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| Author | : Tamara Palmer |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 204 |
| Release | : 2005 |
| Genre | : Music |
| ISBN | : 9780879308575 |
Offers an overview of "Dirty South" rap--a phenomenon centered around cities such as Atlanta, Miami, and New Orleans--covering such groups as The Neptunes, Timbaland, OutKast, Lil Jon, Ludacris, and Cee-Lo.
| Author | : John Connolly |
| Publisher | : Simon and Schuster |
| Total Pages | : 464 |
| Release | : 2021-05-11 |
| Genre | : Fiction |
| ISBN | : 1982127554 |
"John Connolly returns with a prequel that goes back to the very beginning of Private Investigator Charlie Parker's astonishing career with his first terrifying case"--
| Author | : Bianca Phillips |
| Publisher | : Book Publishing Company |
| Total Pages | : 358 |
| Release | : 2013-07-10 |
| Genre | : Cooking |
| ISBN | : 1570679258 |
Crunk is a Southern slang term that means “to get excited.” Keepin' it real and makin' it fun, vegan blogger Bianca Phillips adopted the Southern slang term to convey passion and pride for her heritage and the down-home food she was raised on. By incorporating country staples (beans, corn, and fresh produce) that have been the basis of Southern cooking for generations, Bianca offers no-frills, no-nonsense soul food dishes with a wholesome twist. These family classics, minus the meat, eggs, and dairy products, help keep traditional Southern foodways alive while allowing vegans, vegetarians, and anyone who cares about healthful eating to enjoy this satisfying down-home fare. From cheese-free Ro*Tel dip and country-fried tempeh steak to eggplant jambalaya and smoky stewed okra and tomatoes, Cookin’ Crunk offers plenty in the way of classic Southern comfort food. There's also a bounty of sweet treats that includes cobblers, bread pudding, dark chocolate bourbon pecan pie, and peanut butter and banana "Elvis" cupcakes.
| Author | : Allan Williams |
| Publisher | : AuthorHouse |
| Total Pages | : 284 |
| Release | : 2006-11-29 |
| Genre | : Fiction |
| ISBN | : 1467816264 |
The Legend of Storetry continues to prevail with its ghetto gospels and real life stories that will shock the psyche and help open the blind and ghetto souls in the world in a poetic and raunchy motion. Storetry has returned to rapture the ghettos in America to the next level. It is a down to earth and up close and personal hardcore book that will expand the awareness of the ignorant if read carefully. That which makes a person laugh can also make a person cry so never judge a book by its cover or title because miracles dont happen until you give something a try. So dont stop at this introduction because the real wisdom lies within the pages of this book and there is something different on each page so open up and take a close look.
| Author | : Valerie Cassel Oliver |
| Publisher | : Duke University Press |
| Total Pages | : 0 |
| Release | : 2021 |
| Genre | : ART |
| ISBN | : 9781934351192 |
Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
| Author | : Ace Atkins |
| Publisher | : Harper Collins |
| Total Pages | : 382 |
| Release | : 2005-03-29 |
| Genre | : Fiction |
| ISBN | : 0060004630 |
An ex-football player, turned blues historian, has twenty-four hours to save the life of his friend.
| Author | : Alex Wheatle |
| Publisher | : Profile Books |
| Total Pages | : 224 |
| Release | : 2011-05-26 |
| Genre | : Fiction |
| ISBN | : 1847654819 |
Brixton, twenty years after the race riots. Teenager Dennis Huggins drifts into the easy, dangerous life of the shotta - or drug dealer - and discovers that, hard as the struggle for respect on the streets is, the struggle for love is harder still. At least Dennis has involved parents looking out for him; too many of his friends drift through life with no positive influences or moral code; their only 'family' their fellow dealers. Wheatle brilliantly evokes the temptations of the thug life for young black men growing up in London's 'Dirty South' - this is a fast, compelling novel that offers no easy answers, but refuses to shy away from asking the difficult questions.
