The Dixie Apocalypse
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| Author | : Richard Fossey |
| Publisher | : BrownBooks.ORM |
| Total Pages | : 248 |
| Release | : 2023-01-13 |
| Genre | : Fiction |
| ISBN | : 1612545750 |
This “fast-moving” southern American dystopian novel is “full of twists and turns” and “perhaps an insightful vision of the second Texas republic” (W. Michael Gear, New York Times–bestselling author of Dissolution). In this near-future, post-apocalyptic novel, retired lawyer-turned-professor Willoughby Burns finds himself trying to survive against hunger and deadly threats in southern Louisiana. The Dixie Apocalypse takes place in an America ravaged by natural disasters, lack of petroleum, plagues, and terrorism. What is left of the United States is controlled by martial law. Life itself becomes primitive and favors those who can grow their own food or handle firearms. Will befriends US General Merski stationed in Baton Rouge, LA, and founds a farming community of fifty farms on the eastern bank of the Mississippi river due south of downtown Baton Rouge. General Merski enlists Will as a civilian commissary officer, in charge of carrying out errands for his troops without arousing suspicion. When the general sends Will down to Texas on to bring back supplies for his garrison, Will’s survivals skills are put to the ultimate test.
| Author | : Victor Gischler |
| Publisher | : Simon and Schuster |
| Total Pages | : 336 |
| Release | : 2008-07-08 |
| Genre | : Fiction |
| ISBN | : 1439105588 |
Mortimer Tate was a recently divorced insurance salesman when he holed up in a cave on top of a mountain in Tennessee and rode out the end of the world. Go-Go Girls of the Apocalypse begins nine years later, when he emerges into a bizarre landscape filled with hollow reminders of an America that no longer exists. The highways are lined with abandoned automobiles; electricity is generated by indentured servants pedaling stationary bicycles. What little civilization remains revolves around Joey Armageddon's Sassy A-Go-Go strip clubs, where the beer is cold, the lap dancers are hot, and the bouncers are armed with M16s. Accompanied by his cowboy sidekick Buffalo Bill, the gorgeous stripper Sheila, and the mountain man Ted, Mortimer journeys to the lost city of Atlanta -- and a showdown that might determine the fate of humanity.
| Author | : Will McIntosh |
| Publisher | : Hachette UK |
| Total Pages | : 239 |
| Release | : 2012-12-06 |
| Genre | : Fiction |
| ISBN | : 1405522658 |
We've always imagined the world coming to an end in spectacular, explosive fashion. But what if - instead - humanity is just destined to slowly crumble? For Jasper and his nomadic tribe, their former life as middle-class Americans seems like a distant memory. Their world took a turn for the worse - and then never got better. Resources are running out, jobs keep getting scarcer, and the fabric of society is slowly disintegrating . . . . But in the midst of this all, Jasper's just a guy trying to make ends meet, find a nice girl who won't screw him around, and keep his group safe on the violent streets. Soft Apocalypse follows the tribe's struggle to find a place for themselves and their children in the dangerous new place their world has become.
| Author | : David Janssen |
| Publisher | : ReadHowYouWant.com |
| Total Pages | : 510 |
| Release | : 2011-04-25 |
| Genre | : Music |
| ISBN | : 145961917X |
From its indefinite beginnings through its broad commercialization and endless reinterpretation, American rock-and-roll music has been preoccupied with an end-of-the-world mentality that extends through the whole of American popular music. In Apocalypse Jukebox, Edward Whitelock and David Janssen trace these connections through American music genres, uncovering a mix of paranoia and hope that characterizes so much of the nation's history. From the book's opening scene, set in the American South during a terrifying 1833 meteor shower, the sense of doom is both palpable and inescapable; a deep foreboding that shadows every subsequent development in American popular music and, as Whitelock and Janssen contend, stands as a key to understanding and explicating America itself. Whitelock and Janssen examine the diversity of apocalyptic influences within North American recorded music, focusing in particular upon a number of influential performers, including Bob Dylan, Leonard Cohen, John Coltrane, Devo, R.E.M., Sleater-Kinney, and Green Day. In Apocalypse Jukebox, Whitelock and Janssen reveal apocalypse as a permanent and central part of the American character while establishing rock-and-roll as a true reflection of that character.
| Author | : Gerald Horne |
| Publisher | : NYU Press |
| Total Pages | : 243 |
| Release | : 2020-06-30 |
| Genre | : Social Science |
| ISBN | : 1583678743 |
Acclaimed historian Gerald Horne troubles America's settler colonialism's "creation myth" August 2019 saw numerous commemorations of the year 1619, when what was said to be the first arrival of enslaved Africans occurred in North America. Yet in the 1520s, the Spanish, from their imperial perch in Santo Domingo, had already brought enslaved Africans to what was to become South Carolina. The enslaved people here quickly defected to local Indigenous populations, and compelled their captors to flee. Deploying such illuminating research, The Dawning of the Apocalypse is a riveting revision of the “creation myth” of settler colonialism and how the United States was formed. Here, Gerald Horne argues forcefully that, in order to understand the arrival of colonists from the British Isles in the early seventeenth century, one must first understand the “long sixteenth century”– from 1492 until the arrival of settlers in Virginia in 1607. During this prolonged century, Horne contends, “whiteness” morphed into “white supremacy,” and allowed England to co-opt not only religious minorities but also various nationalities throughout Europe, thus forging a muscular bloc that was needed to confront rambunctious Indigenes and Africans. In retelling the bloodthirsty story of the invasion of the Americas, Horne recounts how the fierce resistance by Africans and their Indigenous allies weakened Spain and enabled London to dispatch settlers to Virginia in 1607. These settlers laid the groundwork for the British Empire and its revolting spawn that became the United States of America.
