The Dramatic Works In The Beaumont And Fletcher Canon Volume 8 The Queen Of Corinth The False One Four Plays Or Moral Representations In One The Knight Of Malta The Tragedy Of Sir John Van Olden Barnavelt The Custom Of The Country
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The Dramatic Works in the Beaumont and Fletcher Canon: Volume 8, The Queen of Corinth, The False One, Four Plays, Or Moral Representations, in One, The Knight of Malta, The Tragedy of Sir John Van Olden Barnavelt, The Custom of the Country
Author | : Francis Beaumont |
Publisher | : Cambridge University Press |
Total Pages | : 0 |
Release | : 2008-04-24 |
Genre | : Literary Collections |
ISBN | : 0521060486 |
This is the eighth volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains the texts of five plays and one composite Fours Plays in One, written by Fletcher and his collaborators, Nathan Field and Philip Massinger. Each play is introduced by a discussion of the text, has variant readings in footnotes, and is followed by full textual notes and lists of press-variants, emendations of accidentals and historical collations.
Cultures of Calvinism in Early Modern Europe
Author | : Crawford Gribben |
Publisher | : Oxford University Press |
Total Pages | : 269 |
Release | : 2019-11-01 |
Genre | : Religion |
ISBN | : 0190066180 |
Scholars have associated Calvinism with print and literary cultures, with republican, liberal, and participatory political cultures, with cultures of violence and vandalism, enlightened cultures, cultures of social discipline, secular cultures, and with the emergence of capitalism. Reflecting on these arguments, the essays in this volume recognize that Reformed Protestantism did not develop as a uniform tradition but varied across space and time. The authors demonstrate that multiple iterations of Calvinism developed and impacted upon differing European communities that were experiencing social and cultural transition. They show how these different forms of Calvinism were shaped by their adherents and opponents, and by the divergent political and social contexts in which they were articulated and performed. Recognizing that Reformed Protestantism developed in a variety of cultural settings, this volume analyzes the ways in which it related to the multi-confessional cultural environment that prevailed in Europe after the Reformation.
Forthcoming Books
Author | : Rose Arny |
Publisher | : |
Total Pages | : 2896 |
Release | : 1992-10 |
Genre | : American literature |
ISBN | : |
Pre-restoration Stage Studies
Author | : William John Lawrence |
Publisher | : |
Total Pages | : 462 |
Release | : 1927 |
Genre | : English drama |
ISBN | : |
The Oxford Companion to English Literature
Author | : Sir Paul Harvey |
Publisher | : |
Total Pages | : 888 |
Release | : 1932 |
Genre | : American literature |
ISBN | : |
The Tamer Tamed
Author | : John Fletcher |
Publisher | : Bloomsbury Publishing |
Total Pages | : 218 |
Release | : 2014-05-29 |
Genre | : Drama |
ISBN | : 1408143801 |
The Tamer Tamed is the subtitle or alternative title to John Fletcher's The Woman's Prize, a comedic sequel and reply to The Taming of the Shrew. The plot switches the gender roles of Shakespeare's play: the women seek to tame the men. Katherine (the "shrew" of the original) has died, and Petruchio takes a second wife, Maria. Maria denounces her former mildness and vows not to sleep with Petruchio until she "turn him and bend him as [she] list, and mold him into a babe again." After many comedic exchanges and plot twists, Petruchio is finally "tamed" in the eyes of Maria, and the play ends with the two reconciled. The play is seen to reflect how society's views of women, femininity, and "domestic propriety" were beginning to change. It is said that Fletcher wrote this play to attract Shakespeare's attention - the two went on to collaborate on at least three plays together. This brand new New Mermaid edition offers unique and fresh insight into the critical interpretation of the play. It builds on current critical foundations (the relationship with Taming of the Shrew, gender relations etc) and suggests different areas of interest (popular associations of the shrew, the question of reputation, and a re-examination of the play's structure). as well as examining stage history and recent productions.