The Defence Of Tradition In Brazilian Popular Music
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| Author | : Sean Stroud |
| Publisher | : Routledge |
| Total Pages | : 273 |
| Release | : 2016-03-23 |
| Genre | : Music |
| ISBN | : 1317036182 |
Sean Stroud examines how and why Música Popular Brasileira (MPB) has come to have such a high status, and why the musical tradition (including MPB) within Brazil has been defended with such vigour for so long. He emphasizes the importance of musical nationalism as an underlying ideology to discussions about Brazilian popular music since the 1920s, and the key debate on so-called 'cultural invasion' in Brazil. The roles of those responsible for the construction of the idea of MPB are examined in detail. Stroud analyses the increasingly close relationship that has developed between television and popular music in Brazil with particular reference to the post-1972 televised song festivals. He goes on to consider the impact of the Brazilian record industry in the light of theories of cultural imperialism and globalization and also evaluates governmental intervention relating to popular music in the 1970s. The importance of folklore and tradition in popular music that is present in both Mário de Andrade and Marcus Pereira's efforts to 'musically map' Brazil is clearly emphasized. Stroud contrasts these two projects with Hermano Vianna and Itaú Cultural's similar ventures at the end of the twentieth century that took a totally different view of musical 'authenticity' and tradition. Stroud concludes that the defence of musical traditions in Brazil is inextricably bound up with nationalistic sentiments and a desire to protect and preserve. MPB is the musical expression of the Brazilian middle class and has traditionally acted as a cultural icon because it is associated with notions of 'quality' by certain sectors of the media.
| Author | : Sean James Stroud |
| Publisher | : |
| Total Pages | : 562 |
| Release | : 2005 |
| Genre | : Popular music |
| ISBN | : |
| Author | : Lorraine Leu |
| Publisher | : Routledge |
| Total Pages | : 193 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351573225 |
Brazilian Popular Music, or M‘sica Popular Brasileira (MPB), developed in the mid 1960s as a response to the re-thinking of Brazilian national identity following the establishment of the post-1964 military regime. A leading figure in MPB at this time was Caetano Veloso, and it is his music and its reception that form the focus of this book. A leader of the Tropicalist movement, Veloso sought to initiate a critical debate on Brazilian Popular Music and the political and ideological foundations which underpinned its aesthetic. Lorraine Leu examines Veloso's musical and vocal styles, revealing the ways in which they play with traditional expectations between the performer and listener, and argues that they represent an important response to the severe censorship and repression of the military regime.
| Author | : David Treece |
| Publisher | : Reaktion Books |
| Total Pages | : 234 |
| Release | : 2013-07-15 |
| Genre | : Music |
| ISBN | : 1780231202 |
As Brazil grows in stature as a global power, more and more people are discovering the country’s fascinating culture, especially the striking exuberance and inventiveness of Brazilian popular music. In Brazilian Jive, David Treece uncovers the genius of Brazilian song, both as a sophisticated, articulate art form crafted out of the dialogue between music and language and as a powerfully eloquent expression of the country’s social and political history. Focusing on the cultural struggles of making music in Brazil, Treece traces the rise of samba through the bossa nova revolution of the late 1950s to the emergence of rap in the 1990s. He describes how Brazilian music grew out of the pain and dispossession of slavery and, inspired by African traditions, how it celebrates new ways of moving freely in time and space. Redolent with the rhythms and tones of the modern, the Brazilian soundscape also expresses the country’s dissonances and contradictions, while the conversation between melody and word often signifies a larger dialogue between its artistic and political cultures. Looking below the surface of Brazilian culture, Brazilian Jive provides fresh insight into the music of this vibrant and colorful nation.
| Author | : Martha Tupinamba de Ulhoa |
| Publisher | : Routledge |
| Total Pages | : 499 |
| Release | : 2014-12-05 |
| Genre | : Music |
| ISBN | : 1135954852 |
Made in Brazil: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth-century Brazilian popular music. The volume consists of essays by scholars of Brazilian music, and covers the major figures, styles, and social contexts of pop music in Brazil. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Brazilian popular music. The book first presents a general description of the history and background of popular music in Brazil, followed by essays that are organized into thematic sections: Samba and Choro; History, Memory, and Representations; Scenes and Artists; and Music, Market and New Media.
