The Dictionary Of Indus Symbols
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| Author | : Rekha Rao |
| Publisher | : Independently Published |
| Total Pages | : 162 |
| Release | : 2018-10-07 |
| Genre | : History |
| ISBN | : 9781726820332 |
This book is a new approach for creating a categorized understanding of Indus seal symbols. Two hundredand sixty-two symbols have been analyzed in this book along with their geometric constructions whereapplicable. Each symbol has a unique definition, the interpretation of which is such that they hold themeaning regardless of the seals they appear in. In addition, the research considers the sequence of symbolsand its implications on the meaning of seals. This attempt at creating a dictionary for Indus seals based onVedic rituals can be used to interpret many more seals.Several themes such as the purpose of making the seals, the class of people using them, and the geometricalperfections that were adopted while structuring some of the symbols have been analyzed. The book alsostudies the numerous variations in symbols and addresses why it is hard to find identical seals.The seals portrayed on a two-inch stone piece could have been for ease of handling, transportation andstorage as reference documents for practitioners involved in Vedic rituals. It could also have served thepurpose of avoiding mistakes during recitation and ritual procedures at a time when script was non-existent.
| Author | : S. Kalyanaraman |
| Publisher | : |
| Total Pages | : 574 |
| Release | : 2013 |
| Genre | : History |
| ISBN | : 9780982897188 |
Based on corpora of Indus writing and a dictionary, the book validates Aristotle's insight on writing systems. Indus writing is composed using symbols of spoken words. The symbols are hieroglyphs of meluhha (mleccha) words spoken by artisans recording the repertoire of stone, mineral and metal workers. The writing results in a set of catalogs of metalworking of bronze age. Evidence of this competence in metallurgy which evolved from 4th millennium BCE of bronze age, is provided in corpora of metalware catalogs and a dictionary of melluhha (mleccha). Indus writing was a principal tool of economic administration for account-keeping by artisan and trader guilds and did not record literature or, history. Some sacred ideas and historical links across interaction areas between India and ancient Near East, may be inferred from the writing.
| Author | : Asko Parpola |
| Publisher | : Cambridge University Press |
| Total Pages | : 400 |
| Release | : 2009-10-01 |
| Genre | : Social Science |
| ISBN | : 9780521795661 |
Of the writing systems of the ancient world which still await deciphering, the Indus script is the most important. It developed in the Indus or Harappan Civilization, which flourished c. 2500-1900 BC in and around modern Pakistan, collapsing before the earliest historical records of South Asia were composed. Nearly 4,000 samples of the writing survive, mainly on stamp seals and amulets, but no translations. Professor Parpola is the chief editor of the Corpus of Indus Seals and Inscriptions. His ideas about the script, the linguistic affinity of the Harappan language, and the nature of the Indus religion are informed by a remarkable command of Aryan, Dravidian, and Mesopotamian sources, archaeological materials, and linguistic methodology. His fascinating study confirms that the Indus script was logo-syllabic, and that the Indus language belonged to the Dravidian family.
| Author | : S. M. Sullivan |
| Publisher | : |
| Total Pages | : 293 |
| Release | : 2011 |
| Genre | : India |
| ISBN | : 9781450770613 |
| Author | : Hans Georg Wunderlich |
| Publisher | : |
| Total Pages | : 367 |
| Release | : 1983-01-01 |
| Genre | : Minoans |
| ISBN | : 9789602262610 |
The secret of Crete is Wunderlich's attempt to resolve the paradoxes that have obsessed the archaeological world ever since Evan's spectacular find at the beginning of this century.
| Author | : Adrian Frutiger |
| Publisher | : |
| Total Pages | : 372 |
| Release | : 1998 |
| Genre | : Literary Criticism |
| ISBN | : |
Discusses the elements of a sign, and looks at pictograms, alphabets, calligraphy, monograms, text type, numerical signs, symbols, and trademarks.
