The Distinction Of Fiction
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Author | : Dorrit Cohn |
Publisher | : JHU Press |
Total Pages | : 214 |
Release | : 2000-12 |
Genre | : Literary Criticism |
ISBN | : 9780801865220 |
Winner of the Aldo and Jeanne Scaglione Prize for Comparative Literary Studies from the Modern Language Association Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary Studies The border between fact and fiction has been trespassed so often it seems to be a highway. Works of history that include fictional techniques are usually held in contempt, but works of fiction that include history are among the greatest of classics. Fiction claims to be able to convey its own unique kinds of truth. But unless a reader knows in advance whether a narrative is fictional or not, judgment can be frustrated and confused. In The Distinction of Fiction, Dorrit Cohn argues that fiction does present specific clues to its fictionality, and its own justifications. Indeed, except in cases of deliberate deception, fiction achieves its purposes best by exercising generic conventions that inform the reader that it is fiction. Cohn tests her conclusions against major narrative works, including Proust's A la Recherche du temps perdu, Mann's Death in Venice, Tolstoy's War and Peace, and Freud's case studies. She contests widespread poststructuralist views that all narratives are fictional. On the contrary, she separates fiction and nonfiction as necessarily distinct, even when bound together. An expansion of Cohn's Christian Gauss lectures at Princeton and the product of many years of labor and thought, The Distinction of Fiction builds on narratological and phenomenological theories to show that boundaries between fiction and history can be firmly and systematically explored.
Author | : Paul LaFarge |
Publisher | : Macmillan |
Total Pages | : 398 |
Release | : 2002-10-02 |
Genre | : Fiction |
ISBN | : 9780312420925 |
In this stunning, imaginative novel, LaFarge explores a secret in the life of Baron Georges-Eugene Haussmann, the great architect who demolished and rebuilt Paris in the middle of the 19th century. A "New York Times" Notable Book of 2001. 3 illustrations.
Author | : Dorrit Claire Cohn |
Publisher | : Princeton University Press |
Total Pages | : 344 |
Release | : 2020-05-05 |
Genre | : Literary Criticism |
ISBN | : 0691213127 |
This book investigates the entire spectrum of techniques for portraying the mental lives of fictional characters in both the stream-of-consciousness novel and other fiction. Each chapter deals with one main technique, illustrated from a wide range of nineteenth- and twentieth-century fiction by writers including Stendhal, Dostoevsky, James, Mann, Kafka, Joyce, Proust, Woolf, and Sarraute.
Author | : Samuel R. Delany |
Publisher | : Wesleyan University Press |
Total Pages | : 433 |
Release | : 2014-09-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 0819574244 |
From the four-time Nebula Award–winning novelist and literary critic, essential reading for the creative writer. Award-winning novelist Samuel R. Delany has written a book for creative writers to place alongside E. M. Forster’s Aspects of the Novel and Lajos Egri’s Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight. Here is an indispensable companion for serious writers everywhere. “Delany has certainly spent more time thinking about the process of generating narratives—and subsequently getting the fruits of his lucubrations down on paper?than any other writer in the genre. . . . Delany’s latest volume in this vein (About Writing) might be his best yet... Truly, as the jacket copy boasts, this book is the next best thing to taking one of Delany’s courses. . . . [R]eaders will find many answers here to the mysteries of getting words down on a page.” —Paul DiFilippo, Asimov’s Science Fiction “Useful and thoughtful advice for aspiring (and practicing apprentice) authors. About Writing is autobiography, criticism, and a guidebook to good writing all in one.” —Robert Elliot Fox, Professor of English, Southern Illinois University at Carbondale “Should go on the short list of required reading for every would-be writer.” —New York Times Book Review (on Of Doubts and Dreams in About Writing)
Author | : Anna Funder |
Publisher | : Harper Collins |
Total Pages | : 296 |
Release | : 2012-02-07 |
Genre | : Fiction |
ISBN | : 0062077589 |
Award-winning author Anna Funder delivers an affecting and beautifully evocative debut novel about a group of young German exiles who risk their lives to awaken the world to the terrifying threat of Hitler and Nazi Germany. Based on real-life events and people, All That I Am brings to light the heroic, tragic, and true story of a small group of left-wing German social activists who mounted a fierce and cunning resistance from their perilous London exile, in a novel that fans of Suite Francaise, The Piano Teacher, and Atonement will find irresistible and unforgettable. “An intimate exploration of human connection and our responsibility to one another.” —Colum McCann, author of Let the Great World Spin
Author | : Guillermo Erades |
Publisher | : Farrar, Straus and Giroux |
Total Pages | : 385 |
Release | : 2016-05-03 |
Genre | : Fiction |
ISBN | : 0374714304 |
Tuesday night: vodka and dancing at the Hungry Duck. Wednesday morning: posing as an expert on Pushkin at the university. Thursday night: more vodka and girl-chasing at Propaganda. Friday morning: a hungover tour of Gorky's house. Martin came to Moscow at the turn of the millennium hoping to discover the country of Dostoyevsky, Tolstoy, and his beloved Chekhov. Instead he found a city turned on its head, where the grimmest vestiges of Soviet life exist side by side with the nonstop hedonism of the newly rich. Along with his hard-living expat friends, Martin spends less and less time on his studies, choosing to learn about the Mysterious Russian Soul from the city's unhinged nightlife scene. But as Martin's research becomes a quest for existential meaning, love affairs and literature lead to the same hard-won lessons. Russians know: There is more to life than happiness. Back to Moscow is an enthralling story of debauchery, discovery, and the Russian classics. In prose recalling the neurotic openheartedness of Ben Lerner and the whiskey-sour satire of Bret Easton Ellis, Guillermo Erades has crafted an unforgettable coming-of-age story and a complex portrait of a radically changing city.