| Author | : Kat Addams |
| Publisher | : Kat Addams |
| Total Pages | : 587 |
| Release | : 2020-11-17 |
| Genre | : Fiction |
| ISBN | : |
Grit and Grind Being a best-selling romance author doesn’t make falling in love any easier … Christopher Kaiser’s books were taking the romance genre by storm. Rumor even had it that his sexy stories had actually been inspired by personal experiences. But the notorious Southern playboy wasn’t ready for a stand-alone relationship. What would happen to his writing if Christopher settled for just one muse? He was about to find out … Aspiring author Klara Woods found herself lacking inspiration. A string of bad relationships and a meet-cute gone wrong had left her with empty sheets … in more ways than one. Taking matters into her own hands, Klara decided to jump-start her career by attending a writer’s workshop in her hometown of Memphis. But it was her love life that was about to get a rewrite in the city of grit and grind. Nashvegas Nights What happened backstage didn’t always stay backstage … in Nashvegas. Music Row star Jason Jones loved three things—his dog, ice-cold beer, and gorgeous redheads. His life sounded like a country song … and he had the baggage to prove it. One minute, he was onstage, crooning to a flame-haired goddess, and then he was backstage, giving her an encore she’d never forget. Neither would he … Hot-mess express Dorothy Elizabeth Prudence was a nurse by day and lonely by night. With a name like that, she never got laid. That was about to change, thanks to her wingwoman bestie. Hitting Nashville’s Music Row for a wild night had seemed like an excellent idea. She was only looking for a good time but found a lot more than she’d bargained for. They both did … Mr. Big Ego Finding love in The Big Easy is a gamble … especially when he’s your new boss. Event planner Samantha Masson had sworn off alpha men after a nasty divorce. The last thing she was looking for was a man with an ego bigger than his bank account. Too bad that was exactly what she found when she spent a wild night in the arms of a masked stranger. Planning a Halloween masquerade gala for the infamous Victor Beaumont made a nice addition to her reputable portfolio. She just hadn’t planned on becoming a notch on his bedpost … or falling for him in the process. But there was more to the man behind the mask … Millionaire Victor Beaumont owned the largest rum distillery in New Orleans. He had power, wealth, and all that came with it, including the crushing weight of responsibility. He would gladly walk away from everything for a chance to be his own man, but tradition wouldn’t allow it … and neither would his pride. As a skilled actor, he had everyone fooled with his arrogance and charming wit. Until he met the infuriatingly talented and beautiful Samantha, who saw right through him. From rendezvous to romance, he couldn’t keep his hands off of her. To keep her, he would have to take his mask off once and for all … Keywords: small town romance, HEA, romance books, funny love books, romantic comedy, romantic comedy books, romcom books, rom-com, new adult romance, new adult, happily-ever-after, student teacher romance, college romance, romantic novels, love stories, southern romance, humorous fiction, funny romance, enemies to lovers, second chance romance, billionaire romance, boss romance, workplace romance
| Author | : Roger D. Abrahams |
| Publisher | : Routledge |
| Total Pages | : 398 |
| Release | : 2018-04-20 |
| Genre | : Social Science |
| ISBN | : 1351523201 |
With the growth of interest in folklore, it becomes increasingly evident that the presentation of a collection needs some rationale more than the fact that traditional materials have been collected and properly annotated. Much has been gathered and is now accessible through journals, archives, and lists. If a corpus of lore is not presented in some way, which bears new light on the process of word-of-mouth transmission, on traditional forms or expressions, or on the group among whom the lore was encountered, there is little reason to present it to the public. This work represents an attempt to present a body of folklore collected among one small group of Black Americans in a neighborhood in South Philadelphia. The author's approach toward collection and presentation has been intensive. He has tried to collect "in depth," and to recreate in his presentation the social background in which the lore was found, and to relate the lore with the life and the values of the group. Abraham's work is a departure from any past methods of analyzing folklore, and therefore a description of the author's point of view and his method will be given first. The majority of this work was written before his methodology was actually formulated. However throughout the project û the object was to illuminate as fully as possible the lore of one small group of African Americans from urban Philadelphia. The methodology, which developed, did so because of this objective more than anything else. Though the formulation of this theory may seem ex post facto, it is included because it clarified much during the rewritings of this book, and more importantly, because it will clarify many matters for the lay reader and for the professional folklorist.
| Author | : James A. Crank |
| Publisher | : LSU Press |
| Total Pages | : 271 |
| Release | : 2023-11-15 |
| Genre | : Literary Criticism |
| ISBN | : 0807180807 |
The Dirty South examines the shifting significances of the South as a constructed, fantasized region in the American psyche, particularly its frequent association with tropes of dirt that emphasize soil, garbage, trash, grit, litter, mud, swamp water, slime, and pollution. Beginning with iconic works from the 1970s such as Deliverance and The Texas Chainsaw Massacre, James A. Crank traces the image of a “dirty” South into the twenty-first century to explore the social, political, and psychological effects of the region’s hold on the imaginations of southerners and nonsoutherners alike. With a focus on media forms through which southern identity gets articulated and questioned—including horror movies, Swamp Thing comics, and popular music by artists such as Waylon Jennings and OutKast—The Dirty South probes the sustained fascination with southern dirtiness while reflecting on its causes and consequences since the end of the civil rights era. Highlighting the period from 1970 to 2020, during which the South began to represent several new possible identities for the nation as a whole and for the area itself, Crank considers the ways that southerners have used depictions of dirt to create and police boundaries and to contest those boundaries. Each chapter pairs prominent literary or cultural texts from the 1970s with more contemporary works, such as Jordan Peele’s film Get Out, which recycle similar investments or, critically, challenge the inherent whiteness of the earlier images. By historicizing fantasies of the region and connecting them to the first decades of the twenty-first century, The Dirty South reveals that notions about southern dirtiness proliferate not because they lend authenticity or relevancy to the U.S. South, but because they aid so conspicuously in the zombified work of tethering investors (real and imagined) to a graveyard of ideas.
