author | : Alan Lloyd |
Publisher | : |
Total Pages | : 224 |
Release | : 1964 |
Genre | : Ashanti (African people) |
ISBN | : |
Author | : Joseph S.Kaminski |
Publisher | : Routledge |
Total Pages | : 232 |
Release | : 2016-12-05 |
Genre | : Music |
ISBN | : 1351956876 |
Based on the author's fieldwork in Ghana with the Asante and Denkyira ntahera trumpeters, this book draws on interviews, field recordings, oral traditions, written accounts, archaeological evidence, transcriptions and linguistic analyses to situate the Asante trumpet tradition in historical culture. There are seven ivory trumpet ensembles in residence at the Asante Manhyia Palace in Kumase, and ivory trumpets are blown at every Akan court. The Asante trumpets, which are made from elephant tusks, are symbols of Asante strength and have an important role in Asante cosmology. Surrogate speech is performed via lipped tones through a tusk in praise of the Asante royal ancestors and the living Asante king. This book contains transcriptions and analyses of surrogate speech texts and their accompanying ensemble songs. When several ensembles play simultaneously as a representation of power, they make staggered entrances, beginning separate songs in order. This results in a simultaneous performance of separate songs. This phenomenon, which Kaminski has termed 'sound-barrage', is an ancient aesthetic, and is performed to protect the kingdom and the ancestors. It is both spiritual and acoustical. This 'sound barrage' is believed to act in the metaphysical world, dispelling evil spirits from court rituals, ancestor venerations, and funerals, for there is a spirit in the sound.
Author | : Odie Hawkins |
Publisher | : Open Road Media |
Total Pages | : 210 |
Release | : 2016-04-05 |
Genre | : Fiction |
ISBN | : 1504035720 |
Let Chester take you on a journey through Spain in his search to find himself—and write about it. He hooks up with “El Encanto”, a star-crossed matador. Then back to the States, where he meets and marries the love of his life. A honeymoon in West Africa leaves them yearning for a place they’ve never known, but feel is their home . . .
Author | : Paschal Yao Younge |
Publisher | : McFarland |
Total Pages | : 477 |
Release | : 2024-10-17 |
Genre | : Performing Arts |
ISBN | : 0786485310 |
The music and dance traditions of Ghana's four main ethnic groups are covered comprehensively in this book. It discusses concepts of music, dance and performance in general, and also goes into cultural perspectives, performance practices and the form and structure of 22 musical types or dance drumming ceremonies. As a guide to multicultural education, it provides teaching methods and components of curriculum development. Numerous photographs, maps, and musical scores generously illustrate the book.
Author | : J. H. Kwabena Nketia |
Publisher | : |
Total Pages | : 252 |
Release | : 1963 |
Genre | : Aakans (African people) |
ISBN | : |
Author | : Nate Plageman |
Publisher | : Indiana University Press |
Total Pages | : 337 |
Release | : 2013 |
Genre | : History |
ISBN | : 0253007259 |
Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana—when musicians took to the stage and dancers took to the floor—in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band "highlife" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music's emergence, evolution, and explosive popularity. This book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website.
Author | : Emmanuel Cudjoe |
Publisher | : Anthem Press |
Total Pages | : 134 |
Release | : 2024-11-12 |
Genre | : Performing Arts |
ISBN | : 1839991836 |
The Kete dance form, once exclusive to royal courts, carries intricate movements, symbolic gestures, and rhythms that mirror Ghanaian history and values. It embodies storytelling, often depicting tales of bravery, unity, or significant historical events. These dances were traditionally reserved for specific occasions within the royal setting, symbolizing prestige, honor, and tradition. With the passage of time, the transmission of Kete royal dance has transcended its original palace context, finding its way into academic domains. Universities and cultural institutions now extend the legacies of this dance form and even act as custodians of this art form, where scholars, dancers, and enthusiasts collaborate to study, preserve, and teach Kete dance. Through meticulous documentation, research, and practice, the academy endeavors to honor the Kete dance while making it accessible to a broader audience. This transmission from palace to academy serves as a testament to the resilience and adaptability of cultural traditions. It ensures the continuity of Ghanaian heritage and allows future generations, both within and beyond Ghana, to appreciate and learn from this profound dance form from an Afrocentric perspective.
Author | : Melvin F. Compton |
Publisher | : Xlibris Corporation |
Total Pages | : 825 |
Release | : 2010-02-09 |
Genre | : Drama |
ISBN | : 1462813690 |
BLACK LIONS, LOVE AND WAR A HISTORICAL DRAMA ON THE BRITISH--ASHANTI WARS. This work of well over a decade, is dedicated to Esi Ayensu of Cape Coast, and to the late Clive Compton, Barrister-At-Law and the late MaryAnn Compton, my loving parents who saw to it that I went to school, learned good manners and be polite, and also strong, for you may suffer long for what you may want. Everyone comes under my microscopic pen and my impeccable candor in this scholarly historical drama of love and war. And as an American I look out for the interest of the entire vast region, from as far down to Brazil Amazon, to U.S.A, Canada, Carribean Island, hoping Americans will read and enjoy my work. But this is too narrow. From my studies in Literature at U.C.L.A. where I earned a B.A. in Literature, on to my M.A. in Education at Georgia State University and my subsequent admission in the Doctoral program, I was taught NOT to see the tree but the entire forest. So now I hope that the entire World will read and enjoy my book and gain from it. It is sheer fun for me to read, create, write, and bring out my artistry, remembering always that this is what distinguishes me from the goat, the cow, the donkey and makes me human. Originate and be Scholarly and remember too that there is nothing as fiction, for the writer draws from life itself, the sine qua non of the pen. I LIVE FOR ART. MELVIN F. COMPTON [email protected]
Author | : Paul Schauert |
Publisher | : Indiana University Press |
Total Pages | : 364 |
Release | : 2015-09-07 |
Genre | : Performing Arts |
ISBN | : 0253017491 |
The Ghana Dance Ensemble takes Ghana's national culture and interprets it in performance using authentic dance forms adapted for local or foreign audiences. Often, says Paul Schauert, the aims of the ensemble and the aims of the individual performers work in opposition. Schauert discusses the history of the dance troupe and its role in Ghana's post-independence nation-building strategy and illustrates how the nation's culture makes its way onto the stage. He argues that as dancers negotiate the terrain of what is or is not authentic, they also find ways to express their personal aspirations, discovering, within the framework of nationalism or collective identity, that there is considerable room to reform national ideals through individual virtuosity.