| Author | : George Torres |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 517 |
| Release | : 2013-03-27 |
| Genre | : Music |
| ISBN | : 0313087946 |
This comprehensive survey examines Latin American music, focusing on popular—as opposed to folk or art—music and containing more than 200 entries on the concepts and terminology, ensembles, and instruments that the genre comprises. The rich and soulful character of Latin American culture is expressed most vividly in the sounds and expressions of its musical heritage. While other scholars have attempted to define and interpret this body of work, no other resource has provided such a detailed view of the topic, covering everything from the mambo and unique music instruments to the biographies of famous Latino musicians. Encyclopedia of Latin American Popular Music delivers scholarly, authoritative, and accessible information on the subject, and is the only single-volume reference in English that is devoted to an encyclopedic study of the popular music in this genre. This comprehensive text—organized alphabetically—contains roughly 200 entries and includes a chronology, discussion of themes in Latin American music, and 37 biographical sidebars of significant musicians and performers. The depth and scope of the book's coverage will benefit music courses, as well as studies in Latin American history, multicultural perspectives, and popular culture.
| Author | : Guillermina De Ferrari |
| Publisher | : Taylor & Francis |
| Total Pages | : 694 |
| Release | : 2022-08-19 |
| Genre | : Foreign Language Study |
| ISBN | : 0429602677 |
The Routledge Companion to Twentieth and Twenty-First Century Latin American Literary and Cultural Forms brings together a team of expert contributors in this critical and innovative volume. Highlighting key trends within the discipline, as well as cutting-edge viewpoints that revise and redefine traditional debates and approaches, readers will come away with an understanding of the complexity of twenty-first-century Latin American cultural production and with a renovated and eminently contemporary understanding of twentieth-century literature and culture. This invaluable resource will be of interest to advanced students and academics in the fields of Latin American literature, cultural studies, and comparative literature.
| Author | : Lorraine Leu |
| Publisher | : |
| Total Pages | : 574 |
| Release | : 2007 |
| Genre | : Popular music |
| ISBN | : |
This thesis explores the role played by Brazilian performer and composer Caetano Veloso in critically examining the tradition of popular music in Brazil. I examine how the artist's treatment of tradition aims to create a dialogue between past and present in Brazilian popular music expression. The thesis demonstrates how Caetano Veloso's approach to songwriting appropriates practices and discourses of the country's popular music traditions, and rearticulates and reinvents them in a contemporary context. -- The methodology of the thesis is led by the multiple texts that make up popular music expression; namely the performative, or visual text, the musical text and the lyrical text of the songs. Chapter 1 examines the visual dimension of the Tropicalia movement in Caetano's style and performances. It discusses how ideas of national culture and identity were disputed through performance and in different performing spaces during this period in the late 1960s. In Chapter 2 the focus is on the role of vocal activity in the traditional relationship between performer and public and how Caetano Veloso challenges that relationship. Chapter 3 is concerned with the ways in which cultural memory and tradition are transmitted in the verbal and musical language of popular song. The object of analysis of Chapter 4 is the love song, an important genre in the tradition of Brazilian popular music since the mid-18th century. This chapter uses the relational context of the love song to provide insights into the relationship between the self and society, and the relationship between the performer and the public.
| Author | : Charles A. Perrone |
| Publisher | : |
| Total Pages | : 288 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : 9780813018218 |
This illustrated collection of essays devoted to the international character and appeal of Brazil's song and dance music includes contributions from scholars in the fields of ethnomusicology, cultural studies, literature, anthropology, sociology, and communications and from Caetano Veloso, the intellectual pop star and a towering figure on the Brazilian music scene for decades.
| Author | : Hermano Vianna |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 168 |
| Release | : 2000-11-09 |
| Genre | : History |
| ISBN | : 0807898864 |
Samba is Brazil's "national rhythm," the foremost symbol of its culture and nationhood. To the outsider, samba and the famous pre-Lenten carnival of which it is the centerpiece seem to showcase the country's African heritage. Within Brazil, however, samba symbolizes the racial and cultural mixture that, since the 1930s, most Brazilians have come to believe defines their unique national identity. But how did Brazil become "the Kingdom of Samba" only a few decades after abolishing slavery in 1888? Typically, samba is represented as having changed spontaneously, mysteriously, from a "repressed" music of the marginal and impoverished to a national symbol cherished by all Brazilians. Here, however, Hermano Vianna shows that the nationalization of samba actually rested on a long history of relations between different social groups--poor and rich, weak and powerful--often working at cross-purposes to one another. A fascinating exploration of the "invention of tradition," The Mystery of Samba is an excellent introduction to Brazil's ongoing conversation on race, popular culture, and national identity.