| Author | : Richard Dellamora |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 320 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : 9780812215588 |
From accounts of the Holocaust, to representations of AIDS, to predictions of environmental disaster; from Hal Lindsey's fundamentalist 1970s bestseller The Late Great Planet Earth, to Francis Fukuyama's The End of History and the Last Man in 1992, the sense of apocalypse is very much with us. In Postmodern Apocalypse, Richard Dellamora and his contributors examine apocalypse in works by late twentieth-century writers, filmmakers, and critics.
| Author | : John Joseph Collins |
| Publisher | : Oxford Handbooks |
| Total Pages | : 565 |
| Release | : 2014 |
| Genre | : Religion |
| ISBN | : 0199856494 |
Apocalypticism arose in ancient Judaism in the last centuries BCE and played a crucial role in the rise of Christianity. It is not only of historical interest: there has been a growing awareness, especially since the 2001 terrorist attacks on the United States, of the prevalence of apocalyptic beliefs in the contemporary world. To understand these beliefs, it is necessary to appreciate their complex roots in the ancient world, and the multi-faceted character of the phenomenon of apocalypticism. The Oxford Handbook of Apocalyptic Literature is a thematic and phenomenological exploration of apocalypticism in the Judaic and Christian traditions. Most of the volume is devoted to the apocalyptic literature of antiquity. Essays explore the relationship between apocalypticism and prophecy, wisdom and mysticism; the social function of apocalypticism and its role as resistance literature; apocalyptic rhetoric from both historical and postmodern perspectives; and apocalyptic theology, focusing on phenomena of determinism and dualism and exploring apocalyptic theology's role in ancient Judaism, early Christianity, and Gnosticism. The final chapters of the volume are devoted to the appropriation of apocalypticism in the modern world, reviewing the role of apocalypticism in contemporary Judaism and Christianity, and more broadly in popular culture, addressing the increasingly studied relation between apocalypticism and violence, and discussing the relationship between apocalypticism and trauma, which speaks to the underlying causes of the popularity of apocalyptic beliefs. This volume will further the understanding of a vital religious phenomenon too often dismissed as alien and irrational by secular western society.
| Author | : David W. Barbee |
| Publisher | : |
| Total Pages | : 144 |
| Release | : 2011-09-01 |
| Genre | : Fiction |
| ISBN | : 9781936383870 |
Blade Runner meets Sling Blade in the weirdest Southern Gothic ever. Far into the future, in the nuclear bowels of post-apocalyptic Dixie, there is a town. A town of derelict mobile homes, ancient junk, and mutant wildlife. A town of slack jawed rednecks who bask in the splendors of moonshine and mud boggin'. A town dedicated to the bloody and demented legacy of the Old South. A TOWN CALLED SUCKHOLE But all is not well for the last remnant of hillbilly society. Suckhole's annual "Hell-Yeah Heritage Jamboree" is suddenly threatened by a string of gruesome murders. The town's sheriff, an illiterate yokel with a cleft pallet, is at his extremely limited wit's end, and he knows there is only one man smart enough to solve the mystery: Dexter Spikes, a monstrous missing link between swamp and man brought to life by natural evolution. He lives in the swamps alone, shunned by the simple townsfolk of Suckhole who don't believe in the wicked sciencery of his existence. If Dexter takes the sheriff's case, he'll have to face the undead culprits behind the murders, who are determined to bring about the next apocalypse. If he refuses the job, the town will be doomed to a vicious slaughter. "A Town Called Suckhole is the finest post-apocalyptic southern gothic mudpunk buddy-cop blow-out ever put to print. Which is to say this mutant motherfucker of a debut novel lands with serious world-inventing swagger and marks David W Barbee as a go-to Bizarro writer for outrageously over-the-top action, big laughs and surprising heart." -JEREMY ROBERT JOHNSON, author of We Live Inside You and Angel Dust Apocalypse "With the manic intensity of a tent revival on fire and the stupefying mendacity of a snake oil peddler on peyote, Barbee builds a rich, grimy world so steeped in rampaging Confederate id that for long stretches, I could not see it clearly through my red, blinding rage at not having written it, myself." -CODY GOODFELLOW, author of Perfect Union
| Author | : Bradley J. Longfield |
| Publisher | : Westminster John Knox Press |
| Total Pages | : 278 |
| Release | : 2013-01-01 |
| Genre | : Religion |
| ISBN | : 066423156X |
This book provides a history of Presbyterians in American culture from the early eighteenth to the late twentieth century. Longfield assesses both the theological and cultural development of American Presbyterianism, with particular focus on the mainline tradition that is expressed most prominently in the Presbyterian Church (U.S.A.). He explores how Presbyterian churches--and individuals rooted in those churches--influenced and were influenced by the values, attitudes, perspectives, beliefs, and ideals assumed by Americans in the course of American history. The book will serve as an important introduction to Presbyterian history that will interest historians, students, and church leaders alike.
| Author | : Julia Elliott |
| Publisher | : Tin House Books |
| Total Pages | : 378 |
| Release | : 2014-10-14 |
| Genre | : Fiction |
| ISBN | : 1935639927 |
"At an obscure South Carolina nursing home, a lost world reemerges as a disabled elderly woman undergoes newfangled brain-restoration procedures and begins to explore her environment with the assistance of strap-on robot legs. At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudo-religious dogma of Zen-infused self-help. And in a rinky-dink mill town, an adolescent girl is unexpectedly inspired by the ravings and miraculous levitation of her fundamentalist friend's weird grandmother. These are only a few of the scenarios readers encounter in Julia Elliott's debut collection, The Wilds. In these genre-bending stories, teetering between the ridiculous and the sublime, Elliott's language-driven fiction uses outlandish tropes to capture poignant moments in her humble characters' lives. Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play. "--