Author | : Jean-Marie Schaeffer |
Publisher | : U of Nebraska Press |
Total Pages | : 0 |
Release | : 2010-07-01 |
Genre | : Literary Criticism |
ISBN | : 0803217587 |
In Why Fiction?—one of the most important works of narrative theory to come out of France in recent years—Jean-Marie Schaeffer understands fiction not as a literary genre but, in contrast to all other literary theorists, as a genre of life. The result is arguably the first systematic refutation of Plato’s polemic against fiction and a persuasive argument for regarding fiction as having a cognitive function. For Schaeffer fiction includes not only narrative fiction but also children’s games, videos, film, drama, certain kinds of painting, opera—in short, all the intentional structures arising from shared imaginative reality. Because video games and cyber-technologies are the new sites of entry for many children into such an imagined universe, studying these cyber-fictions has become integral to our understanding of fiction. Through these avenues, Schaeffer also explores the foundations of mimeticism in order to explain the important effect fiction has on human beings. His work thus establishes fiction as a universal aspect of human culture and offers a profound and resounding answer to the question: Why fiction?
Author | : Tom Malmquist |
Publisher | : Melville House |
Total Pages | : 241 |
Release | : 2018-01-30 |
Genre | : Fiction |
ISBN | : 1612197116 |
A NEW YORK TIMES NOTABLE BOOK of 2018 * Amazon Book of the Month ✳︎ Indies Introduce 2018 ✳︎ INDIES NEXT 2018 Selection "In Every Moment We Are Still Alive is a tremendous feat of emotional and artistic discipline. ... a triumph."— New York Times Book Review Acclaimed on the front page of the New York Times Book Review, a stunning tour de force telling a powerful tale of love, loss, and redemption In Every Moment We Are Still Alive tells the story of a man whose world has come crashing down overnight: His long-time partner has developed a fatal illness, just as she is about to give birth to their first child ... even as his father is diagnosed with cancer. Reeling in grief, Tom finds himself wrestling with endless paperwork and indecipherable diagnoses, familial misunderstandings and utter exhaustion while trying simply to comfort his loved ones as they begin to recede from him. But slowly, amidst the pain and fury, arises a story of resilience and hope, particularly when Tom finds himself having to take responsibility for the greatest gift of them all, his newborn daughter. Written in an unforgettable style that dives deep into the chaos of grief and pain, yet also achieves a poetry that is inspiring, In Every Moment We Are Still Alive is slated to become one of the most stirring novels of the year.
Author | : Collectif |
Publisher | : Presses universitaires François-Rabelais |
Total Pages | : 193 |
Release | : 2017-06-01 |
Genre | : Literary Criticism |
ISBN | : 2869064721 |
Individually, these articles approach narrative from various angles, focusing both on matters that have been debated since even before the advent of narratology and on questions that have been dealt with in only a limited way in the past; together, they show that narratology, far from being a method defined by fixed procedures, is diverse in its theoretical orientations and analytical practices and responsive to the evolution of literary theory and criticism. Model-building inherent in all forms of narratological research has taken on a less monolithic character as researchers in the field have sought to account for the multiplicity of the fine points of literary expression that the highly differentiated corpus of narratives provides. It may well be appropriate to view work being done in narratology today as a new chapter in the study of how narrative contents, narrative signifiers and their configurations and the dynamics of narrative deployment interact. The articles in this volume are offered as a contribution to the writing of this new chapter.
Author | : Jesse Kellerman |
Publisher | : |
Total Pages | : 0 |
Release | : 2009 |
Genre | : Art |
ISBN | : 9780751540284 |
In a New York slum a tenant has mysteriously disappeared--leaving behind a huge collection of sick but brilliant paintings. For art dealer Ethan Muller, this is the discovery of a lifetime. He displays the pictures in his gallery and watches as they rocket up in value. But suddenly the police want to talk to him. It seems that the missing artist had a deadly past. Sucked into an investigation four decades cold, Ethan will uncover a secret legacy of shame and death, one that will touch horrifyingly close to home--and leave him fearing for his own life.--P.4 of cover.