| Author | : Shikaripur Ranganatha Rao |
| Publisher | : |
| Total Pages | : 500 |
| Release | : 1982 |
| Genre | : History |
| ISBN | : |
| Author | : Srinivasan Kalyanaraman |
| Publisher | : |
| Total Pages | : 800 |
| Release | : 2012 |
| Genre | : Hieroglyphics |
| ISBN | : 9780982897126 |
The book links the invention of writing to the inventions of bronze-age technologies. Indus script is claimed to be one of the earliest writing systems of the world dated to c. 3500 BCE. The book claims that Indian language union (sprachbund or Indian linguistic area) dates back to the period when Indus script was used. About 1000 lexemes of Meluhha (mleccha) have been identified and explained in the context of ciphertext of Indian hieroglyphs. These substratum glosses are the foundation for further studies in the evolution of languages and linguistic features absorbed from one another, in Indian language union (sprachbund). Using evidence from almost all hieroglyphs in the 6000 + inscriptions, this book makes a contribution to an understanding of the middle phase in evolution of writing systems, a phase which bridged pictographic writing with syllabic writing to represent sounds of a language called meluhha (mleccha) in Indian language union - lingua franca of Harosheth hagoyim, smithy of nations. The continuum of hieroglyph tradition in Indian linguistic area is evaluated in the context of continued use of Indian hieroglyphs on thousands of punch-marked coins together with syllabic scripts of kharosti and brahmi . The book establishes that ancient India was a language union with speakers of Munda, Dravidian and Indo-Aryan languages learning technical words related to bronze-age metallurgy from one another. They used these words in the writing system. The book draws heavily from a multi-lingual dictionary of over 25 ancient languages called Indian Lexicon for unraveling the cipher of the Indus script, as an exercise in solving a cryptography problem. The writing system was called mlecchita vikalpa (Cryptography of Meluhhas/Mlecchas) and is mentioned in an 8th century BCE work by Vatsyayana. The Indian hieroglyphs find their echoes in the goat-fish hieroglyphs on a ritual basin of Uruk (Sumer) and the Egyptian hieroglyph for Bat showing a mudhif reed symbol which also occurs on Uruk basin. The 'reed' read rebus denotes Glyph: eruva 'reed'. Rebus: eruva 'copper'. Also discussed are some Egyptian hieroglyph parallels from the statue of Hathor-Menkaure-Bat triad of the fourth dynasty and the continued tradition of building reed huts by Todas comparable to the mudhifs of ancient Sumer. This book is a sequel to the author's Indus Script Cipher (2010). http: //tinyurl.com/7dflhyq
| Author | : Asko Parpola |
| Publisher | : Oxford University Press |
| Total Pages | : 385 |
| Release | : 2015-07-15 |
| Genre | : Religion |
| ISBN | : 0190226935 |
Hinduism has two major roots. The more familiar is the religion brought to South Asia in the second millennium BCE by speakers of Aryan or Indo-Iranian languages, a branch of the Indo-European language family. Another, more enigmatic, root is the Indus civilization of the third millennium BCE, which left behind exquisitely carved seals and thousands of short inscriptions in a long-forgotten pictographic script. Discovered in the valley of the Indus River in the early 1920s, the Indus civilization had a population estimated at one million people, in more than 1000 settlements, several of which were cities of some 50,000 inhabitants. With an area of nearly a million square kilometers, the Indus civilization was more extensive than the contemporaneous urban cultures of Mesopotamia and Egypt. Yet, after almost a century of excavation and research the Indus civilization remains little understood. How might we decipher the Indus inscriptions? What language did the Indus people speak? What deities did they worship? Asko Parpola has spent fifty years researching the roots of Hinduism to answer these fundamental questions, which have been debated with increasing animosity since the rise of Hindu nationalist politics in the 1980s. In this pioneering book, he traces the archaeological route of the Indo-Iranian languages from the Aryan homeland north of the Black Sea to Central, West, and South Asia. His new ideas on the formation of the Vedic literature and rites and the great Hindu epics hinge on the profound impact that the invention of the horse-drawn chariot had on Indo-Aryan religion. Parpola's comprehensive assessment of the Indus language and religion is based on all available textual, linguistic and archaeological evidence, including West Asian sources and the Indus script. The results affirm cultural and religious continuity to the present day and, among many other things, shed new light on the prehistory of the key Hindu goddess Durga and her Tantric cult.
| Author | : Gautam Chatterjee |
| Publisher | : Abhinav Publications |
| Total Pages | : 166 |
| Release | : 2001 |
| Genre | : Hindu symbolism |
| ISBN | : 9788170173977 |
Hinduism Is Not Merely A Religion But A Way Of Life. Hinduism, In Its Traverse Of Four Thousand Years, Has Accumulated Many A Belief And Practice, Which Encompass The Whole Socio-Religio-Cultural Life Of A Devout. Since The Mythological Past, Hinduism Is Studded With Varied Signs And Symptoms, Which Are Mystic In Character And Symbolic In Nature, And Are Also Sacred Symbols Of Spiritualism As Well. These Symbols Are The Sacred Rivers; Mystic Mantras Like Om And Gayatri; The Auspicious Symbol Of Swastika; The Shivalinga, Salagram Shila Or Sacred Stone Objects; Tripundra Tilaks Or Urdhapundra Tilaks- The Process Of Besmearing The Body With Different Marks Of Sandal Pastes; The Sacred Conch Or Sankha And Venerated Trees Which Have Medicinal Value And Spiritual Ethos Like Tulsi, Vata, Rudraksha, Etc. All These Are Part Of Modern Hinduism But To Many Devouts And Observers These Symbols Stand Enigmatic! Thus This Book Attempts To Explore And Unearth The Hidden Philosophy Of These Signs And Gauge The Socio-Scientific Base And Tries To Find Out The Real Meaning Of Ritualistic Methodologies Of These Symbols, Which Are The Great Objects Of Veneration Of The Hindus Down The Ages